"In this book, Natalia Mielczarek engages with close to one thousand editorial cartoons to trace visual representations of President Donald Trump and the rhetorical mechanisms that construct them. Mielczarek argues that editorial cartoons largely either hide or overexpose the president, often resembling partisan propaganda, not social critique"--
This book takes a sardonic look at President Donald Trump's four years in office usingcartoons and historical commentary to tell the story. The book covers all of the major events during his presidency, from his inauguration to his second impeachment, including the Mueller probe, border policies, trade wars, elections and pandemic.
More than 150 cartoons about Trump and his presidency! You'll laugh! You'll cry! Organized by topic, the full-color illustrations laugh and weep at the Kavanaugh Konflagration, Puerto Rico, Russia and Putin, The Mueller Probe, The McCain Mutiny, Freud and Trump's Doctors, Obama, Immigrant Children, Guns, International Relations, Trump's Magical Moments and a special section called Toil and Trouble.
A NEW YORK TIMES BEST SELLER! He tried to warn us. Ever since the release of the first Trump-for-President trial balloon in 1987, Doonesbury’s Garry Trudeau has tirelessly tracked and highlighted the unsavory career of the most unqualified candidate to ever aspire to the White House. It’s all there—the hilarious narcissism, the schoolyard bullying, the loathsome misogyny, the breathtaking ignorance; and a good portion of the Doonesbury cast has been tangled up in it. Join Duke, Honey, Earl, J.J., Mike, Mark, Roland, Boopsie, B.D., Sal, Alice, Elmont, Sid, Zonker, Sam, Bernie, Rev. Sloan, and even the Red Rascal as they cross storylines with the big, orange airhorn who’s giving the GOP such fits. Garry Trudeau is the “sleazeball” “third-rate talent” who draws the “overrated” comic strip Doonesbury, which “very few people read.” He lives in New York City with his wife Jane Pauley, who “has far more talent than he has."
How do you poke fun at a man who’s so absurd he practically satirizes himself? Even two-time Pulitzer Prize–winning cartoonist Mike Luckovich admits it’s been a challenge covering the Cheeto-in-Chief in his internationally syndicated political cartoons. But Mike rose to the challenge, pulling no punches and stripping down Trump and his cronies with his signature wit and style. Covering Trump’s antics from the 2016 election through to the Mueller investigation, the cartoons in A Very Stable Geniustackle key moments in Trump’s political career, offering scathing insights on everything from his disastrous track record with women to his revolving-door cabinet to his suspiciously intimate relationship with a certain Russian leader. Woven through with searing commentary and personal anecdotes, Mike’s cartoons will shock and delight you, making you think as much as they make you laugh — when you’re not too busy being terrified.
"Herblock's History" is an article written by Harry L. Katz that was originally published in the October 2000 issue of "The Library of Congress Information Bulletin." The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for "The Washington Post" for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online.
This volume covers main phases of United States history over the span of a century, 1918 - 2018. Starting with fights for "Americanism" during World War I until the "America-First" movement of our times, there are, among others, Pulitzer Prize-winning editorial cartoons about these topics: Ku Klux Klan, Foreign Policy, Great Depression, Lynching Practices, Labor Conditions, War Productions, Truman's Administration, Korean War, Racial Integration, Vietnam War, Watergate Scandal, Death Penalty, Ronald Reagan, Clinton's Sex Affair, Terrorist Attacks, Iraq War, Deadly Hurricanes, Financial Crashes, Washington Establishment, Presidents Barack Obama and Donald Trump.
Oliphant's Presidents is a unique presentation of some of the best of this artist's work--a review of artwork dating from 1964 and spanning more than 20 years, gauging the political peaks and valleys from LBJ and Vietnam to "Tricky Dick" and Watergate.
Much of what the world knows about the United States of America is constructed and spread through global media. One can hardly find a country where news events involving the U.S.A. do not attract media attention, controversy, or at least invoke some level of critical thought. Popular Representations of America in Non-American Media provides emerging research exploring how non-American media covers and represents the U.S.A. through a critical review that demonstrates how foreign media representations of the country have varied according to periods in history, political leadership, and current ideological and socio-cultural affinities. The publication also conversely examines Americans perceptions of foreign media representations of their country. Featuring coverage on a broad range of topics such as neocolonialism, political science, and popular culture, this book is ideally designed for students, scholars, media specialists, policymakers, international relation experts, politicians, and other professionals seeking current research on different perspectives on non-American medias representation of the U.S.A. and Americans.
The first year of the Trump presidency was a test of our national character. Would we stand by as the president and his party tried to rob tens of millions of poor and middle class Americans of their health insurance? Would we care if the president allowed restaurants to confiscate tips from their employees? Would we stand by in acquiescence while he slashed taxes on the wealthy and hiked them on the poor? Would we mind if the White House showed utter disdain for the truth, telling us over 1000 documented falsehoods? Would we allow the President to forbid transgender troops from serving in our military? Would we stand by in silence as he declared the press to be an "Enemy of the American People"? Would we agree with him banning travelers from Muslim countries and banning Syrian refugees? Would we stand by while he provided aid and comfort to white supremacists and Neo Nazis? While he obstructed justice? While he appointed an ultra-conservative to a stolen Supreme Court seat? While he handed over sacred Native American national parks to private developers? While he pushed a budget that would slash Medicaid and anti-poverty efforts? Would we look the other way as he maligned women he'd allegedly sexually assaulted even as the #MeToo movement was finally holding sexual harassers and predators accountable? While he at first stood by and did nothing as 3 million American citizens suffered and more than 1000 died in impoverished Puerto Rico? This was our test. Did we pass? "We Eat the Poor" compiles the political cartoons of 2017, created for newspapers by award-winning cartoonist Darrin Bell of the Washington Post Writers Group.
