Rules How to Compose
Rules How to Compose

Author: Giovanni Coperario

Publisher:

Published: 2011-09

Total Pages: 108

ISBN-13: 9781258104801

DOWNLOAD EBOOK

A Facsimile Edition Of A Manuscript From The Library Of The Earl Of Bridgewater, Circa 1910, Now In The Huntington Library, San Marino, California.

Harmony, Counterpoint, Partimento
Harmony, Counterpoint, Partimento

Author: Job IJzerman

Publisher:

Published: 2018

Total Pages: 417

ISBN-13: 0190695005

DOWNLOAD EBOOK

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Beyond Boundaries
Beyond Boundaries

Author: Linda Phyllis Austern

Publisher: Indiana University Press

Published: 2017-02-13

Total Pages: 334

ISBN-13: 0253024978

DOWNLOAD EBOOK

English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.

Counterpoint
Counterpoint

Author: Knud Jeppesen

Publisher: Courier Corporation

Published: 2013-04-15

Total Pages: 322

ISBN-13: 0486318877

DOWNLOAD EBOOK

First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.

Between Modes and Keys
Between Modes and Keys

Author: Joel Lester

Publisher: Pendragon Press

Published: 1989

Total Pages: 274

ISBN-13: 9780918728777

DOWNLOAD EBOOK

This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period.

Musical Creativity in Restoration England
Musical Creativity in Restoration England

Author: Rebecca Herissone

Publisher: Cambridge University Press

Published: 2013

Total Pages: 568

ISBN-13: 1107289556

DOWNLOAD EBOOK

Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.