Judas Iscariot, known for his betrayal of Jesus, is a key figure in the Gospel narratives. As an insider become outsider, Judas demarcates Christian boundaries of good and evil. 'Three Versions of Judas' examines the role of Judas in Christian myth-making. The book draws on Jorge Luis Borges' "Three Versions of Judas" to present three Judases in the Gospels: a Judas necessary to the divine plan; a Judas who is a determined outsider, denying himself for God's glory; and a Judas who is demonic. Exploring the findings of biblical criticism and artistic responses to Judas, 'Three Versions of Judas' offers an analysis of the evil necessarily inherent in Christian narratives about Judas.
"Two thousand years after he betrayed Messiah, Judas Iscariot is still alive, wandering a world he doesn't recognize. A world where the strangest of fictions have come true: monsters, immortals, gnome-librarians who monitor human history-they're all real. And all Judas wants to do is kill himself. So why can't he? The most transcendent story of the year is here in this all-new original graphic novel chronicling history's preeminent backstabber and his quest for suicide"--Amazon.com.
This book received The New Pinnacle Award The Gospel of Judas is the most important discovery in history. It bridges the gap between Eastern mystic teaching, Gnosticism, and the three Middle Eastern Abrahamic religions, informing all of them. Unfortunately, the Christianity-biased scholars assigned to its interpretation and those who have followed them do not understand it -- at all. They miss that Judas is the gnostic sacrifice, and that there is no traditional orthodox Jesus sacrificed - in the Gospel of Judas or in the Bible. Therefore, they miss the most important revelation of all time: that 'Jesus' didn't die to save anyone, and that he was in truth preceded and succeeded by other Masters of equal stature. Here from gnostic texts that only just recently arose from the desert sands of Egypt, phoenix-like, is the detailed story of how the New Testament canonical 'Betrayal of Jesus' became the inversion of the gnostic mastership installation story of James the Just, first-century savior. The true origin of the Christian message and its nullification of mystic Truth can now, at long last, be fully told. Connecting verses from the Gnostic Apocalypse of James to the New Testament narrative showing that Judas was James in the Canonical Inversions: First Apocalypse of James "I have given you a sign" (NHC 24:10) "gave them a sign" [the "kiss"] (Matt. 26:48). "Cup of bitterness to the sons of light" (25:15) "let this cup pass from me" (Matt. 26:39). "This is the second Master" (30:25) "Those who seek enter through you" (Second Apoc. 55:1) "I know whom I have chosen." (John 13:18). "Then the disciples dispersed, but James remained in prayer" (30:25) "he withdrew and prayed" (Luke 22:41). "I am he who was within me" (31:15) "I know whom I have chosen" and "I am he" (John 13:18-19). "You have embraced and kissed me" (32:5) "He said 'Hail Master!' and kissed him" (Matt. 26:49). "You are aware and stopped this prayer" (32:5) "Sit here while I pray" (Matt. 26:36). "The flesh is weak" (32:20) "the flesh is weak" (Matt. 26:41). "It will receive what has been ordained for it" (32:20) "thy will be done" (Matt. 26:42). "A multitude will arm themselves against you" (33:5) "band of soldiers with weapons" (John 18:3, Mark 14:43). Also by the author: The Bible says Saviors - Obadiah 1:21 from Xlibris Publishers
For 1,600 years its message lay hidden. When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Christianity, and which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. And far from being a villain, the Judas that emerges in its pages is a hero. In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas Iscariot is presented as a role model for all those who wish to be disciples of Jesus and is the one apostle who truly understands Jesus. Discovered by farmers in the 1970s in Middle Egypt, the codex containing the gospel was bought and sold by antiquities traders, secreted away, and carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble and restore it. The Gospel of Judas has been translated from its original Coptic to clear prose, and is accompanied by commentary that explains its fascinating history in the context of the early Church, offering a whole new way of understanding the message of Jesus Christ.
The biblical scholar recounts the events surrounding the discovery and handling of the Gospel of Judas, and provides an overview of its content, in which Judas is portrayed as a faithful disciple.
Jorge Luis Borges's Labyrinths is a collection of short stories and essays showcasing one of Latin America's most influential and imaginative writers. This Penguin Modern Classics edition is edited by Donald A. Yates and James E. Irby, with an introduction by James E. Irby and a preface by André Maurois. Jorge Luis Borges was a literary spellbinder whose tales of magic, mystery and murder are shot through with deep philosophical paradoxes. This collection brings together many of his stories, including the celebrated 'Library of Babel', whose infinite shelves contain every book that could ever exist, 'Funes the Memorious' the tale of a man fated never to forget a single detail of his life, and 'Pierre Menard, Author of the Quixote', in which a French poet makes it his life's work to create an identical copy of Don Quixote. In later life, dogged by increasing blindness, Borges used essays and brief tantalising parables to explore the enigma of time, identity and imagination. Playful and disturbing, scholarly and seductive, his is a haunting and utterly distinctive voice. Jorge Luis Borges (1899-1986) was born in Buenos Aires, Argentina. A poet, critic and short story writer, he received numerous awards for his work including the 1961 International Publisher's Prize (shared with Samuel Beckett). He has a reasonable claim, along with Kafka and Joyce, to be one of the most influential writers of the twentieth century. If you enjoyed Labyrinths, you might like Franz Kafka's Metamorphosis and Other Stories, also available in Penguin Modern Classics. 'His is the literature of eternity'Peter Ackroyd, The Times 'One of the towering figures of literature in Spanish'James Woodall, Guardian 'Probably the greatest twentieth-century author never to win the Nobel Prize'Economist
Judas Iscariot is the historical symbol of betrayal. But what really happened at the Garden of Gethsemane? What really compelled Judas to hang himself from a tree? I, Judas reimagines Iscariot’s relationship to Jesus Christ and explores Judas's orchestration of the elaborate con of the divinity of Jesus Christ, subverting the legend of Judas as he inhabits some of our most notorious literary and historic figures in their darkest hours. Custer, Sexton, Van Gogh: These famous suicides converge through the figure of Judas in a cutting-edge piece of fiction that exposes the dangers of seeking universal truths in myth.
This book sets out to provide a matrix for surveying the literary treatment of biblical tropes. It supplies an overview of the literary reception of the Bible from the earliest times right through to contemporary writers such as Jeanette Winterson and Colm Tóibín, traces the literary reception and treatment of the Book of Job; the figure of Uriah in the narrative of David and Bathsheba; the figure of Lilith; and Angels of Death and of Mercy. These are all handled as specimen histories. This is followed by an examination of the output of several specific early and later Twentieth-Century rewriters of the Bible. In the last chapters, three sets of other writers under particular headings ("the Great Disrupters" etc.) are grouped together with a view to finding common characteristics as well as unique features in their approach to biblical tropes and provide conclusions and suggestions for further research.
