Ron and Reg. Violent men who brought a code of honour to the streets that is still observed today. Their deaths bring to an end the golden era of gangsters whose word was law and whose ferocity maintained the order of the streets...Nobody knew the twins like Kate Kray. Married to Ron before his death, she was granted unique access into the shadowy world they inhabited, and was entrusted with some of the darkest secrets they possessed - secrets that could never be revealed until they were both dead. Now, with the help of thoughts and anecdotes from the people who knew the twins best, Kate has documented once and for all the life of the world's most famous gangsters, and filled in the gaps with the facts that could not be revealed until now. Gangsters, actors, East End faces - everyone who is anyone in the Firm is here, thanks to Kate's unique access and influence. And in this remarkable book, the Krays' chief torturer, the man who was with them on the night they were arrested, has broken his silence for the very first time.
The classic, bestselling account of the infamous Kray twins, now a major film, LEGEND, starring Tom Hardy. Reggie and Ronald Kray ruled London's gangland during the 1960s with a ruthlessness and viciousness that shocks even now. Building an empire of organised crime such as nobody has done before or since, the brothers swindled, intimidated, terrorised, extorted and brutally murdered. John Pearson explores the strange relationship that bound the twins together, and charts their gruesome career to their downfall and imprisonment for life in 1969. Now expanded to include further extraordinary revelations, including the unusual alliance between the Kray twins and Lord Boothby – the Tory peer who won £40,000 in a libel settlement when he denied allegation of his association with the Krays – The Profession of Violence is a truly classic work. John Pearson is also the author of All the Money in the World (previously titled Painfully Rich), now a major motion picture directed by Ridley Scott film and starring Michelle Williams, Mark Wahlberg and Christopher Plummer (nominated for the Oscar for Best Supporting Actor).
Provocative and timely: a pioneering neurocriminologist introduces the latest biological research into the causes of--and potential cures for--criminal behavior. With an 8-page full-color insert, and black-and-white illustrations throughout.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
Two names reigned supreme in London's underworld in the sixties - Ronnie and Reggie Kray; and it wasn't until 1969 that the twins went down at Brixton Prison for murder. I was only seventeen, on remand up in Risley, Warrington, for nicking a furniture lorry. Most of the lads in there had newspaper photos of the Krays stuck up on their cell walls. They were the cream of the criminal crop, and that's why I took such an interest in 'em. Once I was put away, it wasn't long before I got to meet them, and over the next 29 years I got closer to the Krays than any self-proclaimed henchman, any autograph hunter. As their trusted friend they let me in on it all - no holds barred behind bars! Since Ronnie and Reggie died, all I've heard is a load of bollocks! 'Reggie shot my cat; Ronnie stabbed my uncle Bert 75 times; Reggie ran over my hamster; I'm Ronnie's son, I'm Reggie's daughter.' Gutless maggots spreading rumours with their sham stories for sale. The shameless rats. Well now the twins are gone and I can talk. And let me tell you, I've got a lot to say and all the time in the world to say it. No bollocks. No silly stories. Just the facts about the time I spent doing porridge with the Krays.
THROUGHOUT HISTORY AND ACROSS CULTURES, the most common form of violence is that between family members and neighbors or kindred communities—in civil wars writ large and small. From assault to genocide, from assassination to massacre, violence usually emerges from inside the fold. You have more to fear from a spouse, an ex-spouse, or a coworker than you do from someone you don’t know. In this brilliant polemic, Russell Jacoby argues that violence erupts most often, and most savagely, between those of us most closely related. An Indian nationalist assassinated Mohandas Gandhi, “the father” of India. An Egyptian Muslim assassinated Anwar Sadat, the president of Egypt and a recipient of the Nobel Peace Prize. An Israeli Jew assassinated Yitzhak Rabin, the Israeli prime minister and similarly a recipient of the Nobel Peace Prize. Genocide most often involves kindred groups. The German Christians of the 1930s were so closely intertwined with German Jews that a yellow star was required to tell the groups apart. Serbs and Muslims in Bosnia, like the Hutu and Tutsi in Rwanda, are often indistinguishable even to one another. This idea contradicts both common sense and the collective wisdom of teachers and preachers, who declaim that we fear—and sometimes should fear—the “other,” the dangerous stranger. Citizens and scholars alike believe that enemies lurk in the street and beyond, where we confront a “clash of civilizations” with foreigners who challenge our way of life. Jacoby offers a more unsettling truth: it is not so much the unknown that threatens us, but the known. We attack our brothers—our kin, our acquaintances, our neighbors—with far greater regularity and venom than we attack outsiders. Weaving together the biblical story of Cain and Abel, Freud’s “narcissism of minor differences,” insights on anti-Semitism and misogyny, as well as fresh analysesof “civil” bloodbaths from the St. Bartholomew’s Day Massacre in the sixteenth century to genocide and terrorism in our own time, Jacoby turns history inside out to offer a provocative new understanding of violentconfrontation over the centuries. “In thinking about the bad, we reach for the good,” he says in his Introduction. This passionate, counterintuitive account affords us an unprecedented insight into the roots of violence.
