For twenty-seven years, renowned and beloved monk Thomas Merton (1915-1968) belonged to Our Lady of Gethsemani, a Trappist monastery established in 1848 amid the hills and valleys near Bardstown, Kentucky. In Thomas Merton's Gethsemani, dramatic black-and-white photographs by Harry L. Hinkle and artful text by Merton scholar Monica Weis converge in a unique experience for lovers of Merton. Hinkle was allowed unprecedented access to many areas inside the monastery and on its grounds that are generally restricted. His photographs invite the reader to experience the various knobs, lakes, woods, and hermitages Merton sought out for times of solitude and contemplation and for reading and writing. These unique images, each accompanied by a passage from Merton's writings, evoke personal reflection and a deeper understanding of how and why Merton came to recognize himself as a part of his Kentucky landscape. Woven throughout the book, Weis's text explores Merton's fascination with nature not only at Gethsemani, but during his early childhood, throughout his spiritual conversion to Roman Catholicism, and while a member of the Trappist community. She examines how Merton's lifelong interaction with nature subtly revealed and informed his profound spiritual experiences and his writing about contemplation. Thomas Merton's Gethsemani replicates Merton's path on his solitary hikes in the woods and conveys the wonder of the landscapes that inspired him.
Since Adam and Eve left Eden, humanity has endured through long millennia of hardships and sufferings, especially death. But the hearts of their children and great-grandchildren have never given up the hope that, someday, they could return to the place of happiness that once had been their inheritance. It is a legitimate and dignified dream. In fact, since the day Adam and Eve left, paradise has remained on earth, waiting for every single human child to return. Mertons paradise, in the last analysis, is on earth, but it is not a spacious place. It is rather an attitude of heart, a state of consciousness, in a spiritual journey. The recovery of paradise occurs when the ego in us becomes empty like a desert. The more the noisy ego diminishes, the more the paradise appears in all its beauty. In fact, this paradise is the face of God, not just an imaginary picture but the true God Himself. The more the face of our ego fades out, the more the face of God shines in his glory, might, and goodness. The desert path is more a journey within our consciousness than through geographical space and time. That is why it belongs to all people and is not just reserved for desert hermits. According to Thomas Merton, you need not be a bishop, a priest, a monk, a nun, a religious person, or a hermit to enter the spiritual journey. You may be a lay person, a normal churchgoer very busy with your daily duties, but you certainly could be a real paradise man.
With the election of a new Abbot at the Abbey of Gethsemani, Merton enters a period of unprecedented freedom, culminating in the opportunity to travel to California, Alaska, and finally the Far East – journeys that offer him new possibilities and causes for contemplation. In his last days at the Abbey of Gethsemani, Merton continues to follow the tumultuous events of the sixties, including the assassinations of Martin Luther King, Jr., and Robert Kennedy. In Southeast Asia, he meets the Dalai Lama and other Buddhist and Catholic monks and discovers a rare and rewarding kinship with each. The final year is full of excitement and great potential for Merton, making his accidental death in Bangkok, at the age of fifth-three, all the more tragic.
One man's search to find his role in the world is revealed in the writer's portrait of his youthful political activism and entry into a Trappist monastery
Seldom can one predict that a book will have an effect on history, but this is such a work. Merton's many biographers and the American press now say unanimously that he died from accidental electrocution. From a careful examination of the official record, including crime scene photographs that the authors have found that the investigating police in Thailand never saw, and from reading the letters of witnesses, they have discovered that the accidental electrocution conclusion is totally false. The widely repeated story that Merton had taken a shower and was therefore wet when he touched a lethal faulty fan was made up several years after the event and is completely contradicted by the evidence. Hugh Turley and David Martin identify four individuals as the primary promoters of the false accidental electrocution narrative. Another person, they show, should have been treated as a murder suspect. The most likely suspect in plotting Merton's murder, a man who was a much stronger force for peace than most people realize, they identify as the Central Intelligence Agency of the United States government. Thomas Merton was the most important Roman Catholic spiritual and anti-warfare-state writer of the 20th century. To date, he has been the subject of 28 biographies and numerous other books. Remarkably, up to now no one has looked critically at the mysterious circumstances surrounding his sudden death in Thailand. From its publication date in the 50th anniversary of his death, into the foreseeable future, this carefully researched work will be the definitive, authoritative book on how Thomas Merton died.
This volume is a stimulating series of spiritual reflections which will prove helpful for all struggling to find the meaning of human existence and to live the richest, fullest and noblest life. --Chicago Tribune
For forty years, James Finley’s Merton's Palace of Nowhere has been the standard text for exploring, reflecting on, and understanding the rich vein of Thomas Merton's thought. Spiritual identity is the quest to know who we are, to find meaning, to overcome that sense of “Is this all there is?” Merton’s message cuts to the heart of this universal quest, and Finley illuminates that message as no one else can. As a young man of eighteen, Finley left home for an unlikely destination: the Abbey of Gethsemani, where Thomas Merton lived as a contemplative. Finley stayed at the monastery for six maturing years and later wrote this Merton’s Palace of Nowhere in order to share a taste of what he had learned on his spiritual journey under the guidance of one of the great religious figures of our time. At the heart of the quest for spiritual identity are Merton's illuminating insights—leading from an awareness of the false and illusory self to a realization of the true self. Dog-eared, tattered, underlined copies of this book are found on the bookshelves of retreat centers, parish libraries, and the homes of spiritual seekers everywhere. This anniversary edition brings a classic to a new generation and includes a new preface by Finley.
Now in paperback, revised and redesigned: This is Thomas Merton's last book, in which he draws on both Eastern and Western traditions to explore the hot topic of contemplation/meditation in depth and to show how we can practice true contemplation in everyday life. Never before published except as a series of articles (one per chapter) in an academic journal, this book on contemplation was revised by Merton shortly before his untimely death. The material bridges Merton's early work on Catholic monasticism, mysticism, and contemplation with his later writing on Eastern, especially Buddhist, traditions of meditation and spirituality. This book thus provides a comprehensive understanding of contemplation that draws on the best of Western and Eastern traditions. Merton was still tinkering with this book when he died; it was the book he struggled with most during his career as a writer. But now the Merton Legacy Trust and experts have determined that the book makes such a valuable contribution as his major comprehensive presentation of contemplation that they have allowed its publication.
Beholding Paradise: The Photographs of Thomas Merton provides the reader with the only available overview of Thomas Merton's photographs while also providing a highly accessible introduction to Merton as a photographer. For Merton, his photography, as his writing, became a way for him to explore and express his relationship with the world. As he discovered contemplative photography, and how to use a camera as a contemplative instrument, he produced images that had the same effect as much of prose and poetry writings in the last decade of his life. Media and advertisers used images manipulatively to sell a story or an object. By contrast, Merton's images have nothing to sell, they cause us to pause, to stop, to see, to see what is right in front of us every day. This volume allows the reader to explore, meditatively, the way that Thomas Merton came to see the world in the final decade of his life.