PMThat all Defoe's novels, with the exception of 'Robinson Crusoe,'' should have been covered with the dust of neglect for many generations, is a plain proof of how much fashions in taste affect the popularity of the British classics. It is true that three generations or so ago, Defoe's works were edited by both Sir Walter Scott and Hazliit, and that this masterly piece of realism, 'Captain Singleton,' was reprinted a few years back in 'The Camelot Classics,' but it is safe to say that out of every thousand readers of 'Robinson Crusoe' only one or two will have even heard of the 'Memoirs of a Cavalier,' 'Colonel Jack,' 'Moll Flanders,' or 'Captain Singleton'.
Baron Hieronymus Karl Friedrich, Freiherr von Münchhausen, was an actual baron living in 18th-century Hanover famous for entertaining his guests with outrageously-embellished tales of his wartime exploits—so much so that his nickname in German is Lügenbaron, or “Baron of Lies.” When Rudolph Eric Raspe, a writer and scientist living in England, heard of the Baron’s tales, he wrote his own versions centered around a fictional Baron Munchausen. While the real Baron wasn’t amused to have his name attached to a silly character famous for his bald-faced lies, Raspe’s tales became hugely popular, reprinted for hundreds of years and illustrated just as many times. These very short tales were originally intended as contemporary satire, but their outrageous silliness is still entertaining today.
This book demonstrates how contemporary children's texts draw on utopian and dystopian tropes in their projections of possible futures. The authors explore the ways in which children's texts respond to social change and global politics. The book argues that children's texts are crucially implicated in shaping the values of their readers.
A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.
This study of the afterlife of Robinson Crusoe offers insights into the continued popularity and relevance of Crusoe's story and how modern conceptions of childhood are shaped by nostalgia and ideas of 'the popular'. Examining many adaptations in a variety of formats, it reconsiders the place Crusoe has occupied in our culture for three centuries.