London's most notorious gangsters, in their own words . . . The Sunday Times Top Ten Bestseller. The Kray twins were Britain's most notorious gangsters. Ruling London's underworld for more than a decade, as gang lords they were among the most powerful and feared men in the city. Photographed by David Bailey and even interviewed for television, they became celebrities in their own right and are infamous to this day. Ronnie and Reg's reign of terror ended on 8 March 1969 when they were sentenced to life with the recommendation that they serve at least thirty years. Ronnie ended his days in Broadmoor – his raging insanity only controlled by massive doses of drugs. Reg served almost three decades in some of Britain's toughest jails before being released on compassionate grounds in August 2000. He died of cancer eight months later. Compiled from a series of interviews with Fred Dinenage from behind prison walls, Our Story is the classic account that explodes the myths surrounding the Kray twins. In it, the twins set the record straight. In their own words they tell the full story of their brutal career of crime and their years behind bars. With an introduction from Fred Dinenage, this compelling, disturbing and highly readable book is the definitive story of two legendary criminals.
If one woman understands tough guys, it's Kate Kray' - The Independent Married to Ron before his death, and a regular correspondent with Reg, Kate Kray was granted unique access to the shadowy underworld they inhabited, and was entrusted with some of the darkest secrets they possessed - secrets that could never be revealed until they were both dead. Featuring exclusive letters, thoughts from the twins themselves, as well as anecdotes and tributes from gangsters, actors and East End faces, Kate has produced the definitive view of the Krays. Fifty years on from their incarceration, this thrilling and, at times, terrifying memoir remains a truly unique portrait of the real men behind the immortal image.
From the bites and scratches of lovers and the threat of flogging that hangs over the comic slave, to murder, rape, dismemberment, and crucifixion, violence is everywhere in Latin literature. The contributors to this volume explore the manifold ways in which violence is constructed and represented in Latin poetry and prose from Plautus to Prudentius, examining the interrelations between violence, language, power, and gender, and the narrative, rhetorical, and ideological functions of such depictions across the generic spectrum. How does violence contribute to the pleasure of the text? Do depictions of violence always reinforce status-hierarchies, or can they provoke a reassessment of normative value-systems? Is the reader necessarily complicit with authorial constructions of violence? These are pressing questions both for ancient literature and for film and other modern media, and this volume will be of interest to scholars and students of cultural studies as well as of the ancient world.
John Pearson knows more about the Krays than anyone alive. Legend, starring Tom Hardy, was based on his book The Profession of Violence and it was Pearson who exposed the Boothby connection in 1994. In 1967 the twins asked Pearson to write their biography. He remained a confidant of the family and the brothers throughout their trial and prison years. Now Pearson revisits the twins' criminal past and lays bare the truth behind the legend. Drawing upon a mass of first-hand interviews and private information he was unable to use while the Krays were still alive, he finally recounts the chilling untold story of the Kray twins. John Pearson is also the author of All the Money in the World (previously titled Painfully Rich), now a major motion picture directed by Ridley Scott film and starring Michelle Williams, Mark Wahlberg and Christopher Plumber (nominated for the Oscar for Best Supporting Actor).
