Evie Pleasant, nee Bouvier, is back in town. In a figure-hugging skirt, high heels and a pin-up hairdo, she's unrecognisable from the wild child who waged war on Sweet Meadow in her youth. She's made a promise to herself: 'No swearing. No drinking. No stealing. No fires.' Trailing a reluctant 16-year-old daughter and armed with cake making equipment, Evie's divorce and impending poverty has made her desperate enough to return to Sweet Meadow to seduce her former partner-in-crime and start again. But the townsfolk have long memories and the renegade ex-boyfriend is now the highly-respected pastor. Evie's cakes have a job to do.
Ruby White has burnt her bridges. She has no job, no direction in life, and just enough money to last a month. if she eats only rice and her cat catches his own meals. When her best friend, Anise, holds a dress-up party, Ruby drowns her sorrows and meets Damien, whose vampire costume belies his sweet nature. With time on her hands, Ruby soon finds herself at a seminar for those who are Hyper-Auto-Aware, a condition she never knew existed, run by the Jaasmyn Empire, a company she's never heard of. To Ruby's astonishment, and that of those who know her, she is offered a job. Attracting the attention of the charismatic head of the Empire, Jaasmyn, Ruby ignores her misgivings about the Empire's ethics and enjoys fitting in somewhere for the first time in her life. When the reactions of those outside the Jaasmyn Empire become more cynical and her cautious relationship with Damien wavers, Ruby begins to keep her job details secret. As her training progresses, her parents become even more concerned. It seems the zany girl who used to eat chocolate for breakfast and salted pretzels for dinner won't touch anything that isn't organic and the further Ruby penetrates the Empire, the more her behaviour begins to change. As Ruby disappears into the mire of mind, body and spirit, her friends and family try numerous ways to lure her back but their efforts only push her more into the arms of the Jaasmyn Empire and its mysterious leader. Fortunately Ruby's friend at the empire, DeDe, is onto Jaasmyn and orchestrates an unforgettable media expose. Finally Ruby begins to resemble her old self but will Damien continue to hold a candle for her as a bold new age begins?
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it through twenty-six editions in the first sixty years. This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text. As a comprehensive critical and historical edition, these volumes contain far more information on the stories than can be found in any existing studies, literary histories, or Italian editions of the work. Donald Beecher provides a lengthy introduction discussing Straparola as an author, the nature of fairy tales and their passage through oral culture, and how this phenomenon provides a new reservoir of stories for literary adaptation. Moreover, the stories all feature extensive commentaries analysing not only their themes but also their fascinating provenances, drawing on thousands of analogue tales going back to ancient Sanskrit, Persian, and Arabic stories. Immensely entertaining and readable, The Pleasant Nights will appeal to anyone interested in fairy tales, ancient stories, and folk creations. Such readers will also enjoy Beecher’s academically solid and erudite commentaries, which unfold in a manner as light and amusing as the stories themselves.
New York Times bestseller! An unforgettable novel about a young Jewish woman growing up in Boston in the early twentieth century, told “with humor and optimism…through the eyes of an irresistible heroine” (People)—from the acclaimed author of The Red Tent. Anita Diamant’s “vivid, affectionate portrait of American womanhood” (Los Angeles Times), follows the life of one woman, Addie Baum, through a period of dramatic change. Addie is The Boston Girl, the spirited daughter of an immigrant Jewish family, born in 1900 to parents who were unprepared for America and its effect on their three daughters. Growing up in the North End of Boston, then a teeming multicultural neighborhood, Addie’s intelligence and curiosity take her to a world her parents can’t imagine—a world of short skirts, movies, celebrity culture, and new opportunities for women. Addie wants to finish high school and dreams of going to college. She wants a career and to find true love. From the one-room tenement apartment she shared with her parents and two sisters, to the library group for girls she joins at a neighborhood settlement house, to her first, disastrous love affair, to finding the love of her life, eighty-five-year-old Addie recounts her adventures with humor and compassion for the naïve girl she once was. Written with the same attention to historical detail and emotional resonance that made Diamant’s previous novels bestsellers, The Boston Girl is a moving portrait of one woman’s complicated life in twentieth century America, and a fascinating look at a generation of women finding their places in a changing world. “Diamant brings to life a piece of feminism’s forgotten history” (Good Housekeeping) in this “inspirational…page-turning portrait of immigrant life in the early twentieth century” (Booklist).
Rapunzel escapes her tower-prison all on her own, only to discover a world beyond what she'd ever known before. Determined to rescue her real mother and to seek revenge on her kidnapper would-be mother, Rapunzel and her very long braids team up with Jack (of Beanstalk fame) and together they perform daring deeds and rescues all over the western landscape, eventually winning the justice they so well deserve.
When four very different small-town Delaware high school girls are forced to join a mother-daughter book club over summer vacation, they end up learning about more than just the books they read.
