Oscar Wilde's Plagiarism
Oscar Wilde's Plagiarism

Author: Florina Tufescu

Publisher:

Published: 2008

Total Pages: 216

ISBN-13:

DOWNLOAD EBOOK

Oscar Wilde's plagiarism practices across genres are seen as part of a neo-classical tradition. His allegory of plagiarism in An Ideal Husband is compared to those created by fellow playwrights, including Ibsen and G. B. Shaw. Wilde's polemical imitation of Shakespeare's cut-and-paste method in The Portrait of Mr. W.H. inspires Joyce to experiment with the erasure of quotation marks in Ulysses. The blatant collage of Wilde's poetry anticipates T. S. Eliot's The Waste Land, just as it recalls Manet's paintings, which provocatively assert artistic status by drawing attention to their flatness. The mosaic-like structure of The Picture of Dorian Gray is akin to that of other anti-individualist masterpieces, notably Goethe's Faust and D. M. Thomas's The White Hotel. The extent of sophisticated plagiarism in the canonical works and the impressive list of its apologists from Ackroyd to Zola indicate the need for new models of authorship and intellectual property, models that would benefit scholarly and artistic creativity and solve the paradox of plagiarism as simultaneously one of the most serious and most common of literary crimes.

Ibsen, Scandinavia and the Making of a World Drama
Ibsen, Scandinavia and the Making of a World Drama

Author: Narve Fulsås

Publisher: Cambridge University Press

Published: 2017-11-16

Total Pages: 294

ISBN-13: 1316992799

DOWNLOAD EBOOK

Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.