The New Weissenborn Method for Bassoon
The New Weissenborn Method for Bassoon

Author: Douglas Edward Spaniol

Publisher: Hal Leonard Publishing Corporation

Published: 2010

Total Pages: 0

ISBN-13: 9781423484776

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(Instructional). New edition with spiral binding For well over a century, students all over the world have learned to play the bassoon using Julius Weissenborn's Practical Bassoon Method . At long last, The New Weissenborn Method for Bassoon presents the complete 1887 publication in an updated, user-friendly version. With over 50 photographs, modern fingering charts, and in-depth instruction on performance basics, instrument care, and reeds, The New Weissenborn Method is a must-have for all bassoon students. Features: * Carefully researched and edited from the original 1887 edition * All lessons and exercises re-engraved * New notes, techniques and terminology introduced before each lesson * Weissenborn's original sections on tenor clef and the "speaker" keys restored and expanded * Original ornamentation chapter restored with added modern performance practices * Supplementary scale exercises now include all major and minor keys

Bassoon Reimagined
Bassoon Reimagined

Author: Ryan Romine

Publisher:

Published: 2019-10-15

Total Pages: 287

ISBN-13: 9780578872148

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This book explains extended (nontraditional) techniques for bassoon and provides performers and composers with advice on their execution and notation. It also includes a set of studies/etudes (titled Fantastic Tales) that demonstrate how the techniques can be used.

Fifty Concert Studies, Op. 26 for Bassoon
Fifty Concert Studies, Op. 26 for Bassoon

Author: Ludwig Milde

Publisher: Alfred Music

Published: 2001-01-10

Total Pages: 107

ISBN-13: 1457470284

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A complete edition of all fifty Concert Studies for Bassoon by Ludwig Milde. Formerly published in several volumes, these studies are for the advanced player.

The Bassoon
The Bassoon

Author: James B. Kopp

Publisher: Yale University Press

Published: 2012-01-01

Total Pages: 360

ISBN-13: 030018364X

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This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description].