From its onset, the Second World War changed the course of many couples’ lives as they were parted, not knowing if they would ever see their partners again. Documenting the hopes and the heartbreak of the young Jewish Weinstein family, this book uses a treasure trove of 700 letters sent between husband and wife to depict the everyday struggles of lovers surviving apart as war wore on in Europe and North Africa. The letters, always vivid, sometimes funny, often passionate, contain intimate details of the pressure on the young couple, dealing with conditions at home and abroad, family and political rivalries, and even tension as talk of the temptation and ease of ‘playing away’ arises. The Weinsteins’ War is an honest portrayal of the strains of sustaining a loving relationship when so far apart and of the hopes the couple had for a new, post-war Britain.
A follow-up to the critically acclaimed and best-selling graphic novel Girl Stories This follow-up to Lauren Weinstein's critically acclaimed and best-selling graphic novel, Girl Stories, traces the life of a celebrated Valkyrie, great-granddaughter of Thor, from her earliest days to her present position as Goddess of War--bored, finally, of determining the outcome of all the Earth's conflicts. Produced in a deluxe, oversized format and featuring both pen-and-ink drawings and etchings, this story is actually Volume One of the continuing adventures of Valkyrie, and it follows the Goddess, who is based on the character that Weinstein plays in her rock band, Flaming Fire, from her isolated planet of vampires, wolves and volcanoes, all the way to our Earth, where she abandons her post and takes up with her lover, the Apache Chief. Vengeance ensues. A favorite with librarians and graphic novel buyers, Weinstein has been included in a variety of important collections, including The Anthology of Graphic Fiction and The Best American Comics.
One of the most elite educational institutions in the world, the Air Force Academy has, from its inception, attracted the best and the brightest, producing leaders not only in the military but throughout American society. In recent years, however, the Academy has also been producing a cadre of zealous evangelical Christians intent on creating a fundamentalist power base at the highest levels of our country. With God on Our Side is shocking exposé of life inside the United States Air Force Academy and the systematic program of indoctrination sanctioned, coordinated, and carried out by fundamentalist Christians within the U.S. military. It is also the story of Michael L. Weinstein, a proud Academy graduate and the father of two graduates and a current cadet, who single-handedly brought to light the evangelicals' utter disregard of the constitutional principle of separation of church and state that is so essential to the nation's military mission. Weinstein's war would pit him and his small band of fellow graduates, cadets, and concerned citizens against a program of Christian fundamentalist indoctrination that could transform our fighting men and women into "right-thinking" warriors more befitting a theocracy. In the process, he would come face to face with religious bigotry and at its most extreme and fight an unrelenting battle to save his beloved Academy, the ideals it stood for, and the very future of the country. An important book at a critical time in our nation's history, With God on Our Side is the story of one man's courageous struggle to thwart a creeping evangelism permeating America's military and to prevent a taxpayer-funded theocracy in which only the true believers have power.
Now a major motion picture, starring Carey Mulligan and Zoe Kazan "An instant classic of investigative journalism...‘All the President’s Men’ for the Me Too era." — Carlos Lozada, The Washington Post From Pulitzer Prize-winning journalists Jodi Kantor and Megan Twohey, the untold story of their investigation of Harvey Weinstein and its consequences for the #MeToo movement For years, reporters had tried to get to the truth about Harvey Weinstein’s treatment of women. Rumors of wrongdoing had long circulated, and in 2017, when Jodi Kantor and Megan Twohey began their investigation for the New York Times, his name was still synonymous with power. But during months of confidential interviews with actresses, former Weinstein employees, and other sources, many disturbing and long-buried allegations were unearthed, and a web of onerous secret payouts and nondisclosure agreements was revealed. When Kantor and Twohey were finally able to convince sources to go on the record, a dramatic final showdown between Weinstein and the New York Times was set in motion. In the tradition of great investigative journalism, She Said tells a thrilling story about the power of truth and reveals the inspiring and affecting journeys of the women who spoke up—for the sake of other women, for future generations, and for themselves.
