Invitation to the Party

Invitation to the Party

Author: Donna Walker-Kuhne

Publisher: Theatre Communications Group

Published: 2005-01-01

Total Pages: 188

ISBN-13: 1559366362

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Acknowledged as the nation’s foremost expert on audience development involving America’s growing multicultural population by the Arts and Business Council, Donna Walker-Kuhne has now written the first book describing her strategies and methods to engage diverse communities as participants for arts and culture. By offering strategic collaborations and efforts to develop and sustain nontraditional audiences, this book will directly impact the stability and future of America’s cultural and artistic landscape. Donna Walker-Kuhne has spent the last 20 years developing and refining these principles with such success as both the Broadway and national touring productions of Bring in ’Da Noise, Bring in ’Da Funk, as well as transforming the audiences at one of the U.S.’s most important and visible arts institutions, New York’s Public Theater. This book is a practical and inspirational guide on ways to invite, engage and partner with culturally diverse communities, and how to enfranchise those communities into the fabric of arts and culture in the United States. Donna Walker-Kuhne is the president of Walker International Communications Group. From 1993 to 2002, she served as the marketing director for the Public Theater in New York, where she originated a range of audience-development activities for children, students and adults throughout New York City. Ms. Walker-Kuhne is an Adjunct Professor in marketing the arts at Fordham University, Brooklyn College and New York University. She was formerly marketing director for Dance Theatre of Harlem. Ms. Walker-Kuhne has given numerous workshops and presentations for arts groups throughout the U.S., including the Arts and Business Council, League of American Theaters and Producers, the Department of Cultural Affairs, and the National Endowment for Arts to name a few. She has been nominated for the Ford Foundation’s 2001 Leadership for a Changing World Fellowship.


Theatre, Communication, Critical Realism

Theatre, Communication, Critical Realism

Author: T. Nellhaus

Publisher: Springer

Published: 2010-06-21

Total Pages: 242

ISBN-13: 0230107958

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From oral culture, through the advent of literacy, to the introduction of printing, to the development of electronic media, communication structures have radically altered culture in profound ways. As the first book to take a critical realist approach to culture, Theatre, Communication, Critical Realism examines theatre and its history through the interaction of society s structures, agents, and discourses. Tobin Nellhaus shows that communication structure - a culture s use and development of speech, handwriting, printing, and electronics - explains much about why, when, and how theatre has transformed.


The Ground on which I Stand

The Ground on which I Stand

Author: August Wilson

Publisher: Theatre Communications Grou

Published: 2001

Total Pages: 54

ISBN-13: 9781559361873

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August Wilson's radical and provocative call to arms.


Collusions of Fact and Fiction

Collusions of Fact and Fiction

Author: Ilka Saal

Publisher: University of Iowa Press

Published: 2021-12-15

Total Pages: 273

ISBN-13: 1609387783

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Fictions of history and historiopoetic performances of the past -- Digging, rep & rev-ing, faking: Suzan-Lori Parks's historiopoetic praxis -- A sidelong glance at history: unreliable narration and the silhouette as blickmaschine in Kara Walker -- Stereotypes and theatricality: (Re)staging Black Venus -- Coda: wither historiopoiesis?


Gary

Gary

Author: Taylor Mac

Publisher: Theatre Communications Group

Published: 2022-02-08

Total Pages: 96

ISBN-13: 9781559369824

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A wickedly dark comedy set in the aftermath of William Shakespeare's Titus Andronicus.


Annual Report

Annual Report

Author: National Endowment for the Arts

Publisher:

Published: 1981

Total Pages: 802

ISBN-13:

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Reports for 1980-19 also include the Annual report of the National Council on the Arts.


The Art of Stillness

The Art of Stillness

Author: Paul Allain

Publisher: Macmillan + ORM

Published: 2015-01-06

Total Pages: 294

ISBN-13: 1466889160

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For over forty years, Tadashi Suzuki has been a unique and vital force in both Japanese and Western theater, creating and directing many internationally acclaimed productions including his famous production of The Trojan Women, which subsequently toured around the world. An intergral part of his work has been the development and teaching of his rigorous and controversial training system, the Suzuki method, whose principles have also been highly influential in contemporary theater. Paul Allain, an experienced practitioner of the Suzuki method, re-evaluates Suzuki's work, giving a lucid overview of his development towards an international theater aesthetic. He examines Suzuki's collaborators, the importance of architecture and environment in his theater and his impact on performance all over the world. The Art of Stillness is a lively, critical study of one of the most important and uncompromising figures in contemporary world theater.


Suzan-Lori Parks in Person

Suzan-Lori Parks in Person

Author: Philip C Kolin

Publisher: Routledge

Published: 2013-12-04

Total Pages: 241

ISBN-13: 1136246649

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This collection of interviews offers unprecedented insight into the plays and creative works of Suzan-Lori Parks, as well as being an important commentary on contemporary theater and playwriting, from jazz and opera to politics and cultural memory. Suzan-Lori Parks in Person contains 18 interviews, some previously untranscribed or specially undertaken for this book, plus commentaries on her work by major directors and critics, including Liz Diamond, Richard Foreman, Bonnie Metzgar and Beth Schachter. These contributions combine to honor the first African American woman to receive the Pulitzer Prize in drama, and explore her ideas about theater, history, race, and gender. Material from a wide range of sources chronologically charts Parks’s career from the 1990s to the present. This is a major collection with immediate relevance to students of American/African-American theater, literature and culture. Parks’s engaging voice is brought to the fore, making the book essential for undergraduates as well as scholars. The Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.