Sword and sorcery collides with horror once again in this sequel to Brian Keene and Steven L. Shrewsbury’s award-winning KING OF THE BASTARDS. Learning that his family are in danger, Rogan returns to his former kingdom, now under siege from foreign invaders and supernatural forces led by his bastard son. With time running out, the aging barbarian and his trusted companions, Javan and Akibeel, must forge an alliance of new friends and old foes, mustering an army to retake the kingdom. Surrounded by savages, soldiers, demons, and dark magic, it will take all of their cunning, skill, ruthlessness, and courage to survive the slaughter and determine once and for all who shall sit upon the THRONE OF THE BASTARDS. ====================== Craving more of Rogan's adventures? Check out KING OF THE BASTARDS! Available now!
Part sword and sorcery, part extreme horror, King of the Bastards is wild adventure across seas, beaches, and mountains full of horrifying monstrosities, dark magic, and demonic entities. Rogan has been many things in his life as an adventurer — a barbarian, a thief, a buccaneer, a rogue, a lover, a reaver, and most recently, a king. Now, this prehistoric bane of wizards and tyrants finds himself without a kingdom, lost in a terrifying new world, and fighting for his life against pirates, zombies, and the demonic entity known as Meeble. And even if he defeats his foes, Rogan must still find a way to return home, regain his throne, save his loved ones, and remind everyone why he's the KING OF THE BASTARDS.
Forget everything you thought you knew about Henry the Eighth. While Henry VIII has frequently been portrayed as a womanizer, author Philippa Jones reveals a new side to his character. Although he was never faithful, Jones sees him as a serial monogamist: he spent his life in search of a perfect woman, a search that continued even as he lay dying. This book brings together for the first time the 'other women' of King Henry VIII. When he first came to the throne, Henry VIII's mistresses were dalliances, the playthings of a powerful and handsome man. However, when Anne Boleyn disrupted that pattern, ousting Katherine of Aragon to become Henry's wife, a new status quo was established. Suddenly noble families fought to entangle the king with their sisters and daughters; if wives were to be beheaded or divorced so easily, the mistress of the king was in an enviable position. Yet he loved each of his wives and mistresses, he was a romantic who loved being in love, but none of these loves ever fully satisfied him; all were ultimately replaced. "The Other Tudors" examines the extraordinary untold tales of the women who Henry loved but never married, the mistresses who became queens and of his many children, both acknowledged and unacknowledged. Philippa Jones takes us deep into the web of secrets and deception at the Tudor Court and explores another, often unmentioned, side to the King's character.
First published in 1984, The Royal Bastards of Medieval England establishes a list of royal bastards in medieval England, and discusses their roles in the history of the period. The authors describe how gradually the church began to formulate more definite views on sexual and marital customs, with a consequent decline in the status of illegitimate children. By early sixteenth century, however, royal bastards were once again making their way into the peerage. The book charts the lives of these men and women against the background not only of contemporary political developments, but also of changing ideas about morality and family. This book will be of interest to students of history, religion and literature.
The stigmatization as 'bastards' of children born outside of wedlock is commonly thought to have emerged early in Medieval European history. Christian ideas about legitimate marriage, it is assumed, set the standard for legitimate birth. Children born to anything other than marriage had fewer rights or opportunities. They certainly could not become king or queen. As this volume demonstrates, however, well into the late twelfth century, ideas of what made a child a legitimate heir had little to do with the validity of his or her parents' union according to the dictates of Christian marriage law. Instead a child's prospects depended upon the social status, and above all the lineage, of both parents. To inherit a royal or noble title, being born to the right father mattered immensely, but also being born to the right kind of mother. Such parents could provide the most promising futures for their children, even if doubt was cast on the validity of the parents' marriage. Only in the late twelfth century did children born to illegal marriages begin to suffer the same disadvantages as the children born to parents of mixed social status. Even once this change took place we cannot point to 'the Church' as instigator. Instead, exclusion of illegitimate children from inheritance and succession was the work of individual litigants who made strategic use of Christian marriage law. This new history of illegitimacy rethinks many long-held notions of medieval social, political, and legal history.
In this action-packed sequel to Royal Bastards, Tilla uncovers a sinister conspiracy to take down the kingdom from within. Tilla, bastard of House Kent, has it made. Safe from her murderous father in the dazzling capital of Lightspire, she lives a life of luxury under the protection of the Volaris King, alongside her boyfriend, Zell, and best friend, Princess Lyriana. So why isn't she happy? Maybe it's the whispers and stares that follow her wherever she goes, as the daughter of the traitor waging war against Lightspire. Or maybe it's the memories of her beloved brother, Jax, who lies cold in his grave even as she tries to settle into a life in the city's prestigious University. Then Tilla stumbles upon the body of a classmate -- a friend. The authorities are quick to rule it a suicide and sweep it under the rug, but when Tilla herself is attacked by a mysterious man with terrifying powers, she's convinced of a conspiracy. Her friends beg her to stay silent; what she's suggesting is impossible...and treasonous. The deeper she digs, the more questions she uncovers. Nothing is as it seems in the glorious capital, and Tilla's presence might just be the spark that sets the Kingdom aflame.
