Why does God permit the great suffering and evil that we see in our world? This basic question of human existence receives a fresh answer in this book as the mystery of evil is explored in the context of the mystery of the Trinity. God's permission of evil and the way in which suffering can lead human persons into the life of the Trinity are discussed in dialogue with the great Swiss theologian Hans Urs von Balthasar. In the light of Balthasar's model of the Trinity as divine self-giving love, we gain a profound grasp of the nature of suffering in human life by placing our suffering in the context of the divine life of the Triune God.
Although scholarship has long recognized the centrality of the Trinity in the theology of Hans Urs von Balthasar, no sustained treatment of this theme has been published until now. In this insightful new book, The Trinitarian Theology of Hans Urs von Balthasar, Brendan McInerny fills this gap, situating Balthasar's trinitarian theology in conversation with both the wider Christian theological tradition and his non-Christian intellectual contemporaries. Drawing from across Balthasar's extensive body of works, McInerny argues that Balthasar's vivid description of the immanent Trinity provides a way to speak of how "God is love" in himself, beyond his relationship to creatures. He then shows how Balthasar's speculation into the immanent Trinity serves as the substructure of his theology of deification. For Balthasar, what we say about the inner life of God matters because we are called to share in that very life through Christ and the Holy Spirit, to the glory of God the Father. Finally, responding to the criticisms that Balthasar's speculations into the inner life of God are without warrant, McInerny argues that Balthasar's bold trinitarian claims are actually a vehicle for apophatic theology. Balthasar's vivid description of the triune God does not transgress the boundaries of theological discourse. Rather, it manifests God's ever-greater incomprehensibility through verbal excess, oxymoron, and paradox.
How do Christians reconcile their belief in one God with the concept of three divine 'persons'? This Companion provides an overview of how the Christian doctrine of the Trinity has been understood and articulated in the last two thousand years. The Trinitarian theologies of key theologians, from the New Testament to the twentieth century, are carefully examined and the doctrine of the Trinity is brought into dialogue with non-Christian religions as well as with other Christian beliefs. Authors from a range of denominational backgrounds explore the importance of Trinitarian thought, locating the Trinity within the wider context of systematic theology. Contemporary theology has seen a widespread revival of the doctrine of the Trinity and this book incorporates the most recent developments in the scholarship.
"Schumacker systematically exposits the Trinitarian theological anthropology of von Speyr, as it emerges through her vast corpus, in parallel with a development of the same theme in Balthasar's work. ... Finally, the volume exposits Aquinas's own doctrine on theological discourse, in view of initiating a dialogue wiwth his disciples." -- publisher's description.
"Strives to radically utilize Emmanuel Levinas's philosophical framework, bringing it into conversation with the theology of Hans Urs von Balthasar, to construct a post-ontotheological account of theology that unites theory and praxis. By allowing Levinas's Judaism to challenge von Balthasar's Catholicism, Glenn Morrison develops a perspective that is both theologically rich and philosophically provocative"--Provided by publisher.
Although scholarship has long recognized the centrality of the Trinity in the theology of Hans Urs von Balthasar, no sustained treatment of this theme has been published until now. In this insightful new book, The Trinitarian Theology of Hans Urs von Balthasar, Brendan McInerny fills this gap, situating Balthasar’s trinitarian theology in conversation with both the wider Christian theological tradition and his non-Christian intellectual contemporaries. Drawing from across Balthasar’s extensive body of works, McInerny argues that Balthasar’s vivid description of the immanent Trinity provides a way to speak of how “God is love” in himself, beyond his relationship to creatures. He then shows how Balthasar’s speculation into the immanent Trinity serves as the substructure of his theology of deification. For Balthasar, what we say about the inner life of God matters because we are called to share in that very life through Christ and the Holy Spirit, to the glory of God the Father. Finally, responding to the criticisms that Balthasar’s speculations into the inner life of God are without warrant, McInerny argues that Balthasar’s bold trinitarian claims are actually a vehicle for apophatic theology. Balthasar’s vivid description of the triune God does not transgress the boundaries of theological discourse. Rather, it manifests God’s ever-greater incomprehensibility through verbal excess, oxymoron, and paradox.
He descended into hell. Hans Urs von Balthasar, one of the most influential theologians of the twentieth century, placed this affirmation of the Nicene Creed at the heart of his reflection on the world-altering events of Holy Week, asserting that this identification of God with the human experience is at the "absolute center" of the Christian faith. Yet is such a descent to suffering really the essence of Catholic belief about the mystery of Holy Saturday? Alyssa Lyra Pitstick's Light in Darkness -- the first comprehensive treatment of Balthasar's theology of Holy Saturday -- draws on the multiple yet unified resources of authoritative Catholic teaching on Christ's descent to challenge Balthasar's conclusions. Pitstick conducts a thorough investigation of Balthasar's position that Christ suffered in his descent into hell and asks whether that is compatible with traditional teaching about Christ. Light in Darkness is a thorough argument for the existence and authority of a traditional Catholic doctrine of Christ's descent as manifested in creeds, statements of popes and councils, Scripture, and art from Eastern and Western traditions. Pitstick's carefully argued, contrarian work is sure to spur debate across the theological spectrum.
Freedom and Necessity in Modern Trinitarian Theology examines the tension between God and the world through a constructive reading of the Trinitarian theologies and Christologies of Sergii Bulgakov (1871-1944), Karl Barth (1886-1968), and Hans Urs von Balthasar (1905-1988). It focuses on what is called "the problematic of divine freedom and necessity" and the response of the writers. "Problematic" refers to God being simultaneously radically free and utterly bound to creation. God did not need to create and redeem the world in Christ. It is a contingent free gift. Yet, on the other side of a dialectic, he also has eternally determined himself to be God as Jesus Christ. He must create and redeem the world to be God as he has so determined. In this way the world is given a certain "free necessity" by him because if there were no world then there would be no Christ. A spectrum of different concepts of freedom and necessity and a theological ideal of a balance between the same are outlined and then used to illumine the writers and to articulate a constructive response to the problematic. Brandon Gallaher shows that the classical Christian understanding of God having a non-necessary relationship to the world and divine freedom being a sheer assertion of God's will must be completely rethought. Gallaher proposes a Trinitarian, Christocentric, and cