Three New York Composers

Three New York Composers

Author: Karl Kroeger

Publisher: Routledge

Published: 2019-10-23

Total Pages: 168

ISBN-13: 1135601658

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Part of the Music of the NEW AMERICAN NATION Sacred Music From 1780 To 1820 series. The collected works of Lewis Edson (1748-1820) Lewis Edson Jr. (1771-1845) and Nathaniel Billings (fl. 1794-1795


Three American Composers

Three American Composers

Author: Edith Borroff

Publisher:

Published: 1986

Total Pages: 318

ISBN-13:

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Traces the power shift from the apprentice/conservatory system of training composers to the university system, which took place in the United States from 1925-1975. Describes how this change influenced the works of three renowned American composers: Irwin Fischer, Ross Lee Finney, and George Crumb.


The Collected Works

The Collected Works

Author: Supply Belcher

Publisher: Taylor & Francis

Published: 1997

Total Pages: 218

ISBN-13: 9780815324270

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First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.


Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960

Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960

Author: Laurel Parsons

Publisher: Oxford University Press

Published: 2022

Total Pages: 297

ISBN-13: 0190236981

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"This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, solo piano, chamber, and orchestral music. To enhance the volume's accessibility to readers who are not professional music theorists or musicologists, a glossary provides explanations of music-theoretical terms used in the book. The collection is designed to challenge and stimulate a wide range of readers. For academics, these thorough analytical studies can open new paths into unexplored research areas in music theory and musicology. Post-secondary instructors may be inspired by the insights offered here to include new works in graduate or upper-level undergraduate courses in early twentieth-century music or women and music. Finally, for performers, conductors, and music broadcasters, these thoughtful analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners-an endeavor of discovery for all those interested in twentieth-century music"--


Alex North, Film Composer

Alex North, Film Composer

Author: Sanya Shoilevska Henderson

Publisher: McFarland

Published: 2009-07-31

Total Pages: 278

ISBN-13: 0786443332

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Alex North (1910-1991) was one of America's most renowned film composers. His musical scores enhanced more than 60 major motion pictures--A Streetcar Named Desire, Cleopatra and Who's Afraid of Virginia Woolf among them. He had 15 Oscar nominations, and received the Lifetime Achievement Oscar. This book begins with his early life in Pennsylvania, and moves through his studies at Juilliard and in Russia and Mexico, his early experiences in modern dance, documentaries, and theater, and his major work in film. The book also offers analyses of North's musical scores for Streetcar, Spartacus, The Misfits, Under the Volcano, and Prizzi's Honor. Appendices include a bibliography, a filmography, a listing of other North compositions, a discography, and a listing of awards.


Operas in English

Operas in English

Author: Margaret Ross Griffel

Publisher: Scarecrow Press

Published: 2012-12-21

Total Pages: 1015

ISBN-13: 0810883252

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Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.