In the epic conclusion to the Royal Bastards trilogy, Tilla faces an impossible choice: unthinkable destruction in the name of peace...or an uncertain future that means confronting a terrible past. A year has passed since the fall of Lightspire. The Inquisitor Miles Hampstedt rules Noveris with a blood-soaked iron fist. Tilla and her friends have become hardened rebels in the Unbroken, a band of guerilla fighters hiding out on the fringes of the Kingdom protecting the true queen, Lyriana Volaris. Even as they fight, they know their cause is doomed -- that with every passing day Miles's army of Bloodmages spreads across the continent. But at least they have each other...and some halfway-decent drinks. After a daring rescue mission, the group frees two vital prisoners: the Raven, a mysterious informant with a deep personal connection to Tilla, and Syan Syee, a strange girl from the Red Wastes who demonstrates an incredible new kind of magic and speaks of a secret civilization hidden in her isolated homeland. With Miles's forces closing in, a ragtag team sets out on an eleventh-hour mission: form an alliance with Syan's people that could turn the tide of the war. But what they discover in the Red Wastes changes everything, including their very understanding of the magic that runs through Noveris -- magic that has brought the Kingdom to the brink of ruin.
Only seven minutes younger than Rolencia's heir, Byren has never hungered for the throne. He laughs when a seer predicts that he will kill his twin. But the royal heir resents Byren's growing popularity. Across the land the untamed magic of the gods wells up out of the earth's heart. It sends exotic creatures to stalk the wintry nights and it twists men's minds, granting them terrible visions. Those so touched are sent to the Abbey to control their gift, or die. At King Rolen's court enemies plot to take his throne, even as secrets within his own household threaten to tear his family apart. Political intrigue and magic combine in this explosive first book in an exciting new fantasy trilogy.
“[A] fantasy masterwork . . . a dirty, blood-soaked gem of a novel [that reads] like Mad Max set in Tolkien’s Middle-earth.”—Kirkus Reviews (starred review) Jackal and his fellow half-orcs patrol the barren wastes of the Lot Lands, spilling their own damned blood to keep civilized folk safe. A rabble of hard-talking, hog-riding, whore-mongering brawlers they may be, but the Grey Bastards are Jackal’s sworn brothers, fighting at his side in a land where there’s no room for softness. And once Jackal’s in charge—as soon as he can unseat the Bastards’ tyrannical, seemingly unkillable founder—there’s a few things they’ll do different. Better. Or at least, that’s the plan. Until the fallout from a deadly showdown makes Jackal start investigating the Lot Lands for himself. Soon, he’s wondering if his feelings have blinded him to ugly truths about this world, and the Bastards’ place in it. In a quest for answers that takes him from decaying dungeons to the frontlines of an ancient feud, Jackal finds himself battling invading orcs, rampaging centaurs, and grubby human conspiracies alike—along with a host of dark magics so terrifying they’d give even the heartiest Bastard pause. Finally, Jackal must ride to confront a threat that’s lain in wait for generations, even as he wonders whether the Bastards can—or should--survive. Delivered with a generous wink to Sons of Anarchy, featuring sneaky-smart worldbuilding and gobs of fearsomely foul-mouthed charm, The Grey Bastards is a grimy, pulpy, masterpiece—and a raunchy, swaggering, cunningly clever adventure that’s like nothing you’ve read before. Praise for The Grey Bastards “Saddle up the war boar and set off on a wild, gory thrill-ride that ends in an awesome climax and begs for a sequel.”—Daily Mail (UK) “Non-stop action, though not for faint hearts . . . the Grey Bastards live up to their name in all respects.”—The Wall Street Journal
NEW YORK TIMES BESTSELLER • The third book of the suspense-filled, enduringly popular Gentleman Bastard Sequence about a roguish group of conmen, which George R. R. Martin has called “fresh, original, and engrossing . . . gorgeously realized.” “Fast paced, fun, and impossible to put down . . . Locke and company remain among the most engaging protagonists in fantasy.”—Publishers Weekly (starred review) ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE With the greatest heist of their career gone spectacularly sour, con artist extraordinaire Locke Lamora and his trusted partner, Jean, have barely escaped with their lives. Or at least Jean has. Locke is slowly succumbing to a lethal poison that no alchemist can cure. With the end nearing, Locke’s only hope is to accept a mysterious Bondsmage’s offer: act as a political pawn in the Magi elections, and in exchange be healed. But the lifesaving sorcery promises to rival even the most excruciating death, and Locke refuses. Until the Bondsmage invokes the name of Sabetha, the love of Locke’s life, his equal in skill and wit . . . and now his greatest rival. From his first glimpse of Sabetha as a fellow orphan and thief-in-training, Locke was smitten. But after a tumultuous courtship, she broke away. Now they will reunite in another clash of wills. Faced with his only equal in both love and trickery, Locke must choose whether to fight Sabetha—or woo her. It is a decision on which both of their lives may depend. Don’t miss any of Scott Lynch’s epic fantasy Gentleman Bastard Sequence: THE LIES OF LOCKE LAMORA • RED SEAS UNDER RED SKIES • THE REPUBLIC OF THIEVES
