Music in Theory and Practice

Music in Theory and Practice

Author: Bruce Benward

Publisher: McGraw-Hill Humanities, Social Sciences & World Languages

Published: 1999

Total Pages: 0

ISBN-13: 9780697353757

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Volume II of "Music in Theory and Practice" is an introduction to musical styles from the Renaissance to the present. It includes more complex chords, an emphasis on larger forms, and strategies for composition analysis. The goal of the text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire.


Instruments for New Music

Instruments for New Music

Author: Thomas Patteson

Publisher: Univ of California Press

Published: 2016

Total Pages: 251

ISBN-13: 0520288025

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Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium


Music's Intellectual History

Music's Intellectual History

Author: Zdravko Blažeković

Publisher: Rilm

Published: 2009

Total Pages: 968

ISBN-13:

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Personalities: music scholars. Personalities: composers. National studies. Encyclopedias. Periodicals. Historiography & its directions


Schubert's Late Music

Schubert's Late Music

Author: Lorraine Byrne Bodley

Publisher: Cambridge University Press

Published: 2016-04-07

Total Pages: 489

ISBN-13: 1107111293

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A thematic exploration of Schubert's style, applied in readings of his instrumental and vocal literature by international scholars.


Tonal Space in the Music of Antonio Vivaldi

Tonal Space in the Music of Antonio Vivaldi

Author: Bella Brover-Lubovsky

Publisher: Indiana University Press

Published: 2008-06-25

Total Pages: 386

ISBN-13: 0253351294

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"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.