D. N. Premnath brings together socio-historical and thematic perspectives on many classical theological notions as well as some challenging topics such as violence and sexuality from the Hebrew Bible. Drawing upon relevant scholarly literature, he explores the various themes with a view to derive insights for contemporary application.
This popular textbook regards the Pentateuch as a literary whole, with a single theme that binds it together. The overarching theme is the partial fulfilment of the promises to the patriarchs. Though the method of the book is holistic, the origin and growth of the theme is also explored using the methods of traditional source analysis. An important chapter explores the theological function of the Pentateuch both in the community for which the Pentateuch was first composed and in our own time. For this second, enlarged edition, the author has written an Epilogue reassessing the theme of the Pentateuch from a more current postmodern perspective.
This collection gathers together Professor Shemaryahu Talmon’s contributions to the literary study of the Bible, and complements his acclaimed Literary Studies in the Hebrew Bible: Form and Content: Collected Studies (Jerusalem: Magnes / Leiden: Brill, 1993). The articles included herein span a broad range of topics, closely and comprehensively assessing fundamental themes and stylistic conceits present in biblical literature. Each study picks up one of these motifs or patterns, and traces its meaning and usage throughout the entire Bible. In Talmon’s estimation, these literary markers transcend all strata of the Bible, and despite diachronic developments, they retain their basic meanings and connotations throughout, even when employed by different authors over a span of hundreds of years. He demonstrates this convincingly by marshaling dozens of examples, each of which is valuable in its own right, and when taken all together, these building-blocks form a solid edifice that validate his approach. He judiciously employs this synchronic method throughout, frequently invoking an exegetical principle according to which one biblical verse can be employed to interpret the other, if they are found in similar contexts and with overlapping formulation. To use an expression that he coined elsewhere, his hermeneutical method can be described first and foremost as “The World of the Bible from Within.” Throughout the articles that appear in this volume, one is repeatedly struck by his sensitivity to the language and style of the biblical authors. He was blessed with a rich literary intuition, and shares with his readers his ability to see, hear, and understand the rhythms and poetics of biblical literature. In this volume, many of Talmon’s contributions are made accessible in fresh form to the benefit of both those who already know his work and to a newer generation of scholars for whom his work continues to prove important.
Studying the New Testament without a background in the Old is like listening to only the last movement of a great symphony. Unless we begin at the beginning, we miss the sense of developing themes and their subtle variations. To fully appreciate the music of the Bible, we need to listen to its early movements. William Dyrness helps us by providing a set of program notes to important Old Testament themes: the self-revelation of God, the nature of God, creation and providence, man and woman, sin, covenant, law, worship, piety, ethics, wisdom, the Spirit of God, prophecy and the hope of Israel. By attuning our ears to these themes, Dyrness sets us on a course of enriching study and increased understanding.
Thomas Schreiner, a respected scholar and a trusted voice for many students and pastors, offers a substantial and accessibly written overview of the whole Bible. He traces the storyline of the scriptures from the standpoint of biblical theology, examining the overarching message that is conveyed throughout. Schreiner emphasizes three interrelated and unified themes that stand out in the biblical narrative: God as Lord, human beings as those who are made in God's image, and the land or place in which God's rule is exercised. The goal of God's kingdom is to see the king in his beauty and to be enraptured in his glory.
We meet the prophets of Israel in our own time and in one place--Scripture. So it might seem odd to consider that they are not all the same, these voices from "back then." In fact, the prophets inhabited a time span of hundreds of years and faced events that on their own terms were more convulsive than our 9/11. They were not uniform in their language, their concerns, their personalities, their remedies or their visions of the future. In this book, Sam Meier explores some recurring themes and features--such as angels, writing, miracles, the future and kingmaking--all with an eye on their transformation over time. And the defining event in this transformation turns out to be the great convulsive event of the story of Israel, the defeat and exile of the kingdom of Judah. Themes and Transformations in Old Testament Prophecy is a book that goes beyond the standard introductions to the prophets. Yet it does so in a way that will inform and intrigue beginning students and anyone curious about the prophets of Israel.
Taking a literary approach to the Old Testament in this New Studies in Biblical Theology volume, Stephen G. Dempster traces the story of Israel through its family lines and locales—and reflects on its meaning for New Testament revelation.
"The Oxford Handbook of the Historical Books of the Hebrew Bible offers 36 essays on the so-called "Historical Books": Joshua, Judges, 1-2 Samuel, 1-2 Kings, Ezra-Nehemiah, and 1-2 Chronicles. The essays are organized around four nodes: contexts, content, approaches, and reception. Each essay takes up two questions: (1) what does the topic/area/issue have to do with the Historical Books?" and (2) how does this topic/area/issue help readers better interpret the Historical Books?" The essays engage traditional theories and newer updates to the same, and also engage the textual traditions themselves which are what give rise to compositional analyses. Many essays model approaches that move in entirely different ways altogether, however, whether those are by attending to synchronic, literary, theoretical, or reception aspects of the texts at hand. The contributions range from text-critical issues to ancient historiography, state formation and development, ancient Near Eastern contexts, society and economy, political theory, violence studies, orality, feminism, postcolonialism, and trauma theory-among others. Taken together, these essays well represent the variety of options available when it comes to gathering, assessing, and interpreting these particular biblical books"--
The Old Testament has two great themes: creation and covenant. They embrace subthemes: wisdom in the case of creation; Israel's religion and the Davidic covenant under the general umbrella of covenant; and internationalism, which mostly develops the theme of covenant and partly the theme of creation. These topics cluster around a common center: Yahweh, the God of the Old Testament. This God is portrayed in different roles, which have attached to them role expectations for both Yahweh and those with whom he assumes relationship. Through contextual exegesis of key texts, we come to understand these roles and associated themes. While the Old Testament has its own distinctive contributions to make to divine revelation, much of its material is reused in the New Testament to explain and validate the New Testament message. By concentrating on the Old Testament, we learn to appreciate the enormous debt the New Testament owes to the Old in clarifying New Testament theological and moral perspectives.