Newfoundland is one of the most intriguing places in North America, a land of breathtaking but cruel beauty, populated by some of the saltiest, oddest characters you’ll ever find. In Theatre of Fish, John Gimlette vividly describes the dense forests and forbidding coastlines and recounts the colorful and often tragic history of the region. He introduces us to the inhabitants, from the birds and moose to the descendants of the outlaws, deserters, and fishermen who settled this eastern edge of North America. Leavened with irreverence and affection, this is an irresistible portrait of life in extremis.
The first book in the New York Times bestselling Pout-Pout Fish series from Deborah Diesen and illustrator Dan Hanna! Deep in the water, Mr. Fish swims about With his fish face stuck In a permanent pout. Can his pals cheer him up? Will his pout ever end? Is there something he can learn From an unexpected friend? Swim along with the pout-pout fish as he discovers that being glum and spreading "dreary wearies" isn't really his destiny. Bright ocean colors and playful rhyme come together in this fun fish story that's sure to turn even the poutiest of frowns upside down. The Pout-Pout Fish is a 2009 Bank Street - Best Children's Book of the Year.
Winner of the Minnesota Book Award for Poetry, 1995 "To imagine what it means to be another human being is an act of love. These are poems written by a great lover of the world. Everything in it that stands alone, unobserved, and luminous. Solitary people with their solitary destinies...If there's a native, archetypical American solitude, Louis Jenkins has given us its flavor."--Charles Simic,The Boston Review
'My loves, what are we to do? We don't do as they want any more, and they hate it. What are we to do?' Four determinedly 'liberated' – and very different – women ricochet around a tiny shared flat, while trying to pull together the shattered strands of their lives: Dusa is struggling to regain her children from their father, Fish is losing her lover to another woman, Stas is on the game to finance the course she wants to study at university, while Vi steadfastly refuses to eat.... A bitingly sardonic modern classic, widely regarded as an historic icon of early feminism, Dusa, Fish, Stas and Vi was first seen at the Edinburgh Festival Fringe in 1976 under the title Dead Fish, Michael Codron transferred the play to the West End under its new title where it enjoyed a huge success and established Pam Gems as a major new voice in British theatre.
From the comic genius behind Curb Your Enthusiasm—a play with “a perfect second-act twist, and a solid last-minute kicker” (Vulture). Fish in the Dark marked Seinfeld co-creator Larry David’s playwriting debut, his Broadway debut—and his first time acting on stage since eighth grade. David starred as Norman Drexel, a man in his fifties who is average in most respects, except for his hyperactive libido. As Norman, his more successful brother Arthur, their elderly mother, and a host of other characters try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface—with hilarious consequences.
A wildly humorous account of the author's travels across Paraguay–South America's darkly fabled, little-known “island surrounded by land.” Rarely visited by tourists and barely touched by global village sprawl, Paraguay remains a mystery to outsiders. Think of this small nation and your mind is likely to jump to Nazis, dictators, and soccer. Now, John Gimlette’s eye-opening book–equal parts travelogue, history, and unorthodox travel guide–breaches the boundaries of this isolated land,” and illuminates a little-understood place and its people. It is a wonderfully animated telling of Paraguay's story: of cannibals, Jesuits, and sixteenth-century Anabaptists; of Victorian Australian socialists and talented smugglers; of dictators and their mad mistresses; bloody wars and Utopian settlements; and of lives transplanted from Japan, Britain, Poland, Russia, Germany, Ireland, Korea, and the United States. The author travels from the insular cities and towns of the east, along ghostly trails through the countryside, to reach the Gran Chaco of the west: the “green hell” covering almost two-thirds of the country, where 4 percent of the population coexists–more or very-much-less peacefully–with a vast array of exotic wildlife that includes jaguars, prehistoric lungfish, and their more recently evolved distant cousins, the great fighting river fish. Gimlette visits with Mennonites and the indigenas, arms dealers and real-estate tycoons, shopkeepers, government bureaucrats and, of course, Nazis. Filled with bizarre incident, fascinating anecdote, and richly evocative detail, At the Tomb of the Inflatable Pig is a brilliant description of a country of eccentricity and contradiction, of beguilingly individualistic men and women, and of unexpected and extraordinary beauty. It is a vivid, often riotous, always fascinating, journey.
THE STORY: Bobbie drops the pages from his novel into the Hudson River. They tell the story of three sisters: Sylvia, a reporter, Barbara, an agoraphobe (played by a man in drag), and Alice, a scientist with a plan to isolate and eliminate the gene
THE STORY: I never really knew what I was like until I quit smoking, by which time there was hell to pay. So observes Charlotte, a young writer of short stories as she confronts her past, present and future in post 9/11 Manhattan. With the help o
THE STORY: Set in a fish packing plant in Gloucester, Massachusetts, the action of the play centers on the daily routine of the workers, mostly women, who have come to regard North Shore Fish as a way of life. But despite the ribald humor, juicy go
