THE UNFOLDING BEAUTY OF POETRY Poetry rolls off the tongue with ease, Spoken with images the poet sees. It's for the young. It's for the old And all of those in between. Touching the innermost part of thee, Bringing to you a part of me. As these were written, I thought of you And unfolded my silver screen.
In the midst of the hurt and the mundane, the questions and the not yets, you can forget just how far you have come. This illustrated collection of poetry and essays invites you to reclaim moments of brokenness, division, and pain and re-envision them as experiences of reconciliation, unity, and hope. Popular Instagram poet and bestselling author Morgan Harper Nichols weaves together personal reflections through her signature poems, reflecting on the moments that shaped her. She invites you to: Awaken your heart and recognize how your own story has made you who you are today Enter into a deeper understanding of pressing on and pressing in, of transformation and surrender Discover meaning in the losses and embrace anticipation for the splendor ahead Become who you are in the moment you hold right now How Far You Have Come is an excellent gift for college and high school graduations, celebrations and anniversaries, life transitions, and birthdays or simply a gift for yourself. Follow Morgan on Instagram @morganharpernicols (along with her millions of followers), and look for more beautiful, thought-provoking poetry in her other collections: All Along You Were Blooming You Are Only Just Beginning
Delving into the depths of fairy tales to transform the daily into encounters with the marvelous but dangerous, Maggie Smith's poems question whether the realms of imagination can possibly be safe. How do we protect our children from the brutality of the world they live in--the world we brought them into--without also keeping them from the dark forest's wonder and beauty? Even as her compressed stories are unfolding on a suburban cul de sac, they are deep in the mythical woods, "where children, despite their commonness, / are a delicacy."
Like Divakaruni's much-loved and bestselling short story collection Arranged Marriage, this collection of poetry deals with India and the Indian experience in America, from the adventures of going to a convent school in India run by Irish nuns (Growing up in Darjeeling) to the history of the earliest Indian immigrants in the U.S. (Yuba City Poems). Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves. This collection is touched with the same magic and universal appeal that excited readers of Arranged Marriage. In Leaving Yuba City, Chitra Banerjee Divakaruni proves once again her remarkable literary talents.
Poetry. Asian American Studies. "Jenny Zhang's poems broadcast themselves with a surrealist anxiety. 'Can't I be my own dream?' she asks. The answer is always yes and always no. With dizzying energy and intelligence, Zhang forages through familial, global, and even anatomical configurations vainly outlining an identity that manifests only to shift and move restlessly on. This book brings to mind a 21st century Whitman, only female, Chinese, and profoundly scatological." Elizabeth Robinson"
This accessible writer's guide provides a helpful framework for creating poetry and navigates contemporary concerns and practices. Stephen Dobyns, author of the classic book on the beauty of poetry, Best Words, Best Order, moves into new terrain in this remarkable book. Bringing years of experience to bear on issues such as subject matter, the mechanics of poetry, and the revision process, Dobyns explores the complex relationship between writers and their work. From Philip Larkin to Pablo Neruda to William Butler Yeats, every chapter reveals useful lessons in these renowned poets' work. Both enlightening and encouraging, Next Word, Better Word demystifies a subtle art form and shows writers how to overcome obstacles in the creative process.
Saint Agnostica is the final work of Anya Krugovoy Silver, a poet celebrated for her incisive writing about illness, motherhood, and Christian faith. The poems in this collection dance between opposite poles of joy and grief, community and isolation, humor and anger, belief and doubt, in moving and devastating witness to a life lived with strength and resolve.
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so." C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island. "Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical ‘goblets of magnolialight,’ and recurrent, mysterious, semi-allegorical figures like ‘the snakeman’ and ‘the boneman’ share space with place names, lexicographies, exhortations and wacky graffiti (‘God is Louise’).… cherish Wright's latest ‘once-and-for-all thing, opaque and revelatory, ceaselessly burning.’"—Publishers Weekly "For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers—still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything—human and angry and beautiful."—Michael Ondaatje "C.D. Wright is entirely her own poet, a true original."—The Gettysburg Review