"One hell of a book, believe me. Here we have comedy of every kind--of situation, types, manners, ideas, and language--all rolled seamlessly into one, and for the ultimate serious purpose, our sanity. It is the Supreme Fiction toward which the Twentieth century has been steadily advancing from the start."--Hayden Carruth.
Wrestling, kidnapping, subplots from the Brothers Grimm, and a young man's search for his missing fiancee are only some of the elements of Stephen Dobyns's dazzling new novel. Fun and puns mingle with daring make-believe. Larger-than-life characters play out the crucial human questions: How do we live? How do we handle our demons?
Professional Wrestling and the Commercial Stage examines professional wrestling as a century-old, theatrical form that spans from its local places of performance to circulate as a popular, global product. Professional wrestling has all the trappings of sport, but is, at its core, a theatrical event. This book acknowledges that professional wrestling shares many theatrical elements such as plot, character, scenic design, props, and spectacle. By assessing professional wrestling as a neglected but prototypical case study in the global business of theatre, Laine argues that it is an exemplary form of globalizing, commercial theatre. He asks what theatre scholars might learn from pro wrestling and how pro wrestling might contribute to conversations beyond the ring, by considering the laboring bodies of the wrestlers, and analyzing wrestling's form and content. Of interest to scholars and students of theatre and performance, cultural studies, and sports studies, Professional Wrestling and the Commercial Stage delimits the edges of wrestling's theatrical frame, critiques established understandings of corporate theatre, and offers key wrestling concepts as models for future study in other fields.
The four volume set consists of ninety-seven of the pamphlets originally published as the University of Minnesota pamphlets on American writers. Some have been revised and updated.