Laugh along with Prince Charming's misguided ideas for waking Sleeping Beauty, and delight at her reaction when he finally gets it right. When Prince Charming finds Sleeping Beauty and her fairies, he doesn't know what to do. The fairies try to tell him how to wake her up, but he keeps interrupting with crazy ideas of his own such as shouting, jumping on her bed, and pouring water on her. Of course none of those work, and he is mortified when he finally hears what it will take! A hilarious twist on the fairy tale Sleeping Beauty, this is a companion to the hit Falling for Rapunzel.
In the wake of dramatic, recent changes in American family life, evangelical and mainline Protestant churches took markedly different positions on family change. This work explains why these two traditions responded so differently to family change and then goes on to explore how the stances of evangelical and mainline Protestant churches toward marriage and parenting influenced the husbands and fathers that fill their pews. According to W. Bradford Wilcox, the divergent family ideologies of evangelical and mainline churches do not translate into large differences in family behavior between evangelical and mainline Protestant men who are married with children. Mainline Protestant men, he contends, are "new men" who take a more egalitarian approach to the division of household labor than their conservative peers and a more involved approach to parenting than men with no religious affiliation. Evangelical Protestant men, meanwhile, are "soft patriarchs"—not as authoritarian as some would expect, and given to being more emotional and dedicated to their wives and children than both their mainline and secular counterparts. Thus, Wilcox argues that religion domesticates men in ways that make them more responsive to the aspirations and needs of their immediate families.
An insightful guidebook to some of the best examples of modern Southern fiction, as selected by an international group of critics In Still in Print, eighteen southern novels published since 1997 fall under the careful scrutiny of an international cast of accomplished literary critics to identify the very best of recent writings in the genre. These essays highlight the praiseworthy efforts of a pantheon of novelists celebrating and challenging regionality, unearthing manifestations of the past in the present, and looking to the future with wit and healthy skepticism. Organized around shared themes of history, place, humor, and malaise, the novels discussed here interrogate southern culture and explore the region's promise for the future. Four novels reconsider the Civil War and its aftermath as Charles Frazier, Kaye Gibbons, Josephine Humphreys, and Pam Durban revisit the past and add fresh insights to contemporary discussions of race and gender through their excursions into history. The novels by Steve Yarbrough, Larry Brown, Chris Offutt, Barry Hannah, and James Lee Burke demonstrate a keen sense of place, rooted in a South marked by fundamentalism, poverty, violence, and rampant prejudice but still capable of promise for some unseen future. The comic fiction of George Singleton, Clyde Edgerton, James Wilcox, Donald Harington, and Lewis Nordan shows how southern humor still encompasses customs and speech reflected in concrete places. Ron Rash, Richard Ford, and Cormac McCarthy probe the depths of human existence, often with disturbing results, as they write about protagonists cut off from their own humanity and desperate to reconnect with the human race. Diverse in content but unified in genre, these particular novels have been nominated by the contributors to Still in Print for long-term survival as among the best modern representations of the southern novel. Featuring: M. Thomas Inge on Charles Frazier's Cold Mountain Clara Juncker on Josephine Humphreys's Nowhere Else on Earth Kathryn McKee on Kaye Gibbons's On the Occasion of My Last Afternoon Jan Nordby Gretlund on Pam Durban's So Far Back Tara Powell on Percival Everett's Erasure Tom Dasher on Steve Yarbrough's The Oxygen Man Jean Cash on Larry Brown's Fay Carl Wieck on Chris Offutt's The Good Brother Owen W. Gilman Jr. on Barry Hannah's Yonder Stands Your Orphan Hans H. Skei on James Lee Burke's Crusader's Cross Charles Israel on George Singleton's Work Shirts for Madmen John Grammer on Clyde Edgerton's The Bible Salesman Scott Romine on James Wilcox's Heavenly Days Edwin T. Arnold on Donald Harington's Enduring Marcel Arbeit on Lewis Nordan's Lightning Song Thomas Ærvold Bjerre on Ron Rash's One Foot in Eden Robert H. Brinkmeyer Jr. on Richard Ford's The Lay of the Land Richard Gray on Cormac McCarthy's The Road
"I libri della famiglia has long been viewed by Italians as a classic of Italian literature. It displays a variety of styles--high rhetoric, systematic moral exposition, novelistic portrayal of character--in the typical Renaissance framework of the dialogue. The chief merit of the work lies in its scope: it directly assays the personal value system of the Florentine bourgeois class, which did so much to foster the development of art, literature, and science. This translation is based upon the critical edition by Cecil Grayson, Serena Professor of Italian Studies, Oxford."--Jacket.
The Greatest Classics Ever Written' is a meticulously crafted anthology that traverses the expansive landscapes of literary genius, presenting readers with a collection as diverse in style as it is rich in thematic depth. From the tragedy and introspection of Shakespeare's prose to the pioneering science fiction narratives of H. G. Wells, the anthology showcases an astonishing range of literary forms plays, poems, novels, and philosophical treatises. Each selection has been chosen not only for its individual merit but also for its contribution to the collective exploration of human nature, society, and the eternal quest for knowledge and beauty. The inclusion of texts from antiquity to the brink of the modern era ensures a kaleidoscopic view of universal themes through the lens of historical and cultural paradigm shifts, making it a standout compilation. This anthology's strength lies in the assembled authors' backgrounds, each heralding from different corners of the globe, contributing to a rich mosaic of human experience. The editors have skillfully woven together works from literary titans such as Dante and Tolstoy, visionaries like Kafka and Dostoyevsky, alongside seminal figures in philosophical thought like Plato and Nietzsche. This harmonious integration underscores the anthology's alignment with significant historical, cultural, and literary movements, offering readers a textured and deep understanding of the themes it explores. The contributors' varied voices collectively offer a unique lens through which the labyrinth of human condition and its expressions are explored, bridging temporal and geographical divides. 'The Greatest Classics Ever Written' is an indispensable volume for anyone keen to immerse themselves in the masterworks of literary legends. It offers readers a unique opportunity to engage with the multiplicity of perspectives, narrative styles, and thematic explorations contained within. This anthology is not merely a collection of works; it is a dialogic space where centuries of human thought, artistic expression, and philosophical inquiry intersect. It invites readers to embark on a journey that spans epochs, cultures, and ideologies, emphasizing the educational value and the profound insights that such a comprehensive exploration of literature can provide. The collection is a testament to the enduring power of written word, fostering a deeper appreciation for the interconnectedness of human experiences across time and space.
Excerpt from Annual Report of the Surgeon General of the Public Health Service of the United States: For the Fiscal Year 1920 Scientific Research - Continued. Page Viruses, serums, toxins, and analogous products Conference with State and Territorial health authorities Representation at meetings Dissemination of information. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In 1906, sixteen-year-old Mattie, determined to attend college and be a writer against the wishes of her father and fiance, takes a job at a summer inn where she discovers the truth about the death of a guest. Based on a true story.
