1938. Hitler's expansionist policies are arousing both anger and admiration, not least in Helsinki's Wednesday Club. The members of this relaxed gentleman's club are old friends of lawyer Claes Thune. But this year it is apparent that the political unrest in Europe is having an effect on the cohesion of the group. Thune has recently divorced and is at something of a loss, running his law practice with no great enthusiasm. Luckily he has the assistance of an efficient new secretary, Matilda Wiik. But behind her polished exterior Mrs Wiik is tormented by memories of the Finnish Civil War, when she experienced horrors she has been trying to forget ever since. And one evening, with the Wednesday Club gathered in Thune's office, she hears a voice she hoped she would never hear again. She is suddenly plunged back into the past. But this time she is no longer a helpless victim . . .
This new addition to the popular guidebook series explores women's experiences and the impact of their activities on the history and landscape of St. Louis. When the city was founded, most St. Louisans believed that "a woman's place is in the home," in the house of her father, husband, or master. Over the years, women pushed out the boundaries of their lives into the public arena, and in doing so they changed the face of St. Louis. In Her Place is a guide to the changing definition of a woman's place in St. Louis, beginning with the colonial period and ending with the 1960s. Each chapter explores the experiences of women during a specific time period and identifies the sites of some of their public activities on a map of the city created from historical sources. Along the way, readers will meet such significant St. Louis women as Harriet Scott, Susan Blow, Edna Gellhorn, and Philippine Duchesne and learn about the activities of the Ladies' Union Aid Society, the Sisters of Charity, the League of Women Voters, and the Harper Married Ladies' Club. The book also includes four tours of the St. Louis region addressing the themes of the book and identifying significant buildings, homes, and other key sites. Current photographs will help readers locate the sites on detailed maps. An up-to-date bibliography and resource listing make this an invaluable guide for anyone interested in studying the history of women in the region.
Why in the late 19th and early 20th centuries did southern women (black and white) advance from the private worlds of home and family into public life, transforming the cultural and political landscape of their community? Using Galveston as a case study, Turner asks who where the women who became activists.
Before Fanfiction investigates the overlapping cultures of fandom and American literature from the late 1800s to the mid-1940s, exploding the oft-repeated myth that fandom has its origins in the male-dominated letter columns of science fiction pulp magazines in the 1930s. By reexamining the work of popular American women writers and their fans, Alexandra Edwards recovers the literary history of American media fandom, drawing previously ignored fangirls into the spotlight.
Chronicles the life of American author Kate Chopin and discusses how her novel "The Awakening" was viewed by society when it was first published, why she is considered a feminist, how her personal life influenced her writing, and other related topics.
A former Deputy Director of the CIA provides a behind-the-scenes look at the American intelligence community, the Reagan administration's secret war against the Sandinistas, the covert operations he conceived, and the battle against world terrorism.
Written in a fine and lucid prose style, T. S. Eliot and American Poetry presents a critical study of Eliot's major poems as it examines what America means to its poets. Eliot's contribution to a poetic dialogue on this subject with Ralph Waldo Emerson, Edgar Allan Poe, Walt Whitman, Hart Crane, Robert Lowell, John Ashbery, and other literary figures plays a significant role in this groundbreaking study. Investigating Eliot's literary inheritance through his familial traditions, represented particularly by his mother, Charlotte Eliot, and in terms of the American Renaissance, Lee Oser addresses all phases of Eliot's career as a poet. Following an introduction that reevaluates the importance of Poe and Whitman for Eliot and modernism, the discussion proceeds from Eliot's reaction against the progressive ethos of late Puritan culture, to the appearance in his writing of numerous figures of exile and disinheritance as an expression of lost American patrimony, to his flight from the realm of history, and his eventual return to the spiritual and cultural traditions of New England. A final chapter weighs Eliot's impact on Robert Lowell, John Ashbery, and Elizabeth Bishop. Through its dialectical view of American literary and intellectual history, T. S. Eliot and American Poetry constructs a practical methodology for comparing Eliot with other American poets. Juxtaposing Eliot's poems, lectures, and essays (including generous excerpts from Eliot's uncollected prose) with landmark texts by Emerson, Poe, Whitman, and many others, Oser engages in a deeper analysis of Eliot's Americanness than has hitherto been possible. In addressing Eliot's treatment of America as symbol and topos, the work presents a multifaceted chronicle of Eliot's development that enriches formalist and historicist approaches alike. T. S. Eliot and American Poetry makes numerous original contributions to the field of literary history. No previous work has so richly pursued Eliot's literary and familial inheritance, as well as his legacy to American poetry; the result is a highly nuanced perspective on contemporary debates about poetry, criticism, and culture.
Readers of Cheaper by the Dozen remember Lillian Moller Gilbreth (1878-1972) as the working mom who endures the antics of not only twelve children but also an engineer husband eager to experiment with the principles of efficiency -- especially on his own household. What readers today might not know is that Lillian Gilbreth was herself a high-profile engineer, and the only woman to win the coveted Hoover Medal for engineers. She traveled the world, served as an advisor on women's issues to five U.S. presidents, and mingled with the likes of Eleanor Roosevelt and Amelia Earhart. Her husband, Frank Gilbreth, died after twenty years of marriage, leaving her to raise their eleven surviving children, all under the age of nineteen. She continued her career and put each child through college. Retiring at the age of ninety, Lillian Gilbreth was the working mother who "did it all." Jane Lancaster's spirited and richly detailed biography tells Lillian Gilbreth's life story-one that resonates with issues faced today by many working women. Lancaster confronts the complexities of how one of the twentieth century's foremost career women could be pregnant, nursing, or caring for children for more than three decades. Yet we see how Gilbreth's engineering work dovetailed with her family life in the professional and domestic partnership that she forged with her husband and in her long solo career. The innovators behind many labor-saving devices and procedures used in factories, offices, and kitchens, the Gilbreths tackled the problem of efficiency through motion study. To this Lillian added a psychological dimension, with empathy toward the worker. The couple's expertise also yielded the "Gilbreth family system," a model that allowed the mother to be professionally active if she chose, while the parents worked together to raise responsible citizens. Lancaster has woven into her narrative many insights gleaned from interviews with the surviving Gilbreth children and from historical research into such topics as technology, family, work, and feminism. Filled with anecdotes, this definitive biography of Lillian Gilbreth will engage readers intrigued by one of America's most famous families and by one of the nation's most successful women.
