Meet the original recyclers, the Wombles of Wimbledon Common, as they make good use of the rubbish humans throw away. For the first time, read all the Wombles stories in one. Follow the young Wombles as they take their first steps outside the Womble burrow to collect rubbish in the big wide world. Marvel at Tobermory's incredible inventions from what humans would consider 'trash'. And discover a whole Womble community as they head off around the world for even more adventures. This collection contains all six of the Wombles books, beautifully illustrated by Nick Price: The Wombles The Wandering Wombles The Wombles at Work The Invisible Womble and Other Stories The Wombles to the Rescue The Wombles Go Round the World
The Wombles is the first ever Wombles book and introduces the stern but kindly Great Uncle Bulgaria; Orinoco, who is particularly fond of his food and a subsequent forty winks; general handyman extraordinaire Tobermory, who can turn almost anything that the Wombles retrieve from Wimbledon Common into something useful; Madame Cholet, who cooks the most delicious and natural foods to keep the Wombles happy and contented; and last but not least, Bungo, one of the youngest and cheekiest Wombles of all, who has much to learn and is due to venture out on to the Common on his own for the very first time . . .
The Wombles live in a beautifully snug, well-ordered and cosy burrow underneath Wimbledon Common - the perfect base from which to sort and recycle all the rubbish that unthinking humans constantly drop. But the Wombles' peaceful and harmonious existence is suddenly under threat. The heavy lorries that thunder along the roads near the Common make the burrow shake and tremble so much that it is no longer safe for the Wombles to live there. With a heavy heart, Great Uncle Bulgaria decides that the Wombles will have to move from the burrow that they have lived in for many, many years. And it is up to young Bungo and Orinoco to bravely sally forth and try to locate a new home for the Wombles . . .
Orinoco is certainly the tubbiest of the Wombles and is perhaps the Womble who needs the most encouragement to go out on the daily sortie to clear up and recycle all the rubbish that humans leave behind . . . Meanwhile, Tomsk, DIY-er extraordinaire, is getting to grips with the one of the humans' more ingenious inventions: the vacuum cleaner!
It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.
When two small sisters go fishing to the magic pond, they find something much better than a frog or a newt. They find a bog baby. Small and blue with wings like a dragon, the girls decide to make him their secret. I won't tell if you won't. But the bog baby is a wild thing, and when he becomes poorly, the girls decide they must tell their mum. And she tells them the greatest lesson, if you really love something, you have to let it go.
This companion to the New York Times bestselling book The Wes Anderson Collection takes readers behind the scenes of the Oscar®-winning film The Grand Budapest Hotel with a series of interviews between writer/director Wes Anderson and movie/television critic Matt Zoller Seitz. Learn all about the film's conception, hear personal anecdotes from the set, and explore the wide variety of sources that inspired the screenplay and imagery—from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn-of-the-century Middle Europe. Also inside are interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; essays by film critics Ali Arikan and Steven Boone, film theorist and historian David Bordwell, music critic Olivia Collette, and style and costume consultant Christopher Laverty; and an introduction by playwright Anne Washburn. Previously unpublished production photos, artwork, and ephemera illustrate each essay and interview. The Wes Anderson Collection: The Grand Budapest Hotel stays true to Seitz's previous book on Anderson's first seven feature films,The Wes Anderson Collection, with an artful, meticulous design and playful, original illustrations that capture the spirit of Anderson's inimitable aesthetic. Together, they offer a complete overview of Anderson's filmography to date. Praise for the film, The Grand Budapest Hotel: Four Academy Awards®, including Costume Design, Music - Original Score, and Production Design; Nine Academy Award nominations, including Best Picture, Directing, and Writing - Original Screenplay; Best Film - Musical or Comedy, Golden Globe Awards; Best Original Screenplay, BAFTA, WGA, NYFCC, and LAFCA Awards Praise for the book, The Wes Anderson Collection: “The Wes Anderson Collection comes as close as a book can to reading like a Wes Anderson film. The design is meticulously crafted, with gorgeous full-page photos and touches . . .” —Eric Thurm, The A.V. Club Also available from Matt Zoller Seitz: Mad Men Carousel, The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, andThe Wes Anderson Collection.
This collection of essays highlights the variety of 1970s culture, and shows how it responded to the transformations that were taking place in that most elusive of decades. The 1970s was a period of extraordinary change on the social, sexual and political fronts. Moreover, the culture of the period was revolutionary in a number of ways; it was sometimes florid, innovatory, risk-taking and occasionally awkward and inconsistent. The essays collected here reflect this diversity and analyse many cultural forms of the 1970s. The book includes articles on literature, politics, drama, architecture, film, television, youth cultures, interior design, journalism, and contercultural “happenings”. Its coverage ranges across phenomena as diverse as the Wombles and Woman’s Own. The volume offers an interdisciplinary account of a fascinating period in British cultural history. This book makes an important intervention in the field of 1970s history. It is edited and introduced by Laurel Forster and Sue Harper, both experienced writers, and the book comprises work by both established and emerging scholars. Overall it makes an exciting interpretation of a momentous and colourful period in recent culture.
