The Watsons is an abandoned novel by Jane Austen, completed by her niece. The story tells about the widowed priest and his six children, four of which are daughters wishing to get married t a rich man. Although one of the daughters, Emma, was raised by their rich childless aunt. As a result, she is better educated than her other three sisters and has different values. The pursuit for love and wealthy admirers and the opposition between sisters lead to mingled affairs, romantic love stories, and exciting adventures.
Through selections of poetry, Fragments explores the feelings, observations, and experiences that connect humanity across cultures and eras. Topics range from the fanciful to the weighty, including nature, emotions, experiences, memories, and more. In the first section, selected historical poems from the following cultures appear: Ancient Israel, Ancient Greece, Ancient Rome, Italy, The Spanish World, France, The English World, China, and Japan. The second half of the book introduces many talented, emerging poets reflecting on life and experiences in contemporary society: gennepher (Wales, United Kingdom), Charles Miller (Pennsylvania, USA), Lily Wang (Shanghai, China), Sondra Byrnes (Indiana, USA), Polona Oblak (Ljubljana, Slovenia), Sandi Pray (North Carolina and Florida, USA), Yiota Karioti / Yiota Luyu Ladybird (Athens, Greece), ten_ten_ten (Midwest, USA), Roary Williams (Albuquerque, New Mexico, USA), Claudia Schoenfeld (Germany), An Mayou (Boulder, Colorado, USA), Blue Flute (New York, USA).An introductory essay ties together several of the recurring themes, showing the connections among cultures, between history and modernity.
What happens when the writer loses the plot? Emma Watson is nineteen and new in town. She's been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast. If not, they face poverty, spinsterhood, or worse: an eternity with their boorish brother and his awful wife. Luckily there are plenty of potential suitors to dance with, from flirtatious Tom Musgrave to castle-owning Lord Osborne, who's as awkward as he is rich. So far so familiar. But there's a problem: Jane Austen didn't finish the story. Who will write Emma's happy ending now? Based on her incomplete novel, this sparklingly witty play looks under the bonnet of Jane Austen and asks: what can characters do when their author abandons them?
This eBook features the unabridged text of ‘The Watsons’ from the bestselling edition of ‘The Complete Works of Jane Austen’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Austen includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Watsons’ * Beautifully illustrated with images related to Austen’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
A stand-alone novel of magic and adventure by the renowned fantasy author Diana Wynne Jones, who also wrote Howl's Moving Castle and the Chrestomanci books. Almost finished upon her death in 2011, the manuscript was completed by Diana's sister Ursula Jones, an acclaimed novelist and actress. Publishers Weekly called The Islands of Chaldea "a story to cherish" in their starred review. Aileen comes from a long line of magic makers, and her aunt Beck is the most powerful magician on Skarr. But Aileen's magic has yet to reveal itself, even though she is old enough and it should have by now. When Aileen is sent over the sea on a mission for the King, she worries that she'll be useless and in the way. A powerful talking cat changes all of that—and with every obstacle Aileen faces, she becomes stronger and more confident, until her magic blooms. This stand-alone novel, by the beloved and acclaimed author of such classic fantasy novels as Howl's Moving Castle and the Chrestomanci books, will be welcomed by fans old and new. "Jones's imaginative vigor is unabated in this last, picaresque novel; her deft, fluid style and penchant for precise, characterful description are amply present," proclaimed The Horn Book.
"Extraordinary"--THE NEW YORKER In the formally innovative tradition of Grief Is the Thing with Feathers and Ducks, Newburyport comes a dazzlingly original, shot-in-the-arm of a debut that reveals a young woman's every thought over the course of one deceptively ordinary day. She wakes up, goes to work. Watches the clock and checks her phone. But underneath this monotony there's something else going on: something under her skin. Relayed in interweaving columns that chart the feedback loop of memory, the senses, and modern distractions with wit and precision, our narrator becomes increasingly anxious as the day moves on: Is she overusing the heart emoji? Isn't drinking eight glasses of water a day supposed to fix everything? Why is the etiquette of the women's bathroom so fraught? How does she define rape? And why can't she stop scratching? Fiercely moving and slyly profound, little scratch is a defiantly playful look at how our minds function in--and survive--the darkest moments.
