The wide white page spans eight centuries of writing - from Dante's epic account of Ulysses's last southbound ocean journey to Michael Chabon's writing of a WWII US army base on the ice, in Kavalier and Clay. There is fiction and poetry from nearly a dozen different countries, and genres range from Coleridge's Rime of the ancient mariner, via H.P. Lovecraft's Gothic fantasy and Kim Stanley Robinson future fiction, to the surreal comedy of Monty Python's Scott of the Sahara." --book jacket.
This award-winning study - the first comprehensive treatment of the nature and significance of Indigenous Australian literature - was based upon the author's doctoral research at the ANU.
A stunning collection of Oceanic stories for the 21st century. Stones move, whale bones rise out of the ground like cities, a man figures out how to raise seven daughters alone. Sometimes gods speak or we find ourselves in a not-too-distant future. Here are the glorious, painful, sharp and funny 21st century stories of Maori and Pasifika writers from all over the world. Vibrant, provocative and aesthetically exciting, these stories expand our sense of what is possible in Indigenous Oceanic writing. Witi Ihimaera and Tina Makereti present the very best new and uncollected stories and novel excerpts, creating a talanoa, a conversation, where the stories do the talking. And because our commonalities are more stimulating than our differences, the anthology also includes guest work from an Aboriginal Australian writer, and several visual artists whose work speaks to similar kaupapa. Join us as we deconstruct old theoretical maps and allow these fresh Black Marks on the White Page to expand our perception of the Pacific world.
In 1880, George MacDonald, the Scottish poet, novelist and preacher, in the wake of the deaths of two of his children, published A Book of Strife in the Form of the Diary of an Old Soul . This book, which unites grief and hope in hard-won faith, contains a poem for every day of the year. In the first edition of this classic collection there was a blank page opposite each page of poems. Readers were invited to write their own reflections on the "white page." MacDonald wrote: "Let your white page be ground, my print be seed, growing to golden ears, that faith and hope may feed." _._._._ Betty Aberlin, a native New Yorker of Russian-Jewish ancestry, raised in post-Holocaust orthodox atheism and nurtured in the arts, responded to MacDonald's invitation with daily poems of her own. Following the strict poetic form of The Diary of an Old Soul was an illuminating experience. In her own 7-line, 3-rhyme, 10-syllable pattern, Aberlin created a unique mixture of recurring themes and images drawing from Judaism, Christianity and her experiences as an actress and artist. Her vision is fresh and honest, revealing a keen observation of nature and human nature, from the exhilarations of faith, hope and love to the despairs of war, rejection and failure. Aberlin opens a path into spiritual reflection for the thoughtful reader to follow. _._._._ Here are a few of the accolades for The White Page Poems: _._._._ "In this labor of love, Betty Aberlin's close readings of George MacDonald's verses, and her thoughtful responses to them speak clearly of her poetic gifts and spiritual intelligence." Luci Shaw, poet and author. _._._._ "An awesome collection and collaboration." Daniel Berrigan, SJ, poet-in-residence, Fordham University. _._._._ "A fascinating new book . . . fresh and incisive." Don King, author of C.S. Lewis, Poet.
(Bass Recorded Versions). A must-have for any bass player! This outstanding 200-song collection features note-for-note bass transcriptions with tab, straight from the original recordings. All styles of music are represented in this massive compilation. Includes: All Apologies * All Shook Up * Another One Bites the Dust * Are You Gonna Go My Way * Baby Love * Bad Medicine * Badge * Barracuda * Beast of Burden * Blue on Black * Blue Suede Shoes * Blueberry Hill * Brass in Pocket * Bulls on Parade * Carry on Wayward Son * Cherry Pie * Come Out and Play * Come to My Window * Come Together * Couldn't Stand the Weather * Detroit Rock City * Eight Days a Week * Fly Away * Free Ride * Get Ready * Great Balls of Fire * Hard to Handle * Hey Joe * Hey Man Nice Shot * Higher Ground * I Can See for Miles * I Fought the Law * The Impression That I Get * Into the Great Wide Open * Iris * Iron Man * Jessica * Learn to Fly * Maggie May * Maria Maria * Money * My Girl * Oye Como Va * Paperback Writer * Paranoid * Pride and Joy * Riding with the King * Semi-Charmed Life * Sultans of Swing * Under Pressure * Walk of Life * Would? * Wonderwall * and many more!
Soul Prints speaks to all listeners, regardless of religious beliefs or practices. Using the power of myth--Biblical and folk--and drawing on his own personal highs and lows, Gafni offers advice on how to form bonds based in truth and love.
In this, the first collection of ecocritical essays devoted to Australian contexts and their writers, Australian and USA scholars (settlers, invaders, temporary visa holders) comment on the transliteration of sea, land and interior through the works of major and minor authors and through their own experience with the bioregion. The littoral zone is the starting point in this fresh approach to reading literature and is organised around the natural environment - rainforest, desert, mountains, coast, islands, Antarctica. There's the beach where sexual and spiritual crises occur; the Wheatbelt area - the most visible clearance line on the planet; desert literature, camel trekking, and the transformation of a salt flat into an inland island. New Age literature that 'appropriates' Aboriginals and their cultures as the healing poultice for an ailing and dispirited West; a re-examination of pastoralism, and "the feet of millions of sheep . that] have done unspeakable damage to soils"; an inquiry into whether Judith Wright's work can "persuade us to rejoice" in the world; an investigation of the Limestone Plains, home of the bush capital and the bogong moth; of bananas, cane toads and the Great Barrier Reef in tropic Queensland; of national parks and guesthouses where "the mountains meet the sea"; a discursive approach to temperate islands that covers sealing, Soldier Settlement, and sea country pastoral; and finally to Antarctica, where an initial utopian approach gives way to an emphasis on its stark, 'timeless' icescape as a minimalist backdrop for human dramas. The author-terrain is no less grand in its scope: poets, playwrights, novelists, and non-fiction writers are discussed across the broad range of contexts that constitutes the littoral zone known as 'Australia'.
This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.
