Theory and Tradition in Eighteenth-century Studies

Theory and Tradition in Eighteenth-century Studies

Author: Richard B. Schwartz

Publisher: SIU Press

Published: 1990

Total Pages: 216

ISBN-13: 9780809315611

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This is a collection of nine essays by senior scholars Donald Greene, Morris R. Brownell, Richard B. Schwartz, Howard D. Weinbrot, Maximillian Novak, J. Paul Hunter, John H. Middendorf, Shirley Strum Kenny, and Gwin J. Kolb. They draw from their own experiences as students and scholars to assess the past and present position of theory in eighteenth-century studies and to discuss the important areas of scholarship that remain relatively unexplored, often proposing specific projects. Some essays are controversial; all are lively and personal. The essays evolved from a 1987 conference held at Georgetown University--the first such conference to examine the state of eighteenth-century literary studies in fifteen years.


Eighteenth-Century Thing Theory in a Global Context

Eighteenth-Century Thing Theory in a Global Context

Author: Dr Christina Ionescu

Publisher: Ashgate Publishing, Ltd.

Published: 2014-02-28

Total Pages: 355

ISBN-13: 1472413318

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Exploring Enlightenment attitudes toward things and their relation to human subjects, this collection offers a geographically wide-ranging perspective on what the eighteenth century looked like beyond British or British-colonial borders. To highlight trends, fashions, and cultural imports of truly global significance, the contributors draw their case studies from Western Europe, Russia, Africa, Latin America, and Oceania. This survey underscores the multifarious ways in which new theoretical approaches, such as thing theory or material and visual culture studies, revise our understanding of the people and objects that inhabit the phenomenological spaces of the eighteenth century. Rather than focusing on a particular geographical area, or on the global as a juxtaposition of regions with a distinctive cultural footprint, this collection draws attention to the unforeseen relational maps drawn by things in their global peregrinations, celebrating the logic of serendipity that transforms the object into some-thing else when it is placed in a new locale.


Compositional Theory in the Eighteenth Century

Compositional Theory in the Eighteenth Century

Author: Joel Lester

Publisher: Harvard University Press

Published: 1992

Total Pages: 370

ISBN-13: 9780674155237

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This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers.


A Dictionary of Cultural and Critical Theory

A Dictionary of Cultural and Critical Theory

Author: Michael Payne

Publisher: John Wiley & Sons

Published: 2013-05-06

Total Pages: 834

ISBN-13: 1118438817

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Now thoroughly updated and revised, this new edition of the highly acclaimed dictionary provides an authoritative and accessible guide to modern ideas in the broad interdisciplinary fields of cultural and critical theory Updated to feature over 40 new entries including pieces on Alain Badiou, Ecocriticism, Comparative Racialization , Ordinary Language Philosophy and Criticism, and Graphic Narrative Includes reflective, broad-ranging articles from leading theorists including Julia Kristeva, Stanley Cavell, and Simon Critchley Features a fully updated bibliography Wide-ranging content makes this an invaluable dictionary for students of a diverse range of disciplines


Ends of Empire

Ends of Empire

Author: Laura Brown

Publisher: Cornell University Press

Published: 1993

Total Pages: 220

ISBN-13: 9780801480959

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This book explores the representation of women in english literature from the Restoration to the fall of Walpole.


The Coffee-House

The Coffee-House

Author: Markman Ellis

Publisher: Hachette UK

Published: 2011-05-12

Total Pages: 337

ISBN-13: 1780220553

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How the simple commodity of coffee came to rewrite the experience of metropolitan life When the first coffee-house opened in London in 1652, customers were bewildered by this strange new drink from Turkey. But those who tried coffee were soon won over. More coffee-houses were opened across London and, in the following decades, in America and Europe. For a hundred years the coffee-house occupied the centre of urban life. Merchants held auctions of goods, writers and poets conducted discussions, scientists demonstrated experiments and gave lectures, philanthropists deliberated reforms. Coffee-houses thus played a key role in the explosion of political, financial, scientific and literary change in the 18th century. In the 19th century the coffee-house declined, but the 1950s witnessed a dramatic revival in the popularity of coffee with the appearance of espresso machines and the `coffee bar', and the 1990s saw the arrival of retail chains like Starbucks.


Framing Majismo

Framing Majismo

Author: Tara Zanardi

Publisher: Penn State Press

Published: 2016-03-08

Total Pages: 583

ISBN-13: 0271076682

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Majismo, a cultural phenomenon that embodied the popular aesthetic in Spain from the second half of the eighteenth century, served as a vehicle to “regain” Spanish heritage. As expressed in visual representations of popular types participating in traditional customs and wearing garments viewed as historically Spanish, majismo conferred on Spanish “citizens” the pictorial ideal of a shared national character. In Framing Majismo, Tara Zanardi explores nobles’ fascination with and appropriation of the practices and types associated with majismo, as well as how this connection cultivated the formation of an elite Spanish identity in the late 1700s and aided the Bourbons’ objective to fashion themselves as the legitimate rulers of Spain. In particular, the book considers artistic and literary representations of the majo and the maja, purportedly native types who embodied and performed uniquely Spanish characteristics. Such visual examples of majismo emerge as critical and contentious sites for navigating eighteenth-century conceptions of gender, national character, and noble identity. Zanardi also examines how these bodies were contrasted with those regarded as “foreign,” finding that “foreign” and “national” bodies were frequently described and depicted in similar ways. She isolates and uncovers the nuances of bodily representation, ultimately showing how the body and the emergent nation were mutually constructed at a critical historical moment for both.


Cultural Readings of Restoration and Eighteenth-Century English Theater

Cultural Readings of Restoration and Eighteenth-Century English Theater

Author: Deborah Payne Fisk

Publisher: University of Georgia Press

Published: 2010-12-01

Total Pages: 332

ISBN-13: 0820337897

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Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.


Women Writing Music in Late Eighteenth-Century England

Women Writing Music in Late Eighteenth-Century England

Author: Leslie Ritchie

Publisher: Routledge

Published: 2017-07-05

Total Pages: 288

ISBN-13: 1351536613

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Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.