Institutional Theatrics

Institutional Theatrics

Author: Brandon Woolf

Publisher: Northwestern University Press

Published: 2021-06-15

Total Pages: 326

ISBN-13: 0810143577

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Shortlist, 2021 Waterloo Centre for German Studies Book Prize In a city struggling to determine just how neoliberal it can afford to be, what kinds of performing arts practices and institutions are necessary—and why? Since the fall of the Berlin Wall, political and economic agendas in the reunified German capital have worked to dismantle long-standing traditions of state‐subsidized theater even as the city has redefined itself as a global arts epicenter. Institutional Theatrics charts the ways theater artists have responded to these shifts and crises both on- and offstage, offering a method for rethinking the theater as a vital public institution. What is the future of the German theater, grounded historically in large ensembles, extensive repertoires, and auteur directors? Examining the restructuring of Berlin’s theatrical landscape and most prominent performance venues, Brandon Woolf argues that cultural policy is not simply the delegation and distribution of funds. Instead, policy should be thought of as an artistic practice of institutional imagination. Woolf demonstrates how performance can critique its patron institutions in order to transform the relations between the stage and the state, between the theater and the infrastructures of its support. Bold, nuanced, and rigorously documented, Institutional Theatrics offers new insights about art, its administration, and the forces that influence cultural production.


Theatrics

Theatrics

Author: Neil Gibson

Publisher: T Pub

Published: 2017-12-12

Total Pages: 0

ISBN-13: 9780995721906

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The most famous actor on Broadway in the 1920s gets mugged, beaten up and left for dead. He loses his looks, his acting job, his money, his apartment, his girl - everything. But it's what he does next that gets interesting. The results are quite theatrical.


From San Francisco Eastward

From San Francisco Eastward

Author: Carolyn Grattan Eichin

Publisher: University of Nevada Press

Published: 2020-02-12

Total Pages: 314

ISBN-13: 1948908379

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Finalist for the 2021 Willa Literary Award in Scholarly Non-Fiction Finalist for the 2021 Will Rogers Medallion Award in Western Non-Fiction Carolyn Grattan Eichin’s From San Francisco Eastward explores the dynamics and influence of theater in the West during the Victorian era. San Francisco, Eichin argues, served as the nucleus of the western theatrical world, having attained prominence behind only New York and Boston as the nation’s most important theatrical center by 1870. By focusing on the West’s hinterland communities, theater as a capitalist venture driven by the sale of cultural forms is illuminated against the backdrop of urbanization. Using the vagaries of the West’s notorious boom-bust economic cycles, Eichin traces the fiscal, demographic, and geographic influences that shaped western theater. With an emphasis on the 1860s and 70s, this thoroughly researched work uses distinct notions of ethnicity, class, and gender to examine a cultural institution driven by a market economy. From San Francisco Eastward is a thorough analysis of the ever-changing theatrical personalities and strategies that shaped Victorian theater in the West, and the ways in which theater as a business transformed the values of a region.


Twisted Dark

Twisted Dark

Author: Neil Gibson

Publisher: T Pub

Published: 2015-11-03

Total Pages: 160

ISBN-13: 9780956943484

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Continue your journey to humanity's dark side, as Neil Gibson returns with a fourth volume of best-selling series Twisted Dark to chill and shock. Included in this volume is Gibson's most twisted story to date: "Little Piggies".


Collection - Laboratory - Theater

Collection - Laboratory - Theater

Author: Helmar Schramm

Publisher: Walter de Gruyter

Published: 2008-08-22

Total Pages: 625

ISBN-13: 3110201550

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This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the authors present a novel view of the conditions surrounding the creation of these spatial forms. Account is taken both of the institutional framework of these spaces and their placement within the history of ideas, the architectural models and the modular differentiations, and the scientific consequences of particular design decisions. Manifold paths are followed between the location of the observer in the representational space of science and the organization in time and space of sight, speech and action in the canon of European theatrical forms. Not only is an account given of the mutual architectural and intellectual influence of the spaces of knowledge and the performance spaces of art; they are also analyzed to ascertain what was possible in them and through them. This volume is the English translation of Kunstkammer, Laboratorium, Bühne (de Gruyter, Berlin, 2003).


A Source Book in Theatrical History

A Source Book in Theatrical History

Author: A. M. Nagler

Publisher: Courier Corporation

Published: 2013-04-09

Total Pages: 642

ISBN-13: 0486315541

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An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.


Theatrical Events

Theatrical Events

Author:

Publisher: BRILL

Published: 2022-06-08

Total Pages: 404

ISBN-13: 9004502882

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Theatrical Events. Borders, Dynamics and Frames is written to develop the concept of ‘Eventness’ in Theatre Studies. The book as a whole stresses the importance of understanding theatre performances as aesthetic-communicative encounters of a wide range of agents and aspects. The Theatrical Event concept means not only that performers and spectators meet, but also that the specific mental sets, backgrounds and cultural contexts they bring in, strongly contribute to the character of a particular event. Moreover, this concept gives space to the study of the role societal developments – such as technological, political, economical or educational ones – play in theatrical events.


Women's Theatrical Memoirs, Part I Vol 1

Women's Theatrical Memoirs, Part I Vol 1

Author: Sue Mcpherson

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 290

ISBN-13: 1040246168

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By the close of the Eighteenth Century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection offers accounts of the late eighteenth-century stage, which provide insights into contemporary constructions of gender, sexuality and fame.


Theatrical Worlds (Beta Version)

Theatrical Worlds (Beta Version)

Author: Charles Mitchell

Publisher: Orange Grove Texts Plus

Published: 2014

Total Pages: 0

ISBN-13: 9781616101664

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"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.


The Theatre of Tennessee Williams

The Theatre of Tennessee Williams

Author: Tennessee Williams

Publisher: New Directions Publishing

Published: 1971

Total Pages: 436

ISBN-13: 9780811211963

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Volume III of the series includes Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), and Suddenly Last Summer (1958). The first, which won both the Pulitzer Prize and Drama Critics Award, has proved every bit as successful as William's earlier A Streetcar Named Desire. The other two plays, though different in kind, both have something of the quality of Greek tragedy in 20th-century settings, bringing about catharsis through ritual death.