Among the least understood of ancient megalithic sites in South America is Tiwanaku, located about 12,500 feet in elevation near Lake Titicaca, Bolivia. And even less is known about Puma Punku, which is in fact part of the Tiwanaku complex, and displays levels of stone shaping craftsmanship that can barely be recreated today. Who built these amazing places, when, and why? Brien was featured in an hour long special on Ancient Aliens TV, season 4 discussing both places...or are they one and the same?
On the altiplano of Bolivia near Lake Titicaca lie the brooding ruins of Puma Punku and Tiwanaku. Though academics insist that both were the work of the bronze age Tiwanaku, there are clear indications that the original builders used very advanced high technologies in their construction.There is also a lot of evidence that Puma Punku was buried by an ancient cataclysmic tsunami that came from Lake Titicaca and that Tiwanaku was also damaged by this event. Explore the fact that Puma Punku and Tiwanaku may be more than 12,000 years old.
*Includes pictures *Includes a bibliography for further reading Few ancient ruins capture the imagination like the mighty holy site of Tiwanaku, located on the high Andean altiplano plateau outside of La Paz, Bolivia. Unlike some ancient sites, such as Machu Picchu in neighboring Peru or Chichen Itzá in Mexico, Tiwanaku has never been "lost"; on the contrary, it has been marveled over for centuries by Incan nobles, Spanish Conquistadores, modern backpackers, and UFO fanatics alike. Despite this history of amazement, Tiwanaku has remained something of an enigma until recently, but it appears that this would have probably been pleasing to its creators. It was created to be a mysterious, sacred, and beautiful place, one with many secrets and a public face characterized by PT Barnum-like showmanship. Skillful modern archaeology has allowed people to look behind the facade and see, for the first time in many, many centuries, some of the secrets behind it. The story is fascinating, complex, and thoroughly human. The modern visitor arriving to Tiahuanaco finds him or herself in, as Cieza de Léon noted almost 130 years ago, a not very notable, dusty, chilly settlement south of Lake Titicaca. The place would not be of any great interest except that to the east and south of the modern village, within walking distance of the center, rise a number of remarkable ruins. The ancient world often evokes wonder, respect and even confusion, and few places accomplish any of that more than the incredible ruined stone temple of Puma Punku. Part of the larger ruined city of Tiwanaku in the altiplano plains of modern Bolivia, Puma Punku is a marvel of engineering, stonemasonry and design. These facts are obvious to even the lay observer, as Puma Punku's stonework is remarkable even for the Andes where visitors have long wondered at ancient stone joints where even a knife bade could not fit between the stones. This level of craftsmanship has caused some, mostly those who have never been to the Andes, to speculate of a fanciful origin for the site, maintaining that such a wonderful and mysterious place must be the work of extraterrestrial or super-human forces. However, Puma Punku's stonemasonry is often considered its most notable feature only because until recently so little was known about the site or the Tiwanaku culture that built it. This would be like visiting the ruins of the Vatican or Westminster Abbey centuries from now and being wowed by the quality of construction. While the construction is impressive, that aspect is not the most interesting story that the sites can tell. Today, through the diligent work of scholars from many countries, the disciplines of archaeology, art history, comparative ethnography and other modern historical sciences have begun to peel back the story of Puma Punku, and historians can once again begin to tell the stories behind the stones. That work has highlighted the enigmatic ruins from many points of view, and have helped explain how it was a place of ritual, showmanship, mythology and, of course, the finest workmanship. Tiwanaku and Puma Punku: The History and Legacy of South America's Most Famous Ancient Holy Site examines some of the most important pre-Columbian ruins in the world. Along with pictures of important people, places, and events, you will learn about Tiwanaku and Puma Punku like never before.
The world's most artful and skillful stone architecture is found at Tiahuanaco at the southern end of Lake Titicaca in Bolivia. The precision of the stone masonry rivals that of the Incas to the point that writers from Spanish chroniclers of the sixteenth century to twentieth-century authors have claimed that Tiahuanaco not only served as a model for Inca architecture and stone masonry, but that the Incas even imported stonemasons from the Titicaca Basin to construct their buildings. Experiments aimed at replicating the astounding feats of the Tiahuanaco stonecutters--perfectly planar surfaces, perfect exterior and interior right angles, and precision to within 1 mm--throw light on the stonemasons' skill and knowledge, especially of geometry and mathematics. Detailed analyses of building stones yield insights into the architecture of Tiahuanaco, including its appearance, rules of composition, canons, and production, filling a significant gap in the understanding of Tiahuanaco's material culture.
