Using real cases, narratives, and biographical material, this text examines issues related to the mental health intersect with race and ethnicity. It draws on the experiences of ethnic minority therapists.
Our deepest emotions bend the expressive capacities of the human language to the breaking point. In this book, child survivor of the Shoah, artist/composer Judith Evan Goldstein transforms tragedies and horrors, into multi-colored, richly textured images on wood and canvas. Her paintings palpably indict the perpetrators of the crimes against the Jewish people, providing a voice for the victims. Goldstein balances painful memories with testimony to the cherished new lives built by survivors. Joy, not evil, has the last word. Dr. Elena Procario-Foley, Ph.D., Driscoll Professor of Jewish-Catholic Studies, Iona College Chair of the Council of Centers on Jewish-Christian Relations New Rochelle, New York Judith's art is a reflection of her painful journey and personal experiences during the Holocaust, daring and colorful as if done through the eyes of a child. She and her metaphorical art appear in the film, "As Seen Through These Eyes" of which the title comes directly from Judith's profound assertion, "What I've seen through these eyes, I made a promise to tell the world so that it will never happen again." In this book, Judith unlocks the collective unconscious and reconstructs the unthinkable horrors of her past as a memorial. As a composer/lyricist and artist, Judith says, "I paint the images of my childhood and play the images I see." Hilary Helstein, Director/Producer of "As Seen Through These Eyes" Judith Evan Goldstein's art and music have made a significant contribution on the pantheon of Holocaust art at the Florida Holocaust Museum and in the world. Her art, using bright colors, wonderful imagery and the underlying sadness of a childhood interrupted brings us closer to understanding the human condition. Her music, haunting or lively, rooted in traditions yet ever new, expresses the very heart of memory. Judith's work, most of all, makes the incomprehensible, accessible. The visual, the auditory, the non-verbal expression of this fine and talented artist being understanding of the Holocaust to audiences regardless of language, disability or experience. In her work is truth. Museum Director and Curator Stephen M. Goldman Florida Holocaust Museum St. Petersburg, Florida Judith uses her painting and music as a way to communicate her childhood memories of the past in the Vilna Ghetto and concentration camps. Her technique, collage/mixed media and painting, invites the viewer into her tormented past, while her more symbolic work speaks to the spirit of the Jews under the most adverse condition. Judith also raises the question of whether art about the Shoah can be colorful, even beautiful. Dr. Stephen Feinstein, Director Center for Holocaust and Genocide Studies University of Minnesota Judith Evan Goldstein is one of the most multi-talented people that I know. She is an accomplished artist, composer, musician, singer, writer, poet and lecturer. Besides her creative abilities, Judith has overcome her trials and tribulations by turning them into triumphs. She is someone I truly admire. Chana Benjamin President and Director of New Century Artists, Inc., Chelsea, New York
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
Invite the rich colors, natural textures, and romantic beauty of Mexico into your home. With a vast architectural legacy spanning four centuries, Mexican haciendas express a rugged romantic beauty and compelling sense of history. Today, the hacienda's graceful arcaded silhouette, grand-scale proportions, carved-stone ornament, rich colors and natural textures have become an ever-increasing influence for architects and designers worldwide. Hacienda Style invites you into Mexico's artful, hacienda havens resplendent with private collections of colonial and contemporary art, antiques and found relics. Witynski and Carr's antiques and accents have appeared in national magazines, television programs and feature films, including Architectural Digest, Western Interiors, HGTV's Takeover My Makeover, The Oprah Winfrey Show, and The Alamo. Other books by the same authors: Mexican Country Style, The New Hacienda, Casa Adobe, Adobe Details, Casa Yucatan, and Mexican Details.
This new edition of the classic guide offers a thorough and accessible introduction to contemporary critical theory. It provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African-American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading. This book can be used as the only text in a course or as a precursor to the study of primary theoretical works. It motivates readers by showing them what critical theory can offer in terms of their practical understanding of literary texts and in terms of their personal understanding of themselves and the world in which they live. Both engaging and rigorous, it is a "how-to" book for undergraduate and graduate students new to critical theory and for college professors who want to broaden their repertoire of critical approaches to literature.
Penned by the very first Crayon Activist, Bellen Woodard, this picture book will tug at readers' heartstrings and inspire them to make a difference! When Bellen Woodard’s classmates referred to "the skin-color” crayon, in a school and classroom she had always loved, she knew just how important it was that everyone understood that “skin can be any number of beautiful colors.” This stunning picture book spreads Bellen’s message of inclusivity, empowerment, and the importance of inspiring the next generation of leaders. Bellen created the More Than Peach Project and crayons with every single kid in mind to transform the crayon industry and grow the way we see our world. And Bellen has done just that! This moving book includes back matter about becoming a leader and improving your community just like Bellen. Her wisdom and self- confidence are sure to encourage any young reader looking to use their voice to make even great spaces better!
Contemporary research on the lives and experiences of women of color tends to neglect the influence of women’s perceived access to voice as they manage tensions related to race, class, and gender. Underserved Women of Color, Voice, and Resistance: Claiming a Seat at the Table contributes to current dialogues that construct Black Feminist Theory as active, critical engagement within dominant American institutions that oppress women of color in their daily lives. Women of color face unique social challenges that exist at the intersections of race, gender, class, and sexual orientation. While some challenges are common to women of color, others reflect the distinct journey each woman makes as she negotiates her identity within her family, professional circle, social and romantic relationships, and community. The editors have constructed a rich collection of voices in this work exploring the politics of women of color across various social contexts.
Discover your true color voice! Acrylic Color Explorations will have you seeing the world around you in a new way as color theory becomes engaging, easy-to-understand and fun. Not only will you achieve a basic understanding of color and pigments, but author Chris Cozen will also guide you through a personal exploration of color in 30 exercises using acrylic paint. Go beyond the red-yellow-blue understanding of the color wheel by exploring the work of several artists who work with color in unique ways. Determining when to introduce a calming color or when to turn the color volume up is a skill that can be developed through practice and intention, and with Acrylic Color Explorations you will learn how to do both! • Learn 33 techniques for incorporating and developing color in your paintings. • Explore practical color basics with exercises and color challenges that will help you determine your color "voice." • Discover secrets to mastering any creative color situation with 9 contributing artists! Embrace your true color voice today!