The main purpose of this work is to provide an English translation of and commentary on a recently published Arabic text dealing with con ditional propositions and syllogisms. The text is that of A vicenna (Abu represents his views on the subject as they were held throughout his life.
Kafka’s work has been attributed a universal significance and is often regarded as the ultimate witness of the human condition in the twentieth century. Yet his work is also considered paradigmatic for the expression of the singular that cannot be subsumed under any generalization. This paradox engenders questions not only concerning the meaning of the universal as it manifests itself in (and is transformed by) Kafka’s writings but also about the expression of the singular in literary fiction as it challenges the opposition between the universal and the singular. The contributions in this volume approach these questions from a variety of perspectives. They are structured according to the following issues: ambiguity as a tool of deconstructing the pre-established philosophical meanings of the universal; the concept of the law as a major symbol for the universal meaning of Kafka’s writings; the presence of animals in Kafka’s texts; the modernist mode of writing as challenge of philosophical concepts of the universal; and the meaning and relevance of the universal in contemporary Kafka reception. This volume examines central aspects of the interplay between philosophy and literature.
This collection of twelve essays by scholars from the USA, Canada, the UK and Japan, presents fresh perspectives on familiar Sartrean subjects and novel approaches to neglected ones. Divided into four equal parts – Aesthetics, Philosophy, Politics and Revolt – its chapters reflect both the eclectic scope of Sartre’s project and the dynamic attention it continues to attract. Moreover, this intellectual interest extends beyond the field of “Sartre studies” and across the generations, from established specialists to younger academics regarding Sartre from some surprising new angles: Pop-Art and jazz prove to be revealing prisms, as do dialogues with Dennett, Ilyenkov, Badiou and Genet, among others. In short, this is a book whose original essays make a lively contribution to the continuing critical conversation around the work of Jean-Paul Sartre.
By proposing solutions to a number of fundamental metaphysical problems, this work develops and vindicates an objective, realistic, rationalistic approach to metaphysics. Attention is given to language and meaning, international objects and formal realities, universals and particulars, prediction and predictables.
By drawing on the insights of diverse scholars from around the globe, this volume systematically investigates the meaning and reality of the concept of negation in Post-Kantian Philosophy—German Idealism, Early German Romanticism, and Neo-Kantianism. The reader benefits from the historical, critical, and systematic investigations contained which trace not only the significance of negation in these traditions, but also the role it has played in shaping the philosophical landscape of Post-Kantian philosophy. By drawing attention to historically neglected thinkers and traditions, and positioning the dialogue within a global and comparative context, this volume demonstrates the enduring relevance of Post-Kantian philosophy for philosophers thinking in today’s global context. This text should appeal to graduate students and professors of German Idealism, Post-Kantian philosophy, comparative philosophy, German studies, and intellectual history.