For years, Gary Smith, a Jesuit priest, led a familiar life in the Pacific Northwest. Then, one day in 2000, he left that life behind to spend six years among Sudanese refugees struggling to survive in refugee camps in northern Uganda. He traveled to this dangerous, pitiless place to be with these forsaken people out of a conviction that “Jesuits should be going where no one else goes.” Smith’s journal is a vivid, inspiring account of the deep connections he forged during his life-changing experience with the Sudanese refugees in Uganda. Along the way, he discovered a suffering people who, despite being displaced by a brutal civil war, find the strength to let go of the many and deep sorrows of the past. Ultimately, They Come Back Singing is a window to the spiritual life and growth of a priest whose generous spirit and genuine love allow him to serve—and be served—in truly extraordinary ways.
For years, Gary Smith, a Jesuit priest, led a familiar life in the Pacific Northwest. Then, one day in 2000, he left that life behind to spend six years among Sudanese refugees struggling to survive in refugee camps in northern Uganda. He traveled to this dangerous, pitiless place to be with these forsaken people out of a conviction that "Jesuits should be going where no one else goes." Smith's journal is a vivid, inspiring account of the deep connections he forged during his life-changing experience with the Sudanese refugees in Uganda. Along the way, he discovered a suffering people who, despite being displaced by a brutal civil war, find the strength to let go of the many and deep sorrows of the past. Ultimately, They Come Back Singing is a window to the spiritual life and growth of a priest whose generous spirit and genuine love allow him to serve--and be served--in truly extraordinary ways.
Life is good for Maxine McCoy. She is the producer of a popular talk show, married to a man she loves, and pregnant with their child. But her security is shattered when a call summons her back to the old neighborhood in Philadelphia she'd rather forget. Once a brilliant singing star, Maxine's grandmother, Lindy, who reared her has become a smoking, drinking, embittered woman, and the aspiring community where Maxine grew up is now a blighted, crime-infested area. Singing in the comback choir shows how faith and commitment can make any comeback possible.
A young artist forges a path of self-discovery in an enriching novel about forgiving the past and embracing second chances, from the bestselling author of An Unfinished Story. Maine, 1969. After losing her parents in a car accident, aspiring artist Annalisa Mancuso lives with her grandmother and their large Italian family in the stifling factory town of Payton Mills. Inspired by her mother, whose own artistic dreams disappeared in a damaged marriage, Annalisa is dedicated only to painting. Closed off to love, and driven as much by her innate talent as she is the disillusionment of her past, Annalisa just wants to come into her own. The first step is leaving Payton Mills and everything it represents. The next, the inspiring opportunities in the city of Portland and a thriving New England art scene where Annalisa hopes to find her voice. But she meets Thomas, an Ivy League student whose attentions--and troubled family--upend her pursuits in ways she never imagined possible. As their relationship deepens, Annalisa must balance her dreams against an unexpected love. Until the unraveling of an unforgivable lie. For Annalisa, opening herself up to life and to love is a risk. It might also be the chance she needs to finally become the person and the artist she's meant to be.
(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.
Profound reflections on the cross that help you to meditate on and marvel at the sacrificial love of Jesus. This book can be used as a devotional, especially during Lent and Easter. These profound reflections on the cross from David Mathis, author of The Christmas We Didn’t Expect, will help you to meditate on and marvel at Jesus’ life, sacrificial death, and spectacular resurrection-enabling you to treasure anew who Jesus is and what he has done. Many of us are so familiar with the Easter story that it becomes easy to miss subtle details and difficult to really enjoy its meaning. This book will help you to pause and marvel at Jesus, whose now-glorified wounds are a sign of his unfailing love and the decisive victory that he has won: “He was pierced for our transgressions, he was crushed for our iniquities; the punishment that brought us peace was on him, and by his wounds we are healed.” (Isaiah 53:5) This book can be used as a devotional. The chapters on Holy Week make it especially helpful during the Lent season and at Easter.
'An open door to the joyous world of singing.' - Cerys Matthews Singing is one thing, but singing together is something else. Powerful and uplifting, group singing creates deep human connections and benefits our wellbeing. And it's fun. Vocal leader James Sills believes that group singing has the power to change lives. It is a joyful expression of our humanity that gives us purpose, encourages us to be fully present, and helps foster social bonds. In Do Sing, James invites us to reflect on our own singing journey. Was there a time when you stopped singing, or were told you couldn't sing? Do certain songs trigger happy memories? With exercises to help unlock your voice, improve breathing, release tension, and a few simple songs to get started, Do Sing will help you to overcome (often deep-rooted) inhibitions and reawaken a love of singing. Do Sing is a welcome remedy to the demands of modern life – and an invitation to experience the joy of group singing for yourself.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1895 edition. Excerpt: ...concentrate its best efforts. Three and one half years ago, when I had been a year iu the Indian school service, I wrote from Fort Defiance, N. Mex., to the Commissioner of Indian Affairs, and to the Secretary of the Interior, as follows: On my arrival tit this place, I entered my thirty-third Indian reservation, in all of which I have studied to the best of my ability the question of Indian education. Not a little time has been spent in each of the larger training schools, but much more time face to face with the great needs of the reservations, which present the primary phases of the Indian educational problem. As the result, some ideas held tentatively at first have been settling into clearer and more decided convictions. Having thus studied this problem in llicfield, in personal contact with the living issues, I respectfully avail myself of the advisory functions of my ofliee, and speak with greater confidence upon some matters than heretofore I have done. When I left Washington the attention of the office was much directed to the enlargement of the great training schools--(, 'arlisle, Haskell, Genoa, and C'hilocco, and to the building of another such at Pierre. S. Dak. I tacitly assented to the policy, though not without grave doubts as to its wisdom, at this time. It is not from lack of faith in those schools, for I have the fullest confidence, but from a growing conviction that the present most important and urgent work is in reservation schools, which greatly need to be enlarged and multiplied, and which, I fear, will be hindered, and possibly prevented, by the absorption of so much of the limited appropriations granted by Congress, for those large schools. The time has come to build more at the base and less at the apex. The.
In smoky rooms above pubs, bare rooms with battered stools and beer-stained tables, where the stage was little more than a scrap of carpet and sound systems were unheard of, an acoustic revolution took place in Britain in the 1950s and '60s. This was the folk revival, where a generation of musicians, among much drink and raucous cheer, would rediscover the native songs of their own tradition, as well as the folk and blues coming from across the Atlantic by artists such as Leadbelly, Woody Guthrie and Big Bill Broonzy. Singing from the Floor is the story of this remarkable movement, faithfully captured in the voices of those who formed it by JP Bean. We hear from luminaries such as Shirley Collins, Martin Carthy, Peggy Seeger and Ralph McTell, alongside figures such as Billy Connolly, Jasper Carrott and Mike Harding, who all started their careers on the folk circuit. The book charts the revival's improvised beginnings and its ties to the CND movement, through the heyday of the '60s and '70s, when every university, town and many villages across the country boasted a folk club, to the fallow years of the '80s and '90s. The book finishes on a high note, with the recent resurgence of interest in folk, through such artists as the Lakemans, Sam Lee and Eliza Carthy. It is a joyous, boisterous and hugely entertaining book, and an essential document of our recent history stretching into the past.
