'Pack up your games, dismantle your toys, practise your manners and muffle your noise. Straighten your face, where your smile used to be, for coming this way are The Aunties Three!' Watch the mayhem unfold as three bold aunts enter the house of three unruly children who try their very best to welcome the guests for tea.
The aunties are back, fiercer than ever and ready to handle any catastrophe—even the mafia—in this delightful and hilarious sequel by Jesse Q. Sutanto, author of Dial A for Aunties. Meddy Chan has been to countless weddings, but she never imagined how her own would turn out. Now the day has arrived, and she can't wait to marry her college sweetheart, Nathan. Instead of having Ma and the aunts cater to her wedding, Meddy wants them to enjoy the day as guests. As a compromise, they find the perfect wedding vendors: a Chinese-Indonesian family-run company just like theirs. Meddy is hesitant at first, but she hits it off right away with the wedding photographer, Staphanie, who reminds Meddy of herself, down to the unfortunately misspelled name. Meddy realizes that is where their similarities end, however, when she overhears Staphanie talking about taking out a target. Horrified, Meddy can’t believe Staphanie and her family aren’t just like her own, they are The Family—actual mafia, and they're using Meddy's wedding as a chance to conduct shady business. Her aunties and mother won’t let Meddy’s wedding ceremony become a murder scene—over their dead bodies—and will do whatever it takes to save her special day, even if it means taking on the mafia.
Alan Bennett's first collection of prose since Writing Home takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Bennett, as always, is both amusing and poignant, whether he's discussing his modest childhood or his work with the likes of Maggie Smith, Thora Hird and John Gielgud. Also included are his much celebrated diaries for the years 1996 to 2004. At times heartrending and at others extremely funny, Untold Stories is a matchless and unforgettable anthology. Since the success of Beyond the Fringe in the 1960s Alan Bennett has delighted audiences worldwide with his gentle humour and wry observations about life. His many works include Forty Years On, The Lady in the Van, Talking Heads, A Question of Attribution and The Madness of King George. The History Boys opened to great acclaim at the National in 2004, and is winner of the Evening Standard Award, the South Bank Award and the Critics' Circle Award for Best New Play. 'Perhaps the best loved of English writers alive today.' Sunday Telegraph Untold Stories is published jointly with Profile Books.
Between two suspicious murders and a series of attacks on snow mobilers up the Kanuyaq River, part-time P.I. and newly elected chairman of the Niniltna Native Association Kate Shugak has her hands full.
After finally graduating with a culinary degree, Jennifer Lim is pressured by her family to work at her control-freak aunty's restaurant. But after a family dispute, Jenn is determined to no longer be a doormat and instead starts her own catering company. Her search for a wine merchant brings Edward Castillo into her life--a tall, dark, handsome biker in form-fitting black leather, who's Hispanic to boot. It would be wonderfully wild to snag a man like that! Shy engineer Edward tentatively tries out his birthday present from his winery-owner uncle--a Harley-Davidson complete with the trimmings. Jennifer seems attracted to the rough, aggressive image, but it isn't his real self. Is she latching onto him just to spite her horrified family? And if this spark between them is real, will showing her the true guy underneath put it out? And what's with the goat in the backyard?
Starting days back to pre-independence and covering a millennia, in one side Collage portrays those unfortunate and truly evil societal barriers as well as the determined, enlightened and young generation of breakers of those barriers. It narrates the war ground called Society where the knowledge and morality confronts prejudices and burden of viciousness. It depicts those agonies and sacrifices the young generation has to bear when it thrusts to break through the mighty and apparently invincible chains of centuries old chauvinisms. In the other side, Collage is all about those treasured episodes that depicts how a child born in a lavish family becomes almost an orphan. How humiliations from those relations he believed interminable turns him taller, stronger and determined to overcome all odds. How life teaches him to feel the anguishes of the underprivileged and encourage a feeble boy to become a sturdy man who dares to stand and face the mighty and egotistical lot in the society. It narrates how dignity, determination and sense of duty makes a man complete. But the question remains. Does that end there?
*NEW YORK TIMES BESTSELLER!* From “one of those special writers capable of delivering both poetry and plot” (The New York Times Book Review) an immersive historical novel inspired by the true story of a woman physician in 15th-century China—perfect for fans of Lisa See’s classics Snow Flower and the Secret Fan and Tea Girl of Hummingbird Lane. According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient. From a young age, Yunxian learns about women’s illnesses, many of which relate to childbearing, alongside a young midwife-in-training, Meiling. The two girls find fast friendship and a mutual purpose—despite the prohibition that a doctor should never touch blood while a midwife comes in frequent contact with it—and they vow to be forever friends, sharing in each other’s joys and struggles. No mud, no lotus, they tell themselves: from adversity beauty can bloom. But when Yunxian is sent into an arranged marriage, her mother-in-law forbids her from seeing Meiling and from helping the women and girls in the household. Yunxian is to act like a proper wife—embroider bound-foot slippers, recite poetry, give birth to sons, and stay forever within the walls of the family compound, the Garden of Fragrant Delights. How might a woman like Yunxian break free of these traditions and lead a life of such importance that many of her remedies are still used five centuries later? How might the power of friendship support or complicate these efforts? A captivating story of women helping each other, Lady Tan’s Circle of Women is a triumphant reimagining of the life of one person who was remarkable in the Ming dynasty and would be considered remarkable today.