Many offenders who enter our system are under the belief that they are a failure, that they are not capable of change due to their past. Through a Convict's Eyes: An Overlooked View of the Criminal Justice System provides a unique perspective of the current dynamic criminal justice system by fusing the thoughts of a federal probation officer/administrator and a convicted felon. In the criminal justice system we have overlooked, in the author's opinion, the perspective of the individual who has made mistakes and been involved in our criminal justice process. The author believes that society to a large extent has not given credit to what we can learn from those who have committed a crime and gone through the system. Through a Convict's Eyes: An Overlooked View of the Criminal Justice System: Utilizes the belief that even though there will always be a need for prisons to house inmates who have committed serious crimes or refuse to change their behavior, offenders have the potential to become productive members of society with our help and with their own personal belief that they can change. Encourages the reader to look outside the box at innovative practices to assist offenders in giving up a life of crime by being accountable to society and to their victims, as well as feeling confident that society and the system have not given up on them. Engages the reader by providing the perspective of a convict. Students are attracted to Eric because of his honesty and his willingness to accept full responsibility for his actions.
This unique book provides accurate descriptions of prisons and prison life, written by a prisoner sentenced to life, who uses the pseudonym "K. C. Carceral" to hide his identity for protection. With the assistance of editors Thomas Bernard, Leanne F. Alarid, Bruce Bikle, and Alene Bikle, this book presents a gripping, and often graphic, portrayal of life in prison. This narrative presentation of such topics as prison violence, friendships, sexual mores, and serving time includes graphic language and situations. Through the powerful personal experiences of the author, readers are better equipped to develop informed opinions about the American prison system. Inspired to write about his experiences in prison, Carceral sought the help of noted academics, including Thomas Bernard, to create a powerful and informative narrative. This is the first textbook written by a life-sentenced inmate. Bernard, along with editors Leanne F. Alarid, Bruce Bikle and Alene Bikle developed the manuscript to ensure its suitability for classroom use in colleges and universities. The wide range of topics covered includes entrance into prison; prison life, including violence in prisons; dealing with time; prison politics and economics; sex, racism, retaliation, and gangs.
CONVICT'S CANDY is based on a teen-aged, pre-op transsexual named Candy, who gets arrested and sent to federal prison exactly one week before her scheduled sex-change operation. Still having male organs, Candy is housed with strong, masculine, handsome male inmates who haven t been around or touched a woman in years. Candy soon finds herself being caught in several love affairs with men with families, girlfriends and wives at home waiting for them to be released. But Candy doesn t kiss and tell; she understands the code of silence: what happens in prison stays in prison... . CONVICT'S CANDY deals with sexual identity, prostitution and homosexuality within the prison system, the interactions and relationships between the inmates and officers, infidelity and most importantly, explains how the HIV virus spreads rampantly within the prison. It also reveals how the dangerous and deadly disease is transmitted within society, when infected inmates are released to go home."
Prisons operate according to the clockwork logic of our criminal justice system: we punish people by making them “serve” time. The Cage of Days combines the perspectives of K. C. Carceral, a formerly incarcerated convict criminologist, and Michael G. Flaherty, a sociologist who studies temporal experience. Drawing from Carceral’s field notes, his interviews with fellow inmates, and convict memoirs, this book reveals what time does to prisoners and what prisoners do to time. Carceral and Flaherty consider the connection between the subjective dimensions of time and the existential circumstances of imprisonment. Convicts find that their experience of time has become deeply distorted by the rhythm and routines of prison and by how authorities ensure that an inmate’s time is under their control. They become obsessed with the passage of time and preoccupied with regaining temporal autonomy, creating elaborate strategies for modifying their perception of time. To escape the feeling that their lives lack forward momentum, prisoners devise distinctive ways to mark the passage of time, but these tactics can backfire by intensifying their awareness of temporality. Providing rich and nuanced analysis grounded in the distinctive voices of diverse prisoners, The Cage of Days examines how prisons regulate time and how prisoners resist the temporal regime.
Biography of convict Thomas Pamphlett, who was transported to Australia from Manchester in 1812. Describes his experiences in Sydney and the Newcastle penal colony, and his time as a castaway in the Moreton Bay area, where he lived among the local Aborigines. Includes references, a bibliography and an index. This is the author's first published local history text.
This is a first-hand account of life behind bars in a controversial new type of prison facility: the private prison. Privatisation is seen as a necessary and cost-saving measure, but not much is known about how these facilities are run, so this text provides a look inside a private prison by an inmate.
In the dayroom of the House of Detention, a group of young, predominantly black and Puerto Rican convicts react, individually and as a precariously maintained community, to the arrival of a young white child molester.
At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum
The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America. “[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution. Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor. Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York. Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today. Praise for The Life and the Adventures of a Haunted Convict “One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post “Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine “Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle “[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian “A sensational, novelistic telling of an eventful life.”—The Paris Review “Vivid and painful.”—NPR “Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press
“A moving and beautifully crafted memoir.”—SCOTT TUROW “A daring act of justified defiance.”—SHAKA SENGHOR “Nothing less than heroic.”—JOHN GRISHAM He was seventeen when an all-white jury sentenced him to prison for a crime he didn’t commit. Now a pioneering lawyer, he recalls the journey that led to his exoneration—and inspired him to devote his life to fighting the many injustices in our legal system. Seventeen years old and facing nearly thirty years behind bars, Jarrett Adams sought to figure out the why behind his fate. Sustained by his mother and aunts who brought him back from the edge of despair through letters of prayer and encouragement, Adams became obsessed with our legal system in all its damaged glory. After studying how his constitutional rights to effective counsel had been violated, he solicited the help of the Wisconsin Innocence Project, an organization that exonerates the wrongfully convicted, and won his release after nearly ten years in prison. But the journey was far from over. Adams took the lessons he learned through his incarceration and worked his way through law school with the goal of helping those who, like himself, had faced our legal system at its worst. After earning his law degree, he worked with the New York Innocence Project, becoming the first exoneree ever hired by the nonprofit as a lawyer. In his first case with the Innocence Project, he argued before the same court that had convicted him a decade earlier—and won. In this illuminating story of hope and full-circle redemption, Adams draws on his life and the cases of his clients to show the racist tactics used to convict young men of color, the unique challenges facing exonerees once released, and how the lack of equal representation in our courts is a failure not only of empathy but of our collective ability to uncover the truth. Redeeming Justice is an unforgettable firsthand account of the limits—and possibilities—of our country’s system of law.