Unfinished Austen examines four texts that Jane Austen left incomplete: Catharine, or the Bower (1792–-3), Lady Susan (1795?), The Watsons (1803–-4?) and Sanditon (1817), none of them published till well after her death. Since very little in manuscript form survives from the six famous novels, these four manuscript texts offer insight into the novelist in the process of creation. They also problematize the romance plot prominent in the published novels by presenting this in a nebulous or incipient state that underlines its artificiality. These texts sometimes show how the romance plot is inflected by the financial condition in which young marriageable women can find themselves. Moreover, the stories (other than Catharine) have aroused the interest of many later writers—including writers for theatre and screen—who are eager to complete or to amplify them. They may do this through developing the stories to some kind of dénouement. Perhaps more intriguingly, however, these texts induce some writers to question the very enterprise of concluding an unfinished text.
Kathryn Sutherland presents an edition of the fiction manuscripts of Jane Austen (1775-1817) in this five-volume set. Scholars have pored over this much-loved novelist for decades, yet there are still more riches to be uncovered by the careful presentation of the texts in this fully annotated new edition. Jane Austen's fiction manuscripts are the first substantial collection of autograph writings to survive for a British novelist. They represent every stage of her writing life, from childhood--aged 11 or 12--to the year of her death. The manuscripts represent a wide variety of physical states: working drafts, fair copies, and handwritten publications for private circulation. Where the juvenile, handwritten notebooks have long appeared to scholars to be finished artefacts, most of the other manuscript writings consist of pre-print or working drafts in various stages of development. There is no evidence to indicate that Austen saw the bulk of these working drafts as anything other than provisional. Hence the stark situation that no manuscripts remain for works which saw publication in her lifetime, the assumption being that these were routinely destroyed once replaced by print forms. There is only one exception: the two cancelled chapters of Persuasion, which represent an alternative ending to the one that made it into print. The manuscript evidence therefore represents a different Jane Austen: different in the range of fiction they contain from the novels we know only from print; and different in what they reveal about the workings of her imagination. Because of the variety of their pre-print states, because of their experimental range, and because of the way they extend the time span of her writing life (far longer than the single decade of the printed novels), these manuscript writings can claim a special place in our understanding of the evolution of the famous fictions. The edition presents full transcriptions of the texts based on a fresh examination of all the extant witnesses in Austen's hand, with facing facsimile images of the manuscript pages, and commentary on revisions, over-writings, erasures, and other features of the manuscripts.
On 20 December 1977, as Stanley Watson takes the slow train journey to family Christmas, memories from over 60 years ago play in his mind. He had been and still was a man of his time, as as steady, simple and direct as the railway lines he built. As an engineer in the 28th Signalling Company, recently wed and with a young child, he knew it to be his duty to enlist as soon as war broke out in 1914. He left for Egypt in October and he knows his wife is pregnant as he reaches Gallipoli on 25 April 1915, a participant in that fateful landing that is writ large in Australian history. He survived that landing to construct the first pier at Anzac Cove, from which the Anzacs withdrew on the nights of 18 and 19 December. For a long time, he was known as the last man to leave Gallipoli. Watson's Pier is a beautifully told story as seen through the eyes of Stanley Watson, one of the leaders of the escape from Gallipoli. It draws on Watson’s story, his writing, oral history and the official war records. While telling one man's remarkable experience of war for the first time, Watson's Pier challenges history on the final moments at ANZAC Cove and offers a new perspective on the meaning of Gallipoli.
Jane Austen significantly shaped the development of the English novel, and her works continue to be read widely today. Though she is best known for her novels, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, and Persuasion, she also wrote poems, letters, prayers and various pieces of juvenalia. These writings have been attracting the attention of scholars; her major works have already generated a large body of scholarly and critical studies. This reference is a guide to her works and the response to them. Austen's works are fraught with ambiguity. Because she was adept at displaying numerous aspects of an issue, her writings invite multiple interpretations. In light of the ambiguity of her texts, each of her major works is approached from a reader-response perspective, in which an expert contributor illuminates the reader's relationship to her writing. And because so many readers have had such varied responses to her novels, the volume also includes chapters summarizing the critical response to each of her major works. In addition, the book includes separate chapters on her poems, letters, and prayers.