A vivid biography of Harvey Weinstein—how he rose to become a dominant figure in the film world, how he used that position to feed his monstrous sexual appetites, and how it all came crashing down, from the author who has covered the Hollywood and media power game for The New Yorker for three decades Twenty years ago, Ken Auletta wrote an iconic New Yorker profile of the Hollywood mogul Harvey Weinstein, who was then at the height of his powers. The profile made waves for exposing how volatile, even violent, Weinstein was to his employees and collaborators. But there was a much darker story that was just out of reach: rumors had long swirled that Weinstein was a sexual predator. Auletta confronted Weinstein, who denied the claims. Since no one was willing to go on the record, Auletta and the magazine concluded they couldn’t close the case. Years later, he was able to share his reporting notes and knowledge with Ronan Farrow; he cheered as Farrow, and Jodi Kantor and Megan Twohey, finally revealed the truth. Still, the story continued to nag him. The trail of assaults and cover-ups had been exposed, but the larger questions remained: What was at the root of Weinstein’s monstrousness? How, and why, was it never checked? Why the silence? How does a man run the day-to-day operations of a company with hundreds of employees and revenues in the hundreds of millions of dollars, and at the same time live a shadow life of sexual predation without ever being caught? How much is this a story about Harvey Weinstein, and how much is this a story about Hollywood and power? In pursuit of the answers, Auletta digs into Weinstein’s life, searching for the mysteries beneath a film career unparalleled for its extraordinary talent and creative success, which combined with a personal brutality and viciousness to leave a trail of ruined lives in its wake. Hollywood Ending is more than a prosecutor’s litany; it is an unflinching examination of Weinstein's life and career, embedding his crimes in the context of the movie business, in his failures and the successes that led to enormous power. Film stars, Miramax employees and board members, old friends and family, and even the person who knew him best—Harvey’s brother, Bob—all talked to Auletta at length. Weinstein himself also responded to Auletta’s questions from prison. The result is not simply the portrait of a predator but of the power that allowed Weinstein to operate with such impunity for so many years, the spiderweb in which his victims found themselves trapped.
A rollicking recounting of the landmark case a writer brought against Miramax, whom he accused of stealing his screenplay and turning it into the cult classic Rounders. When a young screenwriter goes online to check out the promotional website for a new poker movie called Rounders, he’s shocked to discover how similar it is to a screenplay he wrote a few years earlier and submitted to a number of studios. When he later sees the Miramax-produced film in theaters, he is astonished by the number of overlapping elements—the protagonist playing Texas Hold ’em to pay his way through college while deceiving the girlfriend who believes he’s quit, the loss of everything he has in a single hand of high-stakes Hold ’em, a character named “Worm,” and many other commonalities that form the foundation of what will become his lawsuit against Miramax. He leaves the theater that day feeling that not only has the studio stolen his script, but his life, which had encompassed years of professional poker playing that informed the screenplay he hoped would open the door to a writing career in Hollywood. Against all odds, he proceeds to take on Miramax and the Hollywood system with the help of an ingenious lawyer. Jeffrey Grosso simply has to prove how it could have happened and convince a judicial system that often favors studios over writers that he’s a victim of intellectual property theft, which results in a ten-year landmark legal battle against Hollywood’s most notorious studio. Part comic legal thriller, part nail-biting poker memoir, Dirty Dealing: Grosso v. Miramax—Waging War Against Harvey Weinstein and the Screenplay that Changed Hollywood is the entertaining look at one man’s fight to get the credit he believes he deserves. Does he have a case or are the similarities just an illusion the mind plays on a creator? Perhaps there are only five stories in Hollywood, as his lawyer points out, and no idea is truly original. You be the judge.
Some rebel groups abuse noncombatant populations, while others exhibit restraint. Insurgent leaders in some countries transform local structures of government, while others simply extract resources for their own benefit. In some contexts, groups kill their victims selectively, while in other environments violence appears indiscriminate, even random. This book presents a theory that accounts for the different strategies pursued by rebel groups in civil war, explaining why patterns of insurgent violence vary so much across conflicts. It does so by examining the membership, structure, and behavior of four insurgent movements in Uganda, Mozambique, and Peru. Drawing on interviews with nearly two hundred combatants and civilians who experienced violence firsthand, it shows that rebels' strategies depend in important ways on how difficult it is to launch a rebellion. The book thus demonstrates how characteristics of the environment in which rebellions emerge constrain rebel organization and shape the patterns of violence that civilians experience.
The 150,000 women who served in the Women's Army Corps are now seen as the undersung heroes of the Second World War. This memoir describes the life of a WAC enlistee who would serve in England when it came under attack, France immediately after the Allied invasion, and Germany after VE Day. From her experience in basic training in Daytona Beach to the climactic moment when she saw the Statue of Liberty as her ship approached American shores upon her return home, this work provides a glimpse into the life of a woman in uniform during this crucial time in American history.
In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world.
