A deeply reported examination of the systemic racism inside the American financial services industry exposes practices designed to maintain the racial wealth gap, and draws on data, history, legal scholarship, and personal stories to provide a look at what it means to bank while Black.
One of the most amazing survival stories ever told -- journalist Jennifer Woodlief's gripping account of the deadliest ski-area avalanche in North American history and the woman who survived in the face of incalculable odds. On the morning of March 31, 1982, the snow had already been falling at a record rate for four days at Alpine Meadows ski resort near Lake Tahoe, California. For the vacationers and employees at the resort, this day would change their lives forever. The unprecedented avalanche that day at Alpine Meadows was a once-in-a-lifetime catastrophe. Much like the nor'easter that bedeviled the fishermen in Sebastian Junger's The Perfect Storm, an unforeseeable confluence of natural events created the conditions for an unimaginable disaster -- and, in one woman's case, an astonishing ordeal of survival. Jennifer Woodlief movingly tells the story of the massive slab avalanche that killed seven and left one victim buried alive under the snow. In this freak event, millions of tons of snow roared into the ski area and beyond, engulfing unsuspecting vacationers as well as resort employees working in spite of the danger. At the center of this wrenching tale of nature's fury are ski patrolman Larry Heywood and his team, who heroically fought with the help of a search-and-rescue dog to save a twenty-two-year-old woman trapped for five days underneath the suffocating snow -- a tale of survival that is itself an exploration of the capacity of courage. Written with all the suspense of a thriller, A Wall of White is an inspiring story of a group of strangers brought together by an inconceivable calamity -- a testament to the unwavering dedication of a band of rebel rescuers, driven only by a commitment to saving lives, battling not just extreme conditions but seemingly impossible odds.
The images we see within ourselves are often the truth. And the images that are out there around us are often the lies of those who want to destroy us. Frank's soul is destroyed. Abandoned by his parents, deported to homes and institutions, he doesn't seem to speak, has no contacts and is completely withdrawn socially. In order to survive everyday life, he increasingly builds a wall around himself and drifts more and more into surreal, psychedelic dream worlds. Frank jumps through time and is haunted by bad memories. His only companion since childhood is his girlfriend Lillith. But she of all people seems to turn against him when he needs her the most... Inspired by psychedelic music, Elias J. Connor tells a visually stunning story about a trauma we may not be able to understand in this social drama.
Cast away in an artificial world of regularities, a man is forced to ponder about the meaning of his life while walking endlessly alongside a white wall just to earn a meager ration of nutrients. In passive desperation, he witnesses how his life is wasted in that immense laboratory designed for the sole purpose of testing him, or maybe to drive him crazy, whatever happens first. The wall divides the world in two: on one side a single prisoner is kept alive, while on its other side awaits the true meaning of this cruel experiment.
A New York Times and Washington Post Bestseller Bestselling author, basketball legend and cultural commentator Kareem Abdul-Jabbar explores the heart of issues that affect Americans today. Since retiring from professional basketball as the NBA's all-time leading scorer, six-time MVP, and Hall of Fame inductee, Kareem Abdul-Jabbar has become a lauded observer of culture and society, a New York Times bestselling author, and a regular contributor to The Washington Post, TIME magazine and TIME.com. He now brings that keen insight to the fore in Writings on the Wall: Searching for a New Equality Beyond Black and White, his most incisive and important work of non-fiction in years. He uses his unique blend of erudition, street smarts and authentic experience in essays on the country's seemingly irreconcilable partisan divide - both racial and political, parenthood, and his own experiences as an athlete, African-American, and a Muslim. The book is not just a collection of expositions; he also offers keen assessments of and solutions to problems such as racism in sports while speaking candidly about his experiences on the court and off. Timed for publication as the nation debates whom to send to the White House, the combination of plain talk on issues, life lessons, and personal stories places Writings on the Wall squarely in the middle of the conversation, as many of Abdul-Jabbar's topics are at the top of the national agenda. Whether it is sparring with Donald Trump, within the pages of TIME magazine, or full-length features in the The New York Times Magazine, writers, critics, and readers have come to agree on what The Washington Post observed: Abdul-Jabbar "has become a vital, dynamic and unorthodox cultural voice."
