The Triumph of the Crucified
Author: Erich Sauer
Publisher:
Published: 1956
Total Pages: 218
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Erich Sauer
Publisher:
Published: 1956
Total Pages: 218
ISBN-13:
DOWNLOAD EBOOKAuthor: Erich Sauer
Publisher:
Published: 1957
Total Pages: 207
ISBN-13:
DOWNLOAD EBOOKAuthor: Erich Sauer
Publisher:
Published: 1972
Total Pages: 207
ISBN-13:
DOWNLOAD EBOOKAuthor: Girolamo Savonarola
Publisher:
Published: 1868
Total Pages: 316
ISBN-13:
DOWNLOAD EBOOKAuthor: Erich Sauer
Publisher:
Published: 1966
Total Pages: 207
ISBN-13:
DOWNLOAD EBOOKAuthor: Erich Sauer
Publisher:
Published: 1966
Total Pages: 207
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Samuel
Publisher:
Published: 1857
Total Pages: 224
ISBN-13:
DOWNLOAD EBOOKAuthor: Girolamo Savonarola
Publisher:
Published: 1901
Total Pages: 260
ISBN-13:
DOWNLOAD EBOOKAuthor: John Ross (Curate of Pett.)
Publisher:
Published: 1851
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Viladesau
Publisher: Oxford University Press
Published: 2008-04-22
Total Pages: 1165
ISBN-13: 0199887373
DOWNLOAD EBOOKThis is a sequel to Richard Viladesau's well-received study, The Beauty of the Cross: The Passion of Christ in Theology and the Arts from the Catacombs to the Eve of the Renaissance. It continues his project of presenting theological history by using art as both an independent religious or theological "text" and as a means of understanding the cultural context for academic theology. Viladesau argues that art and symbolism function as alternative strands of theological expression sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of crucifixion and its role in salvation history. This book examines the two great revolutionary movements that gave birth to the modern West: the Renaissance and the Protestant Reformation. This period was eventful for both theology and art, and thus particularly fruitful for Viladesau's project. Using individual works of art, over sixty of which are reproduced in this book, to epitomize particular artistic and theological models, he explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. To name a few examples, the theologies of Savonarola, Luther, Calvin, and the Council of Trent, are examined in correlation to the new situation of art in the era of Fra Angelico, Leonardo, Michelangelo, Dürer, Cranach, and the Mannerists. In this book, Viladesau continues to deepen our understanding of the foremost symbol of Christianity.