A visitor mistakes Ritu’s bird call for an ostrich’s and wants to see the bird. But there are no ostriches on Henry Island! where will Ritu find one to show him?
Chitti loves reading. But there are just not enough books in her village and some of her friends think they are boring! Can Chitti make them change their minds?
Khalid's cat Gupshup has run away to a prison. An open prison, it is called, but everyone knows that prisons are full of horrible, evil people. Or are they? And how on earth will Khalid get Gupshup home?
Nisha Small is the youngest detective in all of Madurai. So when her friend's sister's thaali gets stolen shortly before the wedding, Small is called in to solve the mystery. Can she beat the older moustached detectives to catch the thief?
Ira's new friend Mahalaxmi is different from everyone else in the class. When Mahalaxmi can't come on the class trip to Mysore, Ira knows she has to find a way. But will Mahalaxmi let her classmates help her?
'Interesting and relevant. It brings multiple perspectives and approaches to the study of feminism, lesbianism, and lesbian feminism as these intersect with queer theory.' Mimi Marinucci, author of Feminism is Queer: The Intimate Connection Between Queer and Feminist Theory 'Very much original. An opening of two lines of questioning that are very important: whither lesbian feminism and whither international queer feminism.' Holly Lewis, author of The Politics of Everybody: Feminism, Queer Theory, and Marxism at the Intersection
'A bold and necessary correction to the subcontinent's poetry canon.' - Jeet Thayil This first-of-its-kind anthology brings together the best of contemporary queer poetry from South Asia, both from the subcontinent and its many diasporas.The anthology features well-known voices like Hoshang Merchant, Ruth Vanita, Suniti Namjoshi, Kazim Ali, Rajiv Mohabir as well as a host of new poets. The themes range from desire and loneliness, sexual intimacy and struggles, caste and language, activism both on the streets and in the homes, the role of family both given and chosen, and heartbreaks and heartjoins. Writing from Bangalore, Baroda, Benares, Boston, Chennai, Colombo, Dhaka, Delhi, Dublin, Karachi, Kathmandu, Lahore, London, New York City, and writing in languages including Bengali, Gujarati, Hindi, Kannada, Urdu, Manipuri, Malayalam, Marathi, Punjabi, Tamil, and, of course, English, the result is an urgent, imaginative and beautiful testament to the diversity, politics, aesthetics and ethics of queer life in South Asia today.