Distributed by the University of Nebraska Press for Caxton Press Over a century before Columbus will venture across the Atlantic Ocean, a storm battered Basque whaling galleon drops anchor off the eastern coast in North America. IN this savage new land, harpooner Kepa de Mendieta becomes the victim of a terrible accident and is left behind. With winter approaching, Kepa struggles against eh brutal forces of nature ina fight for survival as well as redemption.
The history of American whaling is most frequently associated with Nantucket, New Bedford and Mystic. However, the state of Maine also played an integral part in the development and success of this important industry. The sons of Maine became whaling captains, whaling crews, inventors, investors and businessmen. Towns along the coast created community-wide whaling and sealing ventures, outfitted their own ships and crewed them with their own people. The state also supplied the growing industry with Maine-built ships, whale boats, oars and other maritime supplies. For more than two hundred years, the state forged a strong and lasting connection with the American whaling industry. Author and historian Charles Lagerbom reveals why Maine should rightly take its place alongside its more well-known New England whaling neighbors.
At a time when global change has eradicated thousands of unique cultures, The Last Whalers tells the inside story of the Lamalerans, an ancient tribe of 1,500 hunter-gatherers who live on a remote Indonesian volcanic island. They have survived for centuries by taking whales with bamboo harpoons, but now are being pushed toward collapse by the encroachment of the modern world. Journalist Doug Bock Clark, who lived with the Lamalerans across three years, weaves together their stories. Clark details how the fragile dreams of one of the world's dwindling indigenous peoples are colliding with the upheavals of our rapidly transforming world, and delivers a group of unforgettable families.
Presents a portrait of five extraordinary figures--Ernest Shackleton, Abraham Lincoln, Frederick Douglass, Dietrich Bonhoeffer, and Rachel Carson--to illuminate how great leaders are made in times of adversity and the diverse skills they summon in order to prevail.
In this "immersive, densely reported, and altogether remarkable first book [with] the texture and color of a first-rate novel" (New York Times), journalist Doug Bock Clark tells the epic story of the world's last subsistence whalers and the threats posed to a tribe on the brink. A New York Times Notable Book A New York Times Editors' Choice Winner of Lowell Thomas Travel Book Award Silver Medal Finalist for William Saroyan International Writing Prize Longlisted for Mountbatten Award for Best Book Telegraph Best Travel Books of the Year Hampshire Gazette Best Books of 2019 One of the favorite books of Yuval Noah Harari, author of the classic bestseller Sapiens, "on the subject of humanity's place in the world." (via Airmail) On a volcanic island in the Savu Sea so remote that other Indonesians call it "The Land Left Behind" live the Lamalerans: a tribe of 1,500 hunter-gatherers who are the world's last subsistence whalers. They have survived for half a millennium by hunting whales with bamboo harpoons and handmade wooden boats powered by sails of woven palm fronds. But now, under assault from the rapacious forces of the modern era and a global economy, their way of life teeters on the brink of collapse. Award-winning journalist Doug Bock Clark, one of a handful of Westerners who speak the Lamaleran language, lived with the tribe across three years, and he brings their world and their people to vivid life in this gripping story of a vanishing culture. Jon, an orphaned apprentice whaler, toils to earn his harpoon and provide for his ailing grandparents, while Ika, his indomitable younger sister, is eager to forge a life unconstrained by tradition, and to realize a star-crossed love. Frans, an aging shaman, tries to unite the tribe in order to undo a deadly curse. And Ignatius, a legendary harpooner entering retirement, labors to hand down the Ways of the Ancestors to his son, Ben, who would secretly rather become a DJ in the distant tourist mecca of Bali. Deeply empathetic and richly reported, The Last Whalers is a riveting, powerful chronicle of the collision between one of the planet's dwindling indigenous peoples and the irresistible enticements and upheavals of a rapidly transforming world.
Set in Western Australia in the first decades of the nineteenth century, That Deadman Dance is a vast, gorgeous novel about the first contact between the Aboriginal Noongar people and the new European settlers. Bobby Wabalanginy is a young Noongar man, smart, resourceful, and eager to please. He befriends the European arrivals, joining them as they hunt whales, till the land, and establish their new colony. He is welcomed into a prosperous white family, and eventually finds himself falling in love with the daughter, Christine. But slowly-by design and by hazard-things begin to change. Not everyone is happy with how the colony is progressing. Livestock mysteriously start to disappear, crops are destroyed, there are "accidents" and injuries on both sides. As the Europeans impose ever-stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind, and Bobby is forced to take sides, inexorably drawn into a series of events that will forever change the future of his country. That Deadman Dance is inevitably tragic, as most stories of European and native contact are. But through Bobby's life, Kim Scott exuberantly explores a moment in time when things could have been different, when black and white lived together in amazement rather than fear of the other, and when the world seemed suddenly twice as large and twice as promising. At once celebratory and heartbreaking, this novel is a unique and important contribution to the literature of native experience.
In 1905 George Hunt, at the insistence of anthropologist Franz Boas, acquired a remarkable collection of materials from the Mowachaht band of the Nuu-chah-nulth (Nootka) for the American Museum of Natural History. An assemblage of 92 carved wooden figures and whales, 16 human skulls, and the small building that sheltered them, the shrine had for centuries stood in Yuquot, or Friendly Cove, on the remote west coast of Vancouver Island, visited only by chiefs and their wives. Since its removal to New York, it has been represented in anthropological and historical writings, film, television, and newspapers. In this fascinating study, Aldona Jonaitis investigates and reconstructs the history of the shrine both before and after it was acquired for the museum. Clues to the shrine's complex history--traced to the mid-17th century--and meaning are provided by historical and anthropological writings, photographs, stories, the Hunt-Boas correspondence, and the artifacts themselves. Jonaitis addresses important contemporary issues, including the Mowachaht band's desire to have the shrine repatriated for display in Yuquot.
