Michael Sorenson is recruited into a elite military task force developing a large-scale weapon that can kill Spectres en masse, but there is a saboteur in the group and Michael must figure out who it is.
George Mackay Brown was one of Scotland's greatest twentieth-century writers, but in person a bundle of paradoxes. He had a wide international reputation, but hardly left his native Orkney. A prolific poet, admired by such fellow poets as Seamus Heaney, Ted Hughes and Charles Causley, and hailed by the composer Peter Maxwell Davies as 'the most positive and benign influence ever on my own efforts at creation', he was also an accomplished novelist (shortlisted for the 1994 Booker Prize for Beside the Ocean of Time) and a master of the short story. When he died in 1996, he left behind an autobiography as deft as it is ultimately uninformative. 'The lives of artists are as boring and also as uniquely fascinating as any or every other life,' he claimed. Never a recluse, he appeared open to his friends, but probably revealed more of himself in his voluminous correspondence with strangers. He never married - indeed he once wrote, 'I have never been in love in my life.' But some of his most poignant letters and poems were written to Stella Cartwright, 'the Muse of Rose Street', the gifted but tragic figure to whom he was once engaged and with whom he kept in touch until the end of her short life. Maggie Fergusson interviewed George Mackay Brown several times and is the only biographer to whom he, a reluctant subject, gave his blessing. Through his letters and through conversations with his wide acquaintance, she discovers that this particular artist's life was not only fascinating but vivid, courageous and surprising.
Lloyd's of London's Missing Vessel Books lists ships posted as missing to settle insurance claims. The books are a unique resource that can assist in identifying shipwrecks, and the digitisation effort aims to make them more accessible to researchers and enthusiasts. The project is part of the Unpath'd Waters initiative, which seeks to make it easier to research and discover the UK's maritime heritage.
The infancy narratives represent some of the most beautiful and intriguing passages in the Gospels. The stories they relate are also arguably the most well-known in the Christian tradition, from the child in the manger to the Magi paying homage to the infant Jesus. However there have been relatively few attempts to consider the stories of the Nativity from modern academic perspectives, examining them from feminist perspectives, poltical standpoints, in cinematic representations as well as more standard but up-to-date academic approaches. New Perspectives on the Nativity attempts to redress this providing a fresh insights on these crucial Christian texts from a cast of distinguished contributors. At the outset, Henry Wansbrough surveys scholarship on the infancy narratives since Raymond Brown's landmark study, The Birth of the Messiah (2nd edition, 1993). Thereafter, four chapters deal with Luke's infancy story. Ian Boxall demonstrates how the narrative offers subtle foreshadowings of the passion and resurrection. Barbara Reid surveys Luke's portrayal of three female prophets (Elizabeth, Mary, and Anna), who prepare for the later presentation of Jesus as a prophet. Leonard Maluf suggests a new understanding of Zechariah's canticle (the Benedictus), by situating it firmly in its Jewish background. Finally, Nicholas King indicates how the "inn" of the nativity prefigures the later journey of the gospel message. The next four contributions are concerned with Matthew's narrative. Warren Carter shows how the conflict between the infant Jesus and the ruling powers is repeated more dramatically in the life and death of the adult Christ. Benedict Viviano proposes that the three stages in Matthew's genealogy of Jesus belong within a grand scheme of seven ages of salvation history. Bernard Robinson investigates Matthew's nativity story within the context of biblical and Greco-Roman history-writing. Christopher Fuller highlights the carnivalesque approach to the Magi story in Pasolini's classic film, The Gospel According to St Matthew. Three final essays focus on the religious value of the infancy stories. Ann Loades reflects on late-20th-century poems dealing with the nativity. John Kaltner explores the references to Jesus' birth found in Islamic tradition. Finally, Thomas O'Loughlin argues that contemporary preoccupations with historical investigation can blind us to the mystery presented in the nativity stories.
New York Times bestselling author Nalini Singh takes us into the dangerous, haunting world of archangels . . . and a love that is legend. For thousands of years, the passion between Alexander, Archangel of Persia, and Zanaya, Queen of the Nile, burned furious and bright, seemingly without end. But to be an archangel is to be bound to power violent and demanding. Driven by its primal energy, Alexander and Zanaya fought as fiercely as they loved, locked in an endless cycle of devotion and heartbreak. It is only Zanaya’s decision to Sleep that ends their love story. Eons later, the Cascade of Death wakens them both. The passion between them a flame that yet burns, Alexander and Zanaya stand together in one last battle against the ultimate darkness. But even a warrior archangel cannot win every war. Alexander’s scream shatters the world as Zanaya falls, broken and silent . . . only to rise again in a miracle that may be a devastating curse. For is it truly the Queen of the Nile who has been resurrected? Only one thing is clear: This is the last beat of their passionate, angry dance. The final song for Alexander and his Zani . . .
An illuminating study looking at an influential group of Roman Catholic novelists and writers - Chesterton, Belloc, Waugh, Greene, Spark and David Lodge among others. Students and Scholars at all levels of English Literature, of the place of Catholicism in English society and any intelligent reader interested in the relationship between religion and literature.
An account of the little-known involvement of Royal Marines as they engaged the new Bolsheviks immediately after the Russian Revolution. After three years of great loss and suffering on the Eastern Front, Imperial Russia was in crisis and on the verge of revolution. In November 1917, Lenin’s Bolsheviks (later known as “Soviets”) seized power, signed a peace treaty with the Central Powers and brutally murdered Tsar Nicholas (British King George’s first cousin) and his children so there could be no return to the old order. As Russia fractured into loyalist “White” and revolutionary “Red” factions, the British government became increasingly drawn into the escalating Russian Civil War after hundreds of thousands of German troops transferred from the Eastern Front to France were used in the 1918 “Spring Offensive” which threatened Paris. What began with the landing of a small number of Royal Marines at Murmansk in March 1918 to protect Allied-donated war stores quickly escalated with the British government actively pursuing an undeclared war against the Bolsheviks on several fronts in support of British trained and equipped “White Russian” Allies. At the height of British military intervention in mid-1919, British troops were fighting the Soviets far into the Russian interior in the Baltic, North Russia, Siberia, Caspian and Crimea simultaneously. The full range of weapons in the British arsenal were deployed including the most modern aircraft, tanks and even poison gas. British forces were also drawn into peripheral conflicts against “White” Finnish troops in North Russia and the German “Iron Division” in the Baltic. It remains a little-known fact that the last British troops killed by the German Army in the First World War were killed in the Baltic in late 1919, nor that the last Canadian and Australian soldiers to die in the First World War suffered their fate in North Russia in 1919 many months after the Armistice. Despite the award of five Victoria Crosses (including one posthumous) and the loss of hundreds of British and Commonwealth soldiers, sailors and airmen, most of whom remain buried in Russia, the campaign remains virtually unknown in Britain today. After withdrawal of all British forces in mid-1920, the British government attempted to cover up its military involvement in Russia by classifying all official documents. By the time files relating to the campaign were quietly released decades later there was little public interest. Few people in Britain today know that their nation ever fought a war against the Soviet Union. The culmination of more than 15 years of painstaking and exhaustive research with access to many previously classified official documents, unpublished diaries, manuscripts and personal accounts, author Damien Wright has written the first comprehensive campaign history of British and Commonwealth military intervention in the Russian Civil War 1918-20. “Allied intervention in the Russian Civil War remains forgotten. Wright’s book addresses that oversight, interspersing the broader story with personal accounts of participants.” —Military History Magazine
Over 2,100 shipwrecks from the 16th century to the present; the most comprehensive listing now available. Wrecks are arranged primarily by geographical section of the state. Within sections, wrecks are arranged chronologically. Extensive and heavily illustrated appendices offer a wealth of information on topics of interest to divers and researchers alike. A companion volume, More Shipwrecks of Florida, is now available from Pineapple Press.