From the award-winning author of One Thousand White Women, a novel in the tradition of Little Big Man, tracing one man's search for adventure and the wild Apache girl who invites him into her world When Ned Giles is orphaned as a teenager, he heads West, hoping to leave his troubles behind. He joins the 1932 Great Apache Expedition on their search for a young boy, the son of a wealthy Mexican landowner, who was kidnapped by wild Apaches. But the expedition's goal is complicated when they encounter a wild Apache girl in a Mexican jail cell, victim of a Mexican massacre of her tribe that has left her orphaned and unwilling to eat or speak. As he and the expedition make their way through the rugged Sierra Madre mountains, Ned's growing feelings for the troubled girl soon force him to choose allegiances and make a decision that will haunt him forever. In this novel based on historical fact, Jim Fergus takes readers on a journey of magnificent sweep and heartbreaking consequence peopled with unforgettable characters. With prose so vivid that the road dust practically rises off the page, The Wild Girl is an epic novel filled with drama, peril, and romance, told by a master. This is the novel your reading group will be talking about long past your discussion!
"The vengeance of mothers" explores the bonds among family and community, the search for identity and belonging, during a time of tumultous change in our nation's history. What is a "native" American? Are all men and their wives created equal? How far wil Margaret and her countrywomen go to fight for what's theirs, and what's already gone?
For Ned Giles, a 17-year-old amateur photographer, a nightmare of harrowing misadventures begins the day he signs on to the 'Great Apache Expedition'. Inspired by real events that took place during the Great Depression, and set against the landscape of the Sierra Madre badlands, this is a novel of adventure, aching nostalgia and redemptive love.
"Perhaps every woman will lie for the man she lies with."-Sarah Wakefield August 18, 1862. On the Sioux reservation in southwestern Minnesota, Indians desperate for food and freedom rise up against whites in the region. Sarah Wakefield, the wife of a physician, is taken captive with her two babies. Their fate falls into the hands of the warrior Caske, with whom she has slim acquaintance. As war rages, little does she know how entwined their lives will become. Beneath the Same Stars is the gripping story of two people, caught between worlds, who are willing to do almost anything to defend those they care about-including each other. But the drama is bigger than themselves. Tragic forces have been set in motion.... Inspired by actual events surrounding the U.S.-Dakota War. ADVANCE PRAISE FOR Beneath the Same Stars "I come from a family descended from Gabriel Renville (Ti Wakan, Sacred Lodge), a Sisitunwan headman who helped to resolve the U.S.-Dakota War of 1862. But among my people that conflict never ended. It still divides us today. We were once a strong, spiritual people. We need reminders of who we really are and where we come from. Beneath the Same Stars helps us reexamine our own history and identity. Will that create some positive change among us? I hope so, for the sake of our children, most of all."-Darlene Renville Pipeboy, independent Dakota scholar and elder "This is a sensitive portrait of a complicated woman caught in the politically and culturally fraught conflict that led to the U.S.-Dakota War. It both reflects the prejudices and divisiveness of that time and offers bridges to help heal the rifts between and within the communities that continue to be affected by the events of 1862 and their aftermath. The novel turns historical figures into living, breathing embodiments of the conflict, making tangible both the historical events and the contemporary impact of those events on all the affected communities. It raises questions and concerns of substance rather than trying to resolve them and is a constructive contribution to the dialogue we continue to need."-Carol Chomsky, Professor, University of Minnesota Law School, and author of "The United States-Dakota War Trials: A Study in Military Injustice" "Beneath the Same Stars weaves feeling and concern into the tragic landscape of the U.S.-Dakota Conflict. Readers are taken on a journey beyond history-book headlines and into the world of a woman who, despite confusion and weakness, dares to care. The story has echoes for today-it invites us all to acknowledge and appreciate cultural differences despite the ever-present social anxiety directing us not to."-Jim Green, former director, Institute for Dakota Studies, Sisseton Wahpeton Tribal College; co-director, Center for Indigenous Teaching, Sinte Gleska University "This novel, whose title beautifully expresses the ongoing relevance of the so-called "past," should be widely read and discussed in schools and communities. Through impressive research and powerful storytelling, Cole-Dai contextualizes one of this country's most tragic histories exceptionally well. Beneath the Same Stars is a significant contribution to the literature of cross-cultural understanding."-Charles L. Woodard, Distinguished Professor Emeritus, South Dakota State University, and author of Ancestral Voice: Conversations with N. Scott Momaday
Zora Neale Hurston brings us Black America’s folklore as only she can, putting the oral history on the written page with grace and understanding. This new edition of Mules and Men features a new cover and a P.S. section which includes insights, interviews, and more. For the student of cultural history, Mules and Men is a treasury of Black America’s folklore as collected by Zora Neale Hurston, the storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed and oral history of the South since the time of slavery. Set intimately within the social context of Black life, the stories, “big old lies,” songs, voodoo customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of Black Americans.
In an epic season of sport, Jim Fergus and his trusty Lab, Sweetzer, trek the mountains, plains, prairies, forests, marshes, deltas, and deserts of America.
A history of the common people and the Industrial Revolution: “A true masterpiece” and one of the Modern Library’s 100 Best Nonfiction Books of the twentieth century (Tribune). During the formative years of the Industrial Revolution, English workers and artisans claimed a place in society that would shape the following centuries. But the capitalist elite did not form the working class—the workers shaped their own creations, developing a shared identity in the process. Despite their lack of power and the indignity forced upon them by the upper classes, the working class emerged as England’s greatest cultural and political force. Crucial to contemporary trends in all aspects of society, at the turn of the nineteenth century, these workers united into the class that we recognize all across the Western world today. E. P. Thompson’s magnum opus, The Making of the English Working Class defined early twentieth-century English social and economic history, leading many to consider him Britain’s greatest postwar historian. Its publication in 1963 was highly controversial in academia, but the work has become a seminal text on the history of the working class. It remains incredibly relevant to the social and economic issues of current times, with the Guardian saying upon the book’s fiftieth anniversary that it “continues to delight and inspire new readers.”
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.
Based on the true story of Bogey Lambert, a young cowboy from Colorado in 1920s Paris, where he encounters the beautiful painter, Chrysis Jungbluth. By day, Chrysis, a serious student at the prestigious l'École des Beaux-arts, at night she loses herself to the sensual pleasures of the Montparnasse nightlife, where all seems permissible. There, she and the American cowboy will live the love of a lifetime.