“This powerful and meticulously argued book reveals that immigration crackdowns … [have] always been about saving and protecting the racist idea of a white America.” —Ibram X. Kendi, award-winning author of Four Hundred Souls and Stamped from the Beginning “A damning inquiry into the history of the border as a place where race is created and racism honed into a razor-sharp ideology.” —Greg Grandin, Pulitzer Prize–winning author of The End of the Myth Recent racist anti-immigration policies, from the border wall to the Muslim ban, have left many Americans wondering: How did we get here? In what readers call a “chilling and revelatory” account, Reece Jones reveals the painful answer: although the US is often mythologized as a nation of immigrants, it has a long history of immigration restrictions that are rooted in the racist fear of the “great replacement” of whites with non-white newcomers. After the arrival of the first slave ship in 1619, the colonies that became the United States were based on the dual foundation of open immigration for whites from Northern Europe and the racial exclusion of slaves from Africa, Native Americans, and, eventually, immigrants from other parts of the world. Jones’s scholarship shines through his extensive research of the United States’ racist and xenophobic underbelly. He connects past and present to uncover the link between the Chinese Exclusion laws of the 1880s, the “Keep America American” nativism of the 1920s, and the “Build the Wall” chants initiated by former president Donald Trump in 2016. Along the way, we meet a bizarre cast of anti-immigration characters, such as John Tanton, Cordelia Scaife May, and Stephen Miller, who pushed fringe ideas about “white genocide” and “race suicide” into mainstream political discourse. Through gripping stories and in-depth analysis of major immigration cases, Jones explores the connections between anti-immigration hate groups and the Republican Party. What is laid bare after his examination is not just the intersection between white supremacy and anti-immigration bias but also the lasting impacts this perfect storm of hatred has had on United States law.
Writings on human life and the refugee crisis by the most important political artist of our time Ai Weiwei (b. 1957) is widely known as an artist across media: sculpture, installation, photography, performance, and architecture. He is also one of the world's most important artist-activists and a powerful documentary filmmaker. His work and art call attention to attacks on democracy and free speech, abuses of human rights, and human displacement--often on an epic, international scale. This collection of quotations demonstrates the range of Ai Weiwei's thinking on humanity and mass migration, issues that have occupied him for decades. Selected from articles, interviews, and conversations, Ai Weiwei's words speak to the profound urgency of the global refugee crisis, the resilience and vulnerability of the human condition, and the role of art in providing a voice for the voiceless. Select quotations from the book: "This problem has such a long history, a human history. We are all refugees somehow, somewhere, and at some moment." "Allowing borders to determine your thinking is incompatible with the modern era." "Art is about aesthetics, about morals, about our beliefs in humanity. Without that there is simply no art." "I don't care what all people think. My work belongs to the people who have no voice."
It may not be true but it could be - this story of how a single white stone came to be in the wall surrounding Casa Loma, the magnificient medieval castle that stands in the middle of Toronto. John Tommy Fiddich lives in Yorkville, tends the family vegetable patch, and considers himself the "luckiest boy in town." When a hailstorm wipes out the vegetables, he goes from being the luckiest to the unluckiest. Then word gets out that Henry Pellatt, the eccentric millionaire who brought light to the city and built Casa Loma, is offering one dollar for brown stones to place in the wall going up around the castle. After trudging through the city all day with his stone, John reaches the castle only to find that rain has washed it white. But Henry Pellatt accepts the stone for his wall, rewarding John for his hard work, making him again "the luckiest boy in town." The trip through the streets of Toronto, from Yorkville to Casa Loma, makes for a book as enchanting to young and old as the fabulous castle that inspired it.