Daniel M. Shapiro’s (This Is Not A) Mixtape for the End of the World is a collection of prose poems inspired by the heyday of MTV pop music videos. The poems distill the juxtaposition of sunny materialism and Cold War trepidation that define so many music videos of the 1980s. Shapiro chips away at nostalgia while clinging to what makes his source material so catchy. A series of artworks by Stephen Tornero accompanies the poems. Much like the period’s music, the bold excess, bright colors, and festive abstractions stand in contrast to the decade’s underbelly.
"In these irreverent pages, a shapeshifter gets a crash course in gender and sexuality by inhabiting both sides of the binary and arriving precisely somewhere in the middle." —O, The Oprah Magazine “HOT” (Maggie Nelson) • “TIGHT” (Eileen Myles) • “DEEP” (Michelle Tea) It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Paul transforms his body and his gender at will as he crossed the country––a journey and adventure through the deep queer archives of struggle and pleasure. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his/her way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections.
The End of Chiraq: A Literary Mixtape is a collection of poems, rap lyrics, short stories, essays, interviews, and artwork about Chicago, the city that came to be known as "Chiraq" ("Chicago" + "Iraq"), and the people who live in its vibrant and occasionally violent neighborhoods. Tuned to the work of Chicago’s youth, especially the emerging artists and activists surrounding Young Chicago Authors, this literary mixtape unpacks the meanings of “Chiraq” as both a vexed term and a space of possibility. "Chiraq" has come to connote the violence—interpersonal and structural—that many Chicago youth regularly experience. But the contributors to The End of Chiraq show that Chicago is much more than Chiraq. Instead, they demonstrate how young people are thinking and mobilizing, engaged in a process of creating a new and safer world for themselves, their communities, and their city. In true mixtape fashion, the book is an exercise in "low end theory" that does not just include so-called underground and marginal voices, but foregrounds them. Edited by award-winning poets, writers, and teachers Javon Johnson and Kevin Coval, The End of Chiraq addresses head-on the troublesome relationship between Chicago and Chiraq and envisions a future in which both might be transformed.
'A lovely novel, delicately drawn, with characters that really linger in the mind . . . I got really swept up in it.' Laura Barnett, author of The Versions of Us You never forget the one that got away. Daniel was the first boy to make Alison a mix tape. But that was years ago and Ali hasn't thought about him in a very long time. Even if she had, she might not have called him 'the one that got away'; after all, she'd been the one to run. Then Dan's name pops up on her phone, with a link to a song from their shared past. For two blissful minutes, Alison is no longer an adult in Adelaide with temperamental daughters; she is sixteen in Sheffield, dancing in her skin-tight jeans. She cannot help but respond in kind. And so begins a new mix tape. Ali and Dan exchange songs - some new, some old - across oceans and time zones, across a lifetime of different experiences, until one of them breaks the rules and sends a message that will change everything... __________ PRAISE FOR MIX TAPE: 'Gorgeous novel about first love . . . guaranteed to make you think of your first love - and perhaps what might have been' Nina Pottell, Prima 'This grown-up love story is gorgeously written and romantic without being sentimental' Good Housekeeping 'Deftly written romantic novel' Red 'Touching, peppily nostalgic love story' Sainsbury's Magazine 'Funny, moving, relatable' Heat 'Fantastic, moving, beautiful novel' Daily Mail 'This tender tale of second chances...is a nostalgic delight' Sunday Mirror 'A brilliantly nostalgic story, with a great sound track' Best Magazine
In this memoir full of humor and heart, comedian, writer, and producer Cristela Alonzo shares personal stories of growing up as a first-generation Mexican-American in Texas and following her dreams to pursue a career in comedy. When Cristela Alonzo and her family lived as squatters in an abandoned diner, they only had two luxuries: a television and a radio, which became her pop cultural touchstone and a guiding light. Cristela shares her experiences and struggles of being a first-generation American, her dreams of becoming a comedian, and how it feels to be a creator in a world that often minimizes people of color and women. Her stories range from the ridiculous—like the time she made her own tap shoes out of bottle caps or how the theme song of The Golden Girls landed her in the principal’s office—to the sobering moments, like how she turned to stand-up comedy to grieve the heartbreaking loss of her mother and how, years later, she’s committed to giving back to the community that helped make her. Each significant moment of the book relates to a song, and the resulting playlist is deeply moving, resonant, and unforgettable. Music to My Years will make you laugh, cry, and even inspire you to make a playlist of your own.
Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood—all through wry social commentary and music/pop culture critique How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author’s playlist while you read! Access the playlist here: https://sptfy.com/a18b
From the New York Times bestselling author of A Constellation of Vital Phenomena—dazzling, poignant, and lyrical interwoven stories about family, sacrifice, the legacy of war, and the redemptive power of art. This stunning, exquisitely written collection introduces a cast of remarkable characters whose lives intersect in ways both life-affirming and heartbreaking. A 1930s Soviet censor painstakingly corrects offending photographs, deep underneath Leningrad, bewitched by the image of a disgraced prima ballerina. A chorus of women recount their stories and those of their grandmothers, former gulag prisoners who settled their Siberian mining town. Two pairs of brothers share a fierce, protective love. Young men across the former USSR face violence at home and in the military. And great sacrifices are made in the name of an oil landscape unremarkable except for the almost incomprehensibly peaceful past it depicts. In stunning prose, with rich character portraits and a sense of history reverberating into the present, The Tsar of Love and Techno is a captivating work from one of our greatest new talents.
A coffee table book about a Lost Boy in search of Winnie Cooper, with a helping of tongue-in-cheek wit and sarcasm. An unparalleled view of pop-culture and relationships, filled with rich photography. From music industry professional SW Hammond comes a collection of provocative essays woven to create the misguided anti-love story of a young man learning about relationships through Axl Rose, Paris Hilton, and Taylor Swift. Raised on rock n’ roll, Hammond blends an unparalleled view of pop culture and philosophy that plagues his irrational sense of women and what they want. From childhood viewings of Full House leading to his lifelong hatred of John Stamos, his introduction to the Riot Grrrl movement and Kathleen Hanna, to a questionable infatuation with The O.C.’s Summer Roberts—all of your insatiable favorites are mixed with a reflective-Kevin-Arnold-like inner monolog and a bottle of Jack Daniels. The Mixtape Manifesto: A Pop Culture Confessional is filled with rich photography captured during Hammond’s days on the road while working for Sony Music and Warped Tour, as well as bringing to life the music, movies, and television that has perpetuated his laughable neurotic angst. If you’re ready to take a little mind trip, join in, you just may learn something about your life while reading about his.
Mix Tape: The Art of Cassette Culture is the first book to focus on the unique confluence of cassette culture, featuring stories, essays and images from tapes compiled by and for friends, family and lovers over the last twenty years.
