To the Distant Observer
Author: Noël Burch
Publisher: Univ of California Press
Published: 1979-01-01
Total Pages: 392
ISBN-13: 9780520038776
DOWNLOAD EBOOKRead and Download eBook Full
Author: Noël Burch
Publisher: Univ of California Press
Published: 1979-01-01
Total Pages: 392
ISBN-13: 9780520038776
DOWNLOAD EBOOKAuthor: Noël Burch
Publisher: Univ of California Press
Published: 1990-11-21
Total Pages: 328
ISBN-13: 9780520071445
DOWNLOAD EBOOKNoel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a universal, neutral medium, innocent of any social or historical meaning in itself." "His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed -- in the capitalist and imperialist west between 1892 and 1929." "The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation -- camera placement and movement, lighting, editing, mise-en-scene -- that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the allimportant change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illusion of reality, still achieved today by the same means as it was sixty years ago.
Author: Barbara W. Tuchman
Publisher: Random House Trade Paperbacks
Published: 1987-07-12
Total Pages: 738
ISBN-13: 0345349571
DOWNLOAD EBOOKA “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary
Author: Markus Nornes
Publisher: U of Minnesota Press
Published: 2003
Total Pages: 300
ISBN-13: 9780816640454
DOWNLOAD EBOOKAmong Asian countries--where until recently documentary filmmaking was largely the domain of central governments--Japan was exceptional for the vigor of its nonfiction film industry. And yet, for all its aesthetic, historical, and political interest, the Japanese documentary remains little known and largely unstudied outside of Japan. This is the first English-language study of the subject, an enlightening close look at the first fifty years of documentary film theory and practice in Japan. Beginning with films made by foreigners in the nineteenth century and concluding with the first two films made after Japan's surrender in 1945, Abe Mark Nornes moves from a "prehistory of the documentary, " through innovations of the proletarian film movement, to the hardening of style and conventions that started with the Manchurian Incident films and continued through the Pacific War. Nornes draws on a wide variety of archival sources--including Japanese studio records, secret police reports, government memos, letters, military tribunal testimonies, and more--to chart shifts in documentary style against developments in the history of modern Japan.
Author: Yuriko Furuhata
Publisher: Duke University Press
Published: 2013-09-13
Total Pages: 277
ISBN-13: 0822355043
DOWNLOAD EBOOKDuring the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts.
Author: Yoshiko Okuyama
Publisher: Lexington Books
Published: 2015-04-09
Total Pages: 263
ISBN-13: 0739190938
DOWNLOAD EBOOKA cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-giving sake, not knowing its irreversible transformative power. These are scenes from the visually enticing, spiritually eclectic media of Japanese movies and anime. The narratives of courageous heroes and heroines and the myths and legends of deities and their abodes are not just recurring motifs of the cinematic fantasy world. They are pop culture’s representations of sacred subtexts in Japan. Japanese Mythology in Film takes a semiotic approach to uncovering such religious and folkloric tropes and subtexts embedded in popular Japanese movies and anime. Part I introduces film semiotics with plain definitions of terminology. Through familiar cinematic examples, it emphasizes the myth-making nature of modern-day film and argues that semiotics can be used as a theoretical tool for reading film. Part II presents case studies of eight popular Japanese films as models of semiotic analysis. While discussing each film’s use of common mythological motifs such as death and rebirth, its case study also unveils more covert cultural signifiers and folktale motifs, including jizo (a savior of sentient beings) and kori (bewitching foxes and raccoon dogs), hidden in the Japanese filmic text.
Author: Noel Burch
Publisher: Princeton University Press
Published: 2014-07-14
Total Pages: 188
ISBN-13: 1400853362
DOWNLOAD EBOOKThis classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Peter Grego
Publisher: Firefly Books
Published: 2004
Total Pages: 202
ISBN-13: 9781552978887
DOWNLOAD EBOOKA night-by-night guide to studying the moon. The moon is usually the first celestial body that captures a stargazer's attention and imagination. Throughout history, the moon has endured as a universal subject of myth, poems, entertainment and intense scientific endeavor. In clear language and with full color photographs and illustrations throughout, Moon Observer's Guide offers practical guidance to amateur astronomers viewing Earth's only natural satellite. There is valuable advice for observing the Moon with the naked eye, binoculars and telescopes. Central to this book is a detailed 28-day guide to lunar features. Lunar geology and the various causes of physical features, such as craters and volcanoes, are described. Also included are: Guidelines for choosing binoculars and telescopes Ways of recording observations Digital and conventional photography Using Internet resources, personal computers and lunar software programs Safety tips for observing the moon during solar and lunar eclipses Detailed moon maps This book is an ideal reference for the growing numbers of beginning astronomers.
Author: M. P. Hobson
Publisher: Cambridge University Press
Published: 2006-02-02
Total Pages: 600
ISBN-13: 9780521829519
DOWNLOAD EBOOKGeneral Relativity: An Introduction for Physicists provides a clear mathematical introduction to Einstein's theory of general relativity. It presents a wide range of applications of the theory, concentrating on its physical consequences. After reviewing the basic concepts, the authors present a clear and intuitive discussion of the mathematical background, including the necessary tools of tensor calculus and differential geometry. These tools are then used to develop the topic of special relativity and to discuss electromagnetism in Minkowski spacetime. Gravitation as spacetime curvature is then introduced and the field equations of general relativity derived. After applying the theory to a wide range of physical situations, the book concludes with a brief discussion of classical field theory and the derivation of general relativity from a variational principle. Written for advanced undergraduate and graduate students, this approachable textbook contains over 300 exercises to illuminate and extend the discussion in the text.