This book is about the transition that musicals went through when they traveled from the stage to the screen. While the approach is critical, the style is readable and yields fascinating knowledge on the many things that did and didn't happen as theatre and film have merged throughout the past century.Hischak'sanalysis covers productions from The Desert Song (1927), to Chicago (2002).
"On May 1, 1990 Gregg Smart was gunned down in his home in Derry, New Hampshire. On March 4, 1991 his wife Pamela Smart was placed on trial for accomplice to murder. ... Now for the first time, Gregg's brother Dean reveals the personal side of the tragedy - about growing up with a brother he idolized, and the true story of the events that led up to that tragic night." --From publisher's description.
Stories Seen Through Screen Doors The Roots and Branches of Black Southern Experience A truth seldom recognized is that there are almost as many African American southern experiences as there are states and cities in the South. Our lives as southern black people intersect, but they also diverge into unique patterns of learning, growth, and discovery. The stories contained in this collection illustrate some of those similarities as well as the differences. Wanda Macon shares with millions of African Americans a southern soil that is rich in family, church, and racial repression, but she also highlights the spiritedness of a tomboyish young girl, too smart for her preschool age, formed by a variety of occurrences in her small southern community. "The Courts," a horseshoe shaped neighborhood and home to twenty-three families located in fictional Friarsdale, Mississippi, is the site for experience, memory, reflection, and locating one's self in the history of the geography as well as the history of family and community. By Trudier Harris, University Distinguished Research Professor Department of English, The University of Alabama Tuscaloosa, Alabama
Gifted chef and storyteller Martha Hall Foose invites you into her kitchen to share recipes that bring alive the landscape, people, and traditions that make Southern cuisine an American favorite. Born and raised in Mississippi, Foose cooks Southern food with a contemporary flair: Sweet Potato Soup is enhanced with coconut milk and curry powder; Blackberry Limeade gets a lift from a secret ingredient–cardamom; and her much-ballyhooed Sweet Tea Pie combines two great Southern staples–sweet tea and pie, of course–to make one phenomenal signature dessert. The more than 150 original recipes are not only full of flavor, but also rich with local color and characters. As the executive chef of the Viking Cooking School, teaching thousands of home cooks each year, Foose crafts recipes that are the perfect combination of delicious, creative, and accessible. Filled with humorous and touching tales as well as useful information on ingredients, techniques, storage, shortcuts, variations, and substitutions, Screen Doors and Sweet Tea is a must-have for the American home cook–and a must-read for anyone who craves a return to what cooking is all about: comfort, company, and good eating.
Sharon Smith reaches deep down and recaptures the torturous times of her childhood growing up in Harlem, New York. From kindergarten through high school, her experiences accelerated her awareness of lifes unyielding challenges. She met the hard and bitter reality of becoming an outcast. Concurrently, her family was shattered by alcoholism, poverty, and physical abuse. As her mother traveled the country, Sharon became the substitute mother for her sister and three brothers. She endured adversity and hostility in 1960s Harlem public housing projects. Entering her teenage years, Sharon met with even more abysmal poverty and despair. Her health compromised, compounded with family issues, Sharon longed and prayed for acceptance and a better life. Despite all of the challenges, she decides to return to the religion of her youth. She began to seek Gods guidance and the meaning of love in her life. With prayer and reading of the Scriptures, Sharon found salvation and contentment. As she tells her tumultuous early childhood story, filled with years of ridicule and contempt from her peers, which tore at her self-esteem and self-worth, we begin to see her life unfold, the little girl guarded behind the protection of Gods screen door. January 2014
This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.
There are dark secrets hidden behind closed doors in the small Washington State town of Hoquiam, and the neighborhood has been content to keep those secrets hidden.It's the summer of 1945 and seven-year-old Nora Lee Sutter hasn't spoken in days. A spirit has asked her to deliver a terrifying message. The warning is ignored and the tragic events that follow push the quiet girl further into isolation. The only one who can get through to her is her friend, Joanne 'Jo' Waterman. Jo's large boisterous family provides Nora with a much needed safe haven from her own dismal world.As Nora and Jo navigate their teenage years into young adulthood, their friendship becomes a beguiling seduction. However, no amount of distraction will stop the restless spirits from circling in on Nora. They've been blotted out and forgotten and they will not move on until they've been heard . . .
