In this story based on true events, a treasured wooden chair is passed down from family to family, with each new owner carving the word "welcome" in a new language.
The book may seem dark and disturbing to many who will read it. The reader must understand that during this time, I was far from home; learning and inventing the man I would later in life become. The constant talk of pain and sorrow, or hate is a reflection of what we see in the world everyday. Little of the media provides hopeful or inspiration and as a young man in Washington D.C. at the time I was a casualty of the world around me. Many of the works talk of God and religion, as a Christian I found my solace in faith to help me get through the times of hardship. The book is inspired by my faith as well; God has a certain strong place in my heart. Some may see this work as a blasphemy against the Lord but I believe that every person has their own personal relationship with the Lord and I will let him judge me for the work.
The astronomer’s observing chair as both image and object, and the story it tells about a particular kind of science and a particular view of history. The astronomer’s chair is a leitmotif in the history of astronomy, appearing in hundreds of drawings, prints, and photographs from a variety of sources. Nineteenth-century stargazers in particular seemed eager to display their observing chairs—task-specific, often mechanically adjustable observatory furniture designed for use in conjunction with telescopes. But what message did they mean to send with these images? In The Astronomer’s Chair, Omar W. Nasim considers these specialized chairs as both image and object, offering an original framework for linking visual and material cultures. Observing chairs, Nasim ingeniously argues, showcased and embodied forms of scientific labor, personae, and bodily practice that appealed to bourgeois sensibilities. Viewing image and object as connected parts of moral, epistemic, and visual economies of empire, Nasim shows that nineteenth-century science was represented in terms of comfort and energy, and that “manly” postures of Western astronomers at work in specialized chairs were contrasted pointedly with images of “effete” and cross-legged “Oriental” astronomers. Extending his historical analysis into the twentieth century, Nasim reexamines what he argues to be a famous descendant of the astronomer’s chair: Freud’s psychoanalytic couch, which directed observations not outward toward the stars but inward toward the stratified universe of the psyche. But whether in conjunction with the mind or the heavens, the observing chair was a point of entry designed for specialists that also portrayed widely held assumptions about who merited epistemic access to these realms in the first place. With more than 100 illustrations, many in color; flexibound.
Winner of the Royal Palm Award As a child, Leini stands ready to do anything to win her mother Mira's love. This effort costs her the sight in one eye and as a result, causes her to endure bullying from kids her own age. As a teenager, with her Grandpa's help, she undergoes one more surgery to straighten her eye, but the psychological scar of the events of her childhood remain. Leini struggles to break free of Mira's tyranny by leaving her native Helsinki to study psychology at Geneva University. A few years later, married, herself about to become a mother, she is determined with her own children not to repeat Mira's behavior. With the help of a psychiatrist, she labors through the pains of past hurts to become a nurturing and loving mother and wife, as well as a successful professional, as she grows from victim to victor over adversity. Can her efforts lead her to the one thing she needs to discover the most - the ability to forgive her mother? PRAISE FOR THE WOODEN CHAIR: The Wooden Chair is a beautifully written period piece. When I began reading, I didn't stop until I turned the last page. Ms. Golay's descriptions are so powerful, the characters so true to life, they're unforgettable. Leini's journey from an emotionally abused child to a self-confident woman should be read by all who've suffered any form of abuse and persevered. Quite the most powerful novel I've read in years." --Suzanne Barr, Author of Fatal Kiss The Wooden Chair took hold of me in the first paragraphs and never let go. I kept expecting-and wanting-someone to rescue Leini from her wildly unpredictable mother who told Leini she wasn't wanted. Leini's disappointments and longings as she faced serious issues for such a young girl kept me engrossed. I wept at Rayne Golay's vivid descriptions of Leini coping in an unfair world, and I rejoiced at her remarkable quest to change, at her acceptance as she grew into adulthood. Rayne's high quality writing in The Wooden Chair makes it an emotionally charged read, a compelling story of one woman's valiant struggle to grow away from past hurts. A triumphant story --Elizabeth (Bettie) Wailes, Author and Editor
I would like to introduce you to a novel about the World Series of Poker main event in the year 2013 and beyond. The reader will play in this coveted tournament through the eyes of an aging professional poker player, who learns to never give up, when it no longer seems possible to continue, as he comes full circle with his past. It soon becomes apparent that this man has more to worry about than being eliminated from this tournament, as his past could eliminate him from life itself The events leading up to our "heros" unpredictable performance, revolves around the union of a Jewish New Yorker and a Christian Arkansan Coal Miners daughter. All of this set against the excitement of Las Vegas and the "poker god's" latest creation, the Final Table Resort.