" ... the story of freedom-seekers who create an alternative society on the Internet -- a virtual society, with no possibility of oversight or control. It grows so fast that governments and "leaders" are terrified, and fight to co-opt this cyber-society before it undermines the power of the governing elite."--Cover [p. 4].
The subject of the Man, based on the research topics conducted by Fernand D'Amico and Jacques Wisman, is proposed in this book as a themed walk through the passages of Scripture from the Old and New Testament. The biblical text (KJV) is presented deliberately devoid of additional comments to offer an immediate and direct perception of the selected track.The thematic reading of the biblical text opens to the reader as a fascinating experience that allows him to benefit in a short time, a surprising and rich picture of content.In the Scriptures there is the true sense and meaning of human life that goes well beyond its anthropological evolution. The man is considered in all aspects and facets as a carrier of instances not only religious but also the material and moral. All that can be said about man is already written thousands of years ago. The verses that concern the human remains of a topical wonderful and amazing.
First published in 1948, this autobiography from Burl Ives, whom Carl Sandberg calls “the greatest folk ballad singer of them all,” is as fresh and wholesome as a summer’s breeze out of an Illinois cornfield. His ballads have long been an authentic expression of his land and its people—songs his grandmother taught him in the Midwestern farm country, songs remembered by old-timers in small towns all over the land, songs he heard hobos singing—songs we have come to know and love. In Wayfaring Stranger, writing in the stirring imaginative language of the ballad, Burt Ives tells of a night spent in a haystack with a pig, and of a brief fight with a railroad cop on top of a boxcar. He hitched a ride with Al Capone’s master bootlegger; he barely escaped the clutches of an old maid in Maine; he fell in love on a Great Lakes steamer; he played for evangelists and politicians; in speakeasies and public parks. Always he listened to the people, and he learned their songs. Anywhere he could get an audience, he sang his ballads: Barbara Allen, The Riddle Song, Fair Eleanor, Old Smokey, Silver Dagger, Foggy Foggy Dew. Now in Wayfaring Stranger, he has written his own story—as warm and appealing as the songs he sings. “It’s a fine book, warm, and full-bided, like Burl himself. Burl gives the reader the combination which is in everything he sings: a sense of dignity without pretentiousness, of simplicity without sentimentality. He makes the folk feeling richly alive. Some of his little character sketches remind me of the unforgettable etchings in Sherwood Anderson’s Winesburg. In short, Burl tells stories just the way he plays and sings—naturally, unaffectedly, poignantly.”—Louis Untermeyer