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Author: Matthew C. Farmer
Publisher: Oxford University Press
Published: 2017
Total Pages: 289
ISBN-13: 0190492074
DOWNLOAD EBOOKAristophanes' engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes' contemporaries and successors in the fifth and fourth centuries.
Author: William Shakespeare
Publisher: Smithmark Publishers
Published: 2000
Total Pages: 334
ISBN-13: 9780765116925
DOWNLOAD EBOOK"A collection of comedies written by William Shakespeare"--Provided by cataloger
Author: William Shakespeare
Publisher: Simon & Schuster
Published: 2023-04-11
Total Pages: 448
ISBN-13: 9781982170196
DOWNLOAD EBOOKThe authoritative edition of Three Comedies from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. The havoc wrought on lovers by magic in A Midsummer Night’s Dream, the furious battle of the sexes waged in The Taming of the Shrew, and a stranded woman finding her way in a man’s world in Twelfth Night—this collection of three of Shakespeare’s greatest comedies is based on the acclaimed individual Folger editions of the plays. The authoritative edition of A Midsummer Night’s Dream, The Taming of the Shrew, and Twelfth Night from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
Author: John Morreall
Publisher: State University of New York Press
Published: 1999-05-27
Total Pages: 192
ISBN-13: 1438413629
DOWNLOAD EBOOKCHOICE2000 Outstanding Academic Title Comedy, tragedy, and religion have been intertwined since ancient Greece, where comedy and tragedy arose as religious rituals. This groundbreaking book analyzes the worldviews of tragedy and comedy, and compares each with the world's major religions. Morreall contrasts the tragic and comic along twenty psychological and social dimensions and uses these to analyze both Eastern and Western traditions. Although no religion embodies a purely tragic or comic vision of life, some are mostly tragic and others mostly comic. In Eastern religions, Morreall finds no robust tragic vision but does find significant comic features, especially in Taoism and Zen Buddhism. In the Western monotheistic tradition, there are some comic features in the early Bible, but by the late Hebrew Bible, the tragic vision dominates. Two millennia have done little to reverse that tragic vision in Judaism. Christianity, on the other hand, has shown both tragic and comic features—Morreall writes of the Calvinist vision and the Franciscan vision—but in the contemporary era comic features have come to dominate. The author also explores Islam, and finds it has neither a comic nor a tragic vision. And, among new religions, those which emphasize the personal self come close to having an exclusively comic vision of life.
Author: Titus Maccius Plautus
Publisher: University Press of America
Published: 1995
Total Pages: 242
ISBN-13: 9780819198150
DOWNLOAD EBOOKThe special genius of the Roman comic poet Plautus is the wedding of native Italian farce with the mature and polished constructions of Greek comedy. The three plays translated in this book all contain that almost inevitable kernel of Greek comic plot: the love affair. But they have little else in common. In the first, a self-inflating soldier tries to live up to his image of himself as a lover. In the second, a beautiful maiden is rescued from an evil pimp. And in the third, an ill-starred husband fancies himself in love with his wife's young housemaid. Clever, or at least ambitious, slaves tend to move the action, in which the rudeness of farce merges with exuberant wit, satire, and parody.
Author: Kelley Rees
Publisher:
Published: 1908
Total Pages: 116
ISBN-13:
DOWNLOAD EBOOKAuthor: William Shakespeare
Publisher:
Published: 1898
Total Pages: 86
ISBN-13:
DOWNLOAD EBOOKAuthor: William Shakespeare
Publisher: Wordsworth Editions
Published: 2005
Total Pages: 900
ISBN-13: 9781840221459
DOWNLOAD EBOOKThe collection of the finest of Shakespeare's plays presents Shakespeare's comedies with introductions by Judith Buchanan and tragedies with introductions by Emma Smith
Author: Henry Ansgar Kelly
Publisher: Cambridge University Press
Published: 1993-05-13
Total Pages: 278
ISBN-13: 0521431840
DOWNLOAD EBOOKH.A. Kelly explores meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the Middle Ages, when Averroes considered tragedy to be the praise of virtue, but Albert the
Author: H.A. Kelly
Publisher: Wipf and Stock Publishers
Published: 2004-01-30
Total Pages: 146
ISBN-13: 1725209608
DOWNLOAD EBOOKIn this study, Professor Kelly analyzes Dante's understanding of the meanings of tragedy and comedy in his undisputed works, especially the 'De vulgari eloquentia' and the 'Comedia'. He finds that Dante's criteria concerned subject-matter and style, not emotions like happiness and sorrow, or plot movement from one mood to another, or humor or the lack of it. He considered Vergil's 'Aeneid' and his own lyric poems to be tragedies because of their sublime subjects and their use of elevated style and vocabulary. He considered the 'Inferno', along with the 'Purgatorio' and the 'Paradiso', to be a comedy because of the range of subjects and styles. Dante's commentators, in contrast, tended to have a plot-based understanding of these genres, and they attributed similar views to Dante himself. On the basis of both content and style, Kelly concludes that the 'Epistle to Cangrande' is not by Dante, except possibly for the first three paragraphs, and therefore ascribes it to Pseudo-Dante. It was not compiled as we have it until the last quarter of the fourteenth century, but it incorporated an earlier anonymous 'accessus' to the 'Comedia'. This 'accessus' drew heavily on Guido da Pisa's commentary, and it in turn was used by Boccaccio.
