Poet, critic, translator, scholar, and pre-eminent novelist, Ahmed Ali (1910-1994) is best known for his deeply-moving portrait of Delhi, Twilight in Delhi (1940). This volume brings together essays which provide current critical insights into Ali's work, life, and socio-cultural milieu.
In graphically stunning illustrations that feature clever twists in points of view, familiar scenes turn and turn again to show each perspective. Full color.
When artist, Kira McGovern mixes paints with the ashes of the dead, she discovers her extraordinary gift, bit it also leads her to some horrifying crimes in this pshchological thriller of a novel.
There is a world behind the canvas. Past the flat façade and the crackling paint is a realm where art lives, breathes, creates, and destroys. Claudia Miravista loves art but only sees what is on the surface-until the Dutch boy Pim appears in the painting in her room. Pim has been trapped in the world behind the canvas for centuries by a power-hungry witch, and he now believes that Claudia is his only hope for escape. Fueled by the help of an ancient artist and some microwaveable magic, Claudia enters the wondrous and terrifying world behind the canvas, intent on destroying the witch's most cherished possession and setting her new friend free. But in that world nothing is quite as it appears on the surface. Not even friendship.
This book presents a detailed account of two analytic case studies examined through the particular viewpoint of creativity.The first part of the book contains a review of the classical and contemporary literature on the source and function of creativity. Creativity is then examined from the perspective of several analytic models - Freudian, Kleinian, and post-Kleinian. The second and third parts of the book present case illustrations that deal with the use of creative activity in analysis. The creative use of biblical stories in the case of David, or the use of paintings and poems in the case of Rachel, portrayed the inner reality of these patients. David's violent and incestuous biblical stories reflected his world of incestuous and destructive wishes towards his primary objects (and towards the therapist in the transference). Rachel's paintings and poems conveyed her unconscious conflicts, depressive fantasies and anxieties, stemming from her fusion with her mother who was a child Holocaust survivor. Working through their relationships with their primary objects and their self perception, as revealed by these creative activities in analysis, facilitated the patients' mourning.
Loosely based on the true story of Binjamin Wilkomirski, whose fabricated 1995 Holocaust memoir transfixed the reading public, The Canvas has a singular construction, its two inter-related narratives begin at either end and meet in the middle. Amnon Zichroni, a psychoanalyst in Zurich, encourages Minsky to write a book about his traumatic childhood experience in a Nazi death camp, a memoir which the journalist Jan Wechsler claims is a fiction. Years later, a suitcase arrives on Wechsler's doorstep, allegedly lost in Israel, a trip he has no memory of.
“I’m doing the right thing, not feeding myself. It’s the only thing I can do, so I will do it. Gloria can somehow have the energy I don’t take in, and it will help her stay alive.” Twenty years ago, fourteen-year-old Valerie rushed off for lunch with her boyfriend instead of properly putting away a packet of balloons, and her little brother choked to death on his third birthday. In response, Valerie locked down every aspect of her life so she could never lose control like that again, and she’s still doing that today. So when her sister Gloria is found comatose after an apparently random attack, Valerie is desperate to do something, anything, to save her only remaining sibling. But as a financial controller for a “nothing bigger than a size six” fashion designer, she has no medical background and no idea of how to help. But she has to find a way. Since Gloria has always wanted to be a size zero, Valerie hits on food as the answer: by eating less, she will lose the weight Gloria now can’t and somehow save her sister that way. But when “eating less” turns into a frantic starvation diet to reach size zero before Gloria dies, will Valerie’s self control save her sister or destroy her own life?