The Visual Culture of Baptism in the Middle Ages
The Visual Culture of Baptism in the Middle Ages

Author: HarrietM.Sonnede Torrens

Publisher: Routledge

Published: 2017-07-05

Total Pages: 251

ISBN-13: 1351539655

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Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.

The Visual Culture of Baptism in the Middle Ages
The Visual Culture of Baptism in the Middle Ages

Author: HarrietM.Sonnede Torrens

Publisher: Routledge

Published: 2017-07-05

Total Pages: 447

ISBN-13: 1351539647

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Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.

The Visual Culture of Baptism in the Middle Ages
The Visual Culture of Baptism in the Middle Ages

Author: Harriet M. Sonnede Torrens

Publisher:

Published: 2013

Total Pages: 232

ISBN-13: 9781315084954

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"Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world's only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The 'visual' is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship."--Provided by publisher.

A Globalised Visual Culture?
A Globalised Visual Culture?

Author: Fabio Guidetti

Publisher: Oxbow Books

Published: 2020-07-31

Total Pages: 416

ISBN-13: 1789254493

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Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especially of Germanic and Sasanian origin, are attested in Roman territories. This volume aims at investigating the reasons behind this seemingly globalised visual culture spread across the Late Antique world, both within the borders of the (former) Roman and (later) Byzantine Empire and beyond, bringing together diverse approaches characteristic of different national and disciplinary traditions. The presentation of a wide range of relevant case studies chosen from different geographical and cultural contexts exemplifies the vast scale of the phenomenon and demonstrates the benefit of addressing such a complex historical question with a combination of different theoretical approaches.

The Bernward Gospels
The Bernward Gospels

Author: Jennifer P. Kingsley

Publisher: Penn State Press

Published: 2016-05-12

Total Pages: 489

ISBN-13: 0271077646

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Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.

Arts & Humanities Through the Eras: Medieval Europe (814-1450)
Arts & Humanities Through the Eras: Medieval Europe (814-1450)

Author:

Publisher:

Published: 2005

Total Pages: 560

ISBN-13:

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Profiling milestones and movements in the arts, literature, music and religion from a specific period, each volume in this five-volume set helps students and researchers understand the various disciplines of the humanities in relation to each other, as well as to history and culture. An overview of the period and a chronology of major world events begin each volume. Nine chapters follow, covering the major branches of the humanities: architecture and design, dance, fashion, literature, music, philosophy, religion, theater and visual arts. Chapters begin with a chronology of major events within the discipline followed by articles covering the movements, schools of thought and masterworks that characterize the discipline during the era and biographical profiles of pioneers, masters and other prominent figures in the field. Chapters end with significant primary documents from the period.

Medieval Vision
Medieval Vision

Author: Peter Lord

Publisher:

Published: 2003

Total Pages: 298

ISBN-13:

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The final volume in Peter Lord's series on the visual aspects of Welsh culture focuses upon the period extending from the collapse of Roman government in the fifth century to the Renaissance of the fifteenth and early sixteenth centuries.

French Visual Culture and the Making of Medieval Theater
French Visual Culture and the Making of Medieval Theater

Author: Laura Weigert

Publisher: Cambridge University Press

Published: 2015-12-30

Total Pages: 311

ISBN-13: 1316412121

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This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.

Rome and Religion in the Medieval World
Rome and Religion in the Medieval World

Author: Valerie L. Garver

Publisher: Routledge

Published: 2016-04-08

Total Pages: 412

ISBN-13: 1317061233

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Rome and Religion in the Medieval World provides a panoramic and interdisciplinary exploration of Rome and religious culture. The studies build upon or engage Thomas F.X. Noble’s interest in Rome, especially his landmark contributions to the origins of the Papal States and early medieval image controversies. Scholars from a variety of disciplines offer new viewpoints on key issues and questions relating to medieval religious, cultural and intellectual history. Each study explores different dimensions of Rome and religion, including medieval art, theology, material culture, politics, education, law, and religious practice. Drawing upon a wide range of sources, including manuscripts, relics, historical and normative texts, theological tracts, and poetry, the authors illuminate the complexities of medieval Christianity, especially as practiced in the city of Rome itself, and elsewhere in Europe when influenced by the idea of Rome. Some trace early medieval legacies to the early modern period when Protestant and Catholic theologians used early medieval religious texts to define and debate forms of Roman Christianity. The essays highlight and deepen scholarly appreciation of Rome in the rich and varied religious culture of the medieval world.

Holy Motherhood
Holy Motherhood

Author: Elizabeth L'Estrange

Publisher:

Published: 2008-10-15

Total Pages: 328

ISBN-13:

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This study brings images of holy motherhood and childbearing into the center of an art-historical enquiry, showing how images worked not only to script and maintain gender and social roles within patriarchal society but also to offer viewers ways of managing those roles. Some of the manuscripts discussed are relatively unknown and their images and texts are made available to readers for the first time. Through an adaptation of Baxandall’s ‘period eye,’ the study considers the many ‘cognitive habits’ acquired by aristocratic lay women and men through familiarity with prayers for childbirth, the lying-in ceremony, and the rite of churching. It then uses this methodology to interpret the images and prayers in six bespoke manuscripts, including the Fitzwilliam Hours and the Hours of Marguerite of Foix. This book was produced with financial assistance from The Medieval Academy of America, The Scouloudi Foundation and The Weiss-Brown Subvention of The Newberry Library, Chicago.