Titian: Sources and Documents
Titian: Sources and Documents

Author: Charles Hope

Publisher: Ad Ilissvm

Published: 2023-02-28

Total Pages: 0

ISBN-13: 9781912168231

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This ambitious work collects all known documents related to the painter Titian dating from his era. Titian was one of the most famous, successful, and long-lived of the Renaissance painters. Much of his output was for rulers or institutions whose archives have been largely preserved, and many of his family papers have also survived. Titian: Sources and Documents includes all known documents relating to Titian and his work dating from his lifetime, along with all known references to Titian in contemporaneous publications. The relevant section of each text is transcribed in full, preceded by a short summary in English, with extensive annotation and, where necessary, a commentary. The collection also includes all biographical material published before 1700 and all other texts that could realistically be thought to reflect first- or second-hand anecdotal information about him. The particular strengths and limitations of the principal early printed sources and the circumstances in which they were produced are discussed in a substantial introduction, which also includes an overview of the main archival collections consulted in the preparation of the book.

Italian and Spanish Art, 1600-1750
Italian and Spanish Art, 1600-1750

Author: Robert Enggass

Publisher: Northwestern University Press

Published: 1992

Total Pages: 256

ISBN-13: 9780810110656

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The Baroque period was crucial for the development of art theory and the advancement of the artistic academy. This collection of primary sources brings this important period to life with significant documents and texts. It conveniently assembles major texts, which are otherwise available only in scattered publications. The lives of leading artists--Caravaggio, El Greco, among others---are discussed by their contemporaries, while Bellori, Galileo, Pascoli, and others write on art theory and practice. The documents provide fascinating glimpses of the period's artistic self-image.

Italian Art, 1500-1600
Italian Art, 1500-1600

Author: Robert Klein

Publisher: Northwestern University Press

Published: 1989

Total Pages: 220

ISBN-13: 9780810108523

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Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.

Titian Remade
Titian Remade

Author: Maria H. Loh

Publisher: Getty Publications

Published: 2007

Total Pages: 218

ISBN-13: 089236873X

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This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.

Titian's Portraits through Aretino's Lens
Titian's Portraits through Aretino's Lens

Author:

Publisher: Penn State Press

Published:

Total Pages: 240

ISBN-13: 9780271044255

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After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.

Painted privacy
Painted privacy

Author: Luca Bolognini

Publisher: Rubbettino Editore

Published: 2024-05-24T00:00:00+02:00

Total Pages: 206

ISBN-13: 884988124X

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“Can we achieve the magic of reflecting on the ‘law of the future’ through works of art, and vice versa? The answer is yes – when experience and skill converge with creativity and luck. Compliance and privacy, principles of law and secrets of the legal profession, innovation, and technology blend with the colours on canvasses, the shapes of sculptures, the notes of musical compositions and instruments, and the verses of poems and songs. Following on from The Art of Privacy, this new book by Luca Bolognini explores the rules of the law from a perspective never seen before: the legal landscape morphs into masterpieces by Klimt, Tintoretto, Kandinsky, and so on. Perusing this collection of 53 reflections – written one at a time, each week over the course of a year – gives the reader a feeling of being fortunate: metaphors and associations of ideas are etched onto the page with the same rush of joy as capturing a dream upon waking, before it slips away. A good read, for a beautiful imagination.” Passi di: Luca Bolognini. “Painted Privacy”. Apple Books.

Titian, Tintoretto, Veronese
Titian, Tintoretto, Veronese

Author: Frederick Ilchman

Publisher: Gower Publishing Company, Limited

Published: 2009

Total Pages: 324

ISBN-13:

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"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that changed the course of art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In this environment, the three artists - brilliant, ambitious, and fiercely competitive - vied with each other for primacy, deploying the new combination of oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature touch. They also pioneered the use of easel painting, a newly portable format that allowed for unprecedented fame in their lifetimes. With more than 160 stunning examples by the three masters and their contemporaries, Titian, Tintoretto, Veronese elucidates the technical and aesthetic innovations that helped define the "Venetian style"--Characterized by loose technique. rich coloring, and often sensual subject matter - as well as the social, political, and economic context in which it flourished. Essays range from examinations of new approaches to studies of such crucial institutions as state commissions and the private patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, the volume presents a vibrant human portrait - one brimming with intense competition, one-upmanship, humor, and passion."--Jacket.

Titian & Tragic Painting
Titian & Tragic Painting

Author: Thomas Puttfarken

Publisher: Yale University Press

Published: 2005-01-01

Total Pages: 260

ISBN-13: 9780300110005

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Late in his life Titian created a series of paintings--the "Four Sinners,” the "poesie” for his patron Philip II of Spain, and the "Final Tragedies”--that were dark in tone and content, full of pathos and physical suffering.In this major reinterpretation of Titian’s art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist’s increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle’s Poetics that permeated learned discourse in Italy in the mid-sixteenth century. The Poetics led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian’s late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.

Titian's Touch
Titian's Touch

Author: Maria H. Loh

Publisher: Reaktion Books

Published: 2019-06-10

Total Pages: 289

ISBN-13: 1789141095

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At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experience. To see is at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world anew. Dogs, babies, rubies, and pearls. Falcons, flowers, gloves, and stone. Shepherds, mothers, gods, and men. Paint, canvas, blood, sweat, and tears. In a series of close visual investigations, Loh guides us through the lush, vibrant world of Titian’s touch.

Dosso's Fate
Dosso's Fate

Author: Dosso Dossi

Publisher: Getty Publications

Published: 1998

Total Pages: 436

ISBN-13: 9780892365050

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Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.