The town of Summerside was a commercial, agricultural and fishing hub in its heyday. Still a very active town, it boasts intriguing photographs that are included here with historical annotation.
To most outsiders, the hills of the Scottish Borders are a bleak and foreboding space - usually made to represent the stigmatized Other, Ad Finis, by the centers of power in Edinburgh, London, and Brussels. At a time when globalization seems to threaten our sense of place, people of the Scottish borderlands provide a vivid case study of how the being-in-place is central to the sense of self and identity. Since the end of the thirteenth century, people living in the Scottish Border hills have engaged in armed raiding on the frontier with England, developed capitalist sheep farming in the newly united kingdom of Great Britain, and are struggling to maintain their family farms in one of the marginal agricultural rural regions of the European Community. Throughout their history, sheep farmers living in these hills have established an abiding sense of place in which family and farm have become refractions of each other. Adopting a phenomenological perspective, this book concentrates on the contemporary farming practices - shepherding, selling lambs and rams at auctions - as well as family and class relations through which hill sheep fuse people, place, and way of life to create this sense of being-at-home in the hills.
This work reflects the author's three decades of clinical practice with children and their families, and adults and their families. Written for students and professionals, this book integrates the two approaches: art therapy and family systems. Although much has been written on art therapy and much, much more literature exists on family therapy, few integrate the two theoretical approaches. The structure of this book reflects the author's personal approach to art. Her art media are painting and combining found objects. The overall theme of family can quickly be seen within it, but this theme is overlaid with art, archetypal patterns and meanings, and symbolic enactments. It is also interfaced with personality development, and in this 'era of the brain,' with neurobiological research. The introduction begins with a brief introduction to Randy and his Dad and Stepmother. Chapter Two begins with the question: 'What is a family?' Chapter Three introduces the reader to the 'Cycle of Love' and the family influences in personality development, seen in personality theorists and theories (e.g., Freud, Jung, attachment and object relations, Eriksson, and Piaget). Stories about Michelle, Elizabeth, Tucker and Carl provide theoretical examples. Since more and more family therapy practice includes violence associated with the unfilled basic human needs of nourishment and nurturing, Chapter Four, 'The Cycle of Violence,' begins with a discussion of violence and its effect on early childhood environments. Chapter Five continues the theme of violence within families, and Chapter Six, 'The Cycle of Healing,' includes a discussion of resilience illustrated by a variety of stories from an integration of family and art therapy. Appendix A is filled with the practical 'how to's' of family art therapy. Appendix B includes the 'how to' interventions, and Appendix C includes key terms and concepts of a select group of family therapy theorists.
Three Nickels and a Dime is a truly unique narrative and will be of interest to anyone who has a dream and especially to those who have a humungous dream that seems impossible to achieve. With support from family and divine intervention throughout the process, they went through the steps from drawing up plans to marketing suites, all the while keeping a positive outlook and persevering. When God puts a dream in your heart, go after it, knowing that it is never too late to start a new beginning! Regardless of your age or stage in life, your brightest day may be just around the corner. Today is the first day of the rest of your life. Don't underestimate yourself. And never give up. The couple's message to the reader is "If we can do it, you can do it! It is God who is bigger than any of us." "Trust in the Lord with all your heart, and lean not on your own understanding. In all your ways acknowledge Him, and He will direct your paths." Proverbs 3:5,6
The life of John Davenport, who co-founded the colony of New Haven, has long been overshadowed by his reputation as the most draconian of all Puritan leaders in New England—a reputation he earned due to his opposition to many of the changes that were transforming New England in the post-Restoration era. In this first biography of Davenport, Francis J. Bremer shows that he was in many ways actually a remarkably progressive leader for his time, with a strong commitment to education for both women and men, a vibrant interest in new science, and a dedication to promoting and upholding democratic principles in his congregation at a time when many other Puritan clergymen were emphasizing the power of their office above all else. Bremer’s enlightening and accessible biography of an important figure in New England history provides a unique perspective on the seventeenth-century transatlantic Puritan movement.
Admirers of Elizabeth Spencer’s writing will welcome back into print her first novel, and her new readers will discover the sources of her notable talent in this book. Published in 1948 to extraordinary attention from such eminent writers as Robert Penn Warren, Eudora Welty, and Katherine Anne Porter, this father-and-son story revolves around an old southern theme of family grievances and vendettas. Fire in the Morning recounts the conflict between two families extending over two generations up to the 1930s. The arrival of an innocent stranger flares old arguments and ignites new passions. In Spencer's compelling tale of the half-forgotten violence, the well-deep understanding of father and son, Kinloch Armstrong, the young hero, confronts mysteries of the past. His wife, a newcomer to the area and its legacies, makes friends with a family of traditional rivals. After she is involved in a nighttime wreck and the death of a local man, the past gradually comes to light, and the two families once again become caught up in revelations, hatreds, and conflicts. Spencer faithfully renders the setting—a small, dusty Mississippi town—and the surrounding countryside as it was in the early twentieth century.