Now available in paperback. This revised and updated edition of the definitive resource for experimental psychology offers comprehensive coverage of the latest findings in the field, as well as the most recent contributions in methodology and the explosion of research in neuroscience. Volume One: Sensation and Perception focuses on sensory experience and complex learned perceptions through modalities such as vision, touch, smell, and hearing.
The Eye: Volume 2, The Visual Process is a compendium of papers that describes the physiology of the eye, particularly the visual functions, the photobiology of the visual process, and the visual pathway. One paper describes the light stimuli used in physiological experiments concerning vision in terms of their spectral energy distribution, particularly the amounts of light absorbed by the photosensitive substances contained in the retinal receptors. Another paper explains the mosaic-like arrangement of the receptors and the variations of this mosaic in the different regions of the retina, including the Purkinje phenomenon which can cause errors in visual measurements. One paper examines the directional properties of the rods at long wavelengths and the theory of the Stiles-Crawford effect. Other papers investigate the limits of the visible spectrum, the scotopic luminous efficiency, theories of dark-adaptation, as well as the minimum retinal illumination, the minimum flux of energy, and the minimum amount necessary for vision. One paper notes that whereas one rod can be stimulated by one quantum (a discrete process involving one pigment molecule), it is not sufficient to make a human subject see a light stimulus. The compendium is invaluable for researchers and investigators involved in physiology, psychology, ophthalmology, and in all branches of ocular physiology.
Are black cats lucky or unlucky? What should you do when you hear the first cuckoo? Since when have people believed that it's unlucky to shoot an albatross? Why does breaking a mirror lead to misfortune? This fascinating collection answers these and many other questions about the world of superstitions and forms an endlessly browsable guide to a subject that continues to obsess and intrigue.
Rich in examples and applications to everyday life, Sensation and Perception, Third Edition is a cutting edge and highly readable account of modern sensation and perception from both a cognitive and neurocognitive perspective.
The one-stop reference to the essentials of color science and technology—now fully updated and revised The fully updated Third Edition of Color: An Introduction to Practice and Principles continues to provide a truly comprehensive, non-mathematical introduction to color science, complete with historical, philosophical, and art-related topics. Geared to non-specialists and experts alike, Color clearly explains key technical concepts concerning light, human vision, and color perception phenomena. It covers color order systems in depth, examines color reproduction technologies, and reviews the history of color science as well as its relationship to art and color harmony. Revised throughout to reflect the latest developments in the field, the Third Edition: Features many new color illustrations, now fully incorporated into the text Offers new perspectives on what color is all about, diverging from conventional thinking Includes new information on perception phenomena, color order, and technological advances Updates material on such topics as the CIE colorimetric system and optimal object colors Extends coverage of color reproduction to display systems, photography, and color management Contains a unique timetable of color in science and art, plus a glossary of important terms Praise for the previous editions: "A nice bridge to areas usually not covered in academic visual science programs . . . outstanding." —Joel Pokorny, visual scientist at The University of Chicago "A good addition to any library, this should be useful for the color interests of artists, designers, craftsmen, philosophers, psychologists, color technologies, and students in related fields." —CHOICE
The Science of Color focuses on the principles and observations that are foundations of modern color science. Written for a general scientific audience, the book broadly covers essential topics in the interdisciplinary field of color, drawing from physics, physiology and psychology. This book comprises eight chapters and begins by tracing scientific thinking about color since the seventeenth century. This historical perspective provides an introduction to the fundamental questions in color science, by following advances as well as misconceptions over more than 300 years. The next chapters then discuss the relationship between light, the retinal image, and photoreceptors, followed by a focus on concepts such as color matching and color discrimination; color appearance and color difference specification; the physiology of color vision; the 15 mechanisms of the physics and chemistry of color; and digital color reproduction. Each chapter begins with a short outline that summarizes the organization and breadth of its material. The outlines are valuable guides to chapter structure, and worth scanning even by readers who may not care to go through a chapter from start to finish. This book will be of interest to scientists, artists, manufacturers, and students.
What is light? -- Photons and life -- Color vision -- How photons know where to go -- Optical phenomena and life -- Direct image formation -- Imaging as inference -- Imaging by X-ray diffraction -- Vision in dim light -- The mechanism of visual transduction -- The first synapse and beyond -- Electrons, photons, and the Feynman principle -- Field quantization, polarization, and the orientation of a single molecule -- Quantum-mechanical theory of FRET
The iPhone movie-making revolution is here! With the right knowledge and minimal equipment, everyone now has the power to make great films with their iPhone. Whether you're an aspiring filmmaker, vlogger, journalist, educator, charity worker, student, business professional, or an individual with a passion for making films, you'll find the information in this book to be an invaluable resource. You too can make great movies with the iPhone you already own and produce award-winning films for minimal cost. This book includes 27 chapters filled with expert knowledge on various topics, such as the best equipment for your budget, choosing the right camera and editing apps, lighting, sound, and camera techniques, technical advice on iPhone movie-making, guides to the best video camera and editing apps, reviews on the top iPhone movie-making equipment, digital video concepts, detailed information on composition, lighting, sound recording, video editing, going live, and posting videos to the web. Additionally, the book covers how to transfer iPhone videos to a computer, filming for broadcast television and cinema, the best social media platforms for video, and budget iPhone filmmaking kits. With this comprehensive guide, you'll have all the tools and knowledge necessary to unleash your creativity and produce professional-quality films using your iPhone.
Since antiquity, people have searched for a way to understand the colors we see-what they are, how many there are, and how they can be systematically identified and arranged in some kind of order. How to order colors is not merely a philosophical question, it also has many practical applications in art, design, and commerce. Our intense interest in color and its myriad practical applications have led people throughout history to develop many systems to characterize and order it. The number of color order systems developed throughout history is unknown but ranges in the hundreds. Many are no longer used, but continue to be of historical interest. Despite wrong turns and slow progress, our understanding of color and its order has improved steadily. Although full understanding continues to elude us, it seems clear that it will ultimately come from research in neurobiology, perception and consciousness. Color Ordered is a comprehensive, in-depth compendium of over 170 systems, dating from antiquity to the present. In it, Rolf Kuehni and Andreas Schwarz present a history and categorization of color systems, describe each one using original figures and schematic drawings, and provide a broad review of the underlying theory. Included are a brief overview of color vision and a synthesis of the various systems. This volume is a unique and valuable resource for researchers in color vision, and visual perception, as well as for neuroscientists, art historians, artists, and designers.
