Hück's woodcuts arrived at a time when American printmaking had grown moribund and stale after decades of decline. Hück and his fellow Outlaw Printmakers constituted the vanguard of a new generation of artists who embraced a Medieval art form lashed it with social satire, irony, and proclivity to the offensive.Tom Hück: The Devil is in The Details, Prints 1995-2020 is the first retrospective of Hück's work and compiles not only his finished work but glimpses into his process and the evolution of his ideas from notebook to, in the case of works such as The Transformation of Brandy baghead, over fifty square feet of carved wood and paper. This book details the first two decades of Hück's work and lays the groundwork for monumental works to come.
For years, many of Twain’s philosophical, religious, and historical fantasies concerning the nature and condition of humanity remained unpublished. Thirty-six of these writings make their first appearance here.
"This is a wonderful collection of authors from America and around the world. Centuries are covered, making this a great resource for English teachers and any lover of literature." — Life Community Church This treasury of one hundred tales offers students and other readers of short fiction a splendid selection of stories by masters of the form. Contributors from around the world include Edgar Allan Poe, Harriet Beecher Stowe, Guy de Maupassant, Charles Dickens, Anton Chekhov, Mark Twain, Saki, Luigi Pirandello, Kate Chopin, and Ring Lardner. The stories, which are arranged chronologically, begin with tales by Daniel Defoe ("The Apparition of Mrs. Veal," 1705), Benjamin Franklin ("Alice Addertongue," 1732), and Washington Irving ("The Devil and Tom Walker," 1824). Highlights from the nineteenth century include Ivan Turgenev's "The District Doctor" (1852), Sarah Orne Jewett's "A White Heron" (1886), Thomas Hardy's "Squire Petrick's Lady" (1891), and Rudyard Kipling's "Wee Willie Winkie" (1899). From the twentieth century come James Joyce's "Araby" (1914), Franz Kafka's "The Judgment" (1916), Virginia Woolf's "The Mark on the Wall" (1921), "The Broken Boot" (1923) by John Galsworthy, and many others. "A fabulous collections of stories sure to please any reader! The chronological layout is perfect for those looking to explore the development of stories over time and their relation to society." — Whitchurch-Stouffville Public Library
Becky Thatcher wants to set the record straight. She was never the weeping ninny Mark Twain made her out to be in his famous novel. She knew Samuel Clemens before he was "Mark Twain," when he was a wide-eyed dreamer who never could get his facts straight. Yes, she was Tom's childhood sweetheart, but the true story of their love, and the dark secret that tore it apart, never made it into Twain's novel. Now married to Tom's cousin Sid Hopkins, Becky has children of her own to protect while the men of Missouri are off fighting their "un-Civil" War. But when tragedy strikes at home, Becky embarks on a phenomenal quest to find her husband and save her family---a life journey that takes her from the Mississippi River's steamboats to Ozark rebel camps, from Nevada's silver mines to the gilded streets of San Francisco. Time and again, stubborn but levelheaded Becky must reconcile her independent spirit and thirst for adventure with the era's narrow notions of marriage and motherhood. As she seeks to find a compromise between fulfillment and security, she also grapples with ghosts of her past. Can she forgive herself, or be forgiven, for the lies she's told to the men she's loved? Will she ever forget the maddening, sweet-talking, irresponsible Tom Sawyer, the boy who stole her heart as a little girl? And when she is old, and Huck and Tom and Twain only memories, whose shadow will still lie beside her?
Billy has spent his almost-sixteen years with four cardinal points--Mother, Christ, Bible, and Home-school--but when he sets off on a wild road trip to find the father he thought was dead, he learns much about himself and life.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE GLOBE AND MAIL Norman Mailer was one of the towering figures of twentieth-century American letters and an acknowledged master of the essay. Mind of an Outlaw, the first posthumous publication from this outsize literary icon, collects Mailer’s most important and representative work in the form that many rank as his most electrifying. As America’s foremost public intellectual, Norman Mailer was a ubiquitous presence in our national life—on the airwaves and in print—for more than sixty years. With his supple mind and pugnacious persona, he engaged society more than any other writer of his generation. The trademark Mailer swagger is much in evidence in these pages as he holds forth on culture, ideology, politics, sex, gender, and celebrity, among other topics. Here is Mailer on boxing, Mailer on Hemingway, Mailer on Marilyn Monroe, and, of course, Mailer on Mailer—the one subject that served as the beating heart of all of his nonfiction. From his early essay “A Credo for the Living,” published in 1948, when the author was twenty-five, to his final writings in the year before his death, Mailer wrestled with the big themes of his times. He was one of the most astute cultural commentators of the postwar era, a swashbuckling intellectual provocateur who never pulled a punch and was rarely anything less than interesting. Mind of an Outlaw spans the full arc of Mailer’s evolution as a writer, including such essential pieces as his acclaimed 1957 meditation on hipsters, “The White Negro”; multiple selections from his seminal collection Advertisements for Myself; and a never-before-published essay on Sigmund Freud. Incendiary, erudite, and unrepentantly outrageous, Norman Mailer was a dominating force on the battlefield of ideas. Featuring an incisive Introduction by Jonathan Lethem, Mind of an Outlaw forms a fascinating portrait of Mailer’s intellectual development across the span of his career as well as the preoccupations of a nation in the last half of the American century. Praise for Mind of an Outlaw “[Mailer’s] best and brightest.”—Esquire “The fifty essays collected in this retrospective volume span sixty-four years and show [Norman] Mailer (1923–2007) at his brawny, pugnacious, and egotistical best. . . . This provocative collection brims with insights and reflections that show why Mailer is regarded as a great literary mind of his generation.”—Publishers Weekly “The selections open a window onto the capacious mind and process of one of the most volatile intellects of the twentieth century.”—Library Journal “Vintage Mailer: brilliant, infuriating, witty and never, ever boring.”—Tampa Bay Times “As good an introduction to Mailer’s habits of mind as there’s ever been.”—Kirkus Reviews “There’s no arguing about Mailer the essayist—he was outstanding. . . . These insightful essays educate, argue and persuade on everything from politics and literature to film, philosophy and the human condition.”—Shelf Awareness
Examines Mark Twain's writing of Huckleberry Finn, calling into question commonly held interpretations of the work on the subjects of youth, youth culture, and race relations, based on research into the social preoccupations of the era in which it was written.