Ancient Peru and Bolivia, like Egypt, contain enigmas and mysteries, especially in stone which most conventional scholarship can`t explain. Rather than simply being the exclusively the works of cultures such as the Inca, there are many megalithic wonders which defy both the conventional time lines and known levels of technology attributed to the ancient people of South America. The most glaring example is most likely Puma Punku, near the shore of Lake Titicaca in Bolivia, which hints at not only being several thousand years old, but also seems to have been achieved using what we would call high level machine technology. There are also many sites in Peru, and especially near the city of Cusco that also show the hall marks of having been made by cultures using technology supposedly not known by cultures such as the Inca. A massive collection of photographic and and detailed analysis is contained in this book, as well as on site observations by leading engineers.
David Hatcher Childress, popular Lost Cities author and star of the History Channel’s long-running show Ancient Aliens, takes us to the mysterious ruins in the mountains of Peru and Bolivia in search of ancient technology and the secrets of megalith building. In his new book, packed with photos and diagrams, Childress examines the amazing stonecutting at Puma Punku, a site neighboring the ancient ruins of Tiwanaku near Lake Titicaca in Bolivia. He looks at whether the so-called “Inca walls”-found in Cuzco and at other sites such as Sacsayhuaman, Ollantaytambo and Machu Picchu-were really made by the Incas. The evidence seems to support the idea that they were actually constructed by a far older culture. Childress examines the megalithic construction and underground chambers of Chavin in the Cordillera Blanca of Peru, possibly the oldest megalithic site in South America. He also speculates on the existence of a sunken city in Lake Titicaca and reveals new evidence that the Sumerians may have arrived in South America over 4,000 years ago. Childress demonstrates that the use of “keystone cuts” with metal clamps poured into them to secure megalithic construction was an advanced technology used all over the world, from the Andes to Egypt, Greece and Southeast Asia. He maintains that only power tools could have made the intricate articulation and drill holes found in extremely hard granite and basalt blocks in Bolivia and Peru, and that the megalith builders had to have had advanced methods for moving and stacking gigantic blocks of stone, some weighing over 100 tons. The incredible high-tech world of South America is illuminated in the informative and breezy style for which Childress has always been known. Chapters in the book include: The Lost World of South America; The Enigma of Ancient Technology; Ancient Technology at Tiwanaku and Puma Punku; The Sumerian Mining Complex at Tiwanaku; Mysteries of Lake Titicaca and the Towers; Ancient Technology in Cuzco; The Megaliths of Ollantaytambo; Did the Incas Build Machu Picchu?; and more!
The Tiwanaku The city of Tiwanaku lies ruined in the rugged Andean steppe of Bolivia twelve thousand feet above sea level, the highest urban settlement of the ancient world. Its wide streets open towards ramparts of glaciated mountain peaks and the intense blue waters of Lake Titicaca. Gigantic stone sculptures and shattered architectural blocks suggest profound antiquity and the passage of great events, now lost and unremembered. Here, two and a half thousand years ago, a distinct society emerged which over the course of thirteen centuries developed one of the greatest civilizations and the first empire of the ancient Americas. This book, the first published history of the Tiwanakan peoples from their origins to their present survival, is a feat of scholarly and archaeological detection undertaken and led by the author. Alan Kolata draws together the evidence of historical documents from the time of the Iberian conquest, accounts and legends of the contemporary inhabitants, and the results of extensive excavations in order to provide a narrative covering three thousand years. In doing so he addresses and explains features of Tiwanakan culture that have long puzzled scholars: the origins of their uniquely massive architecture, the nature of their sophisticated hydraulically-engineered agriculture, their obsession with decapitation and the display of severed heads, and not least the reasons for their mysterious and sudden decline at the end of the tenth century. The book is illustrated throughout with photographs, maps and drawings, and is fully referenced and indexed. Although written to appeal to the nonspecialist and assuming no prior knowledge of the subject, this is a book of scholarly import, and likely to become the standard work for many years.
Introduces the striking artwork and fascinating rituals of this highland culture through approximately one hundred works of art and cultural treasures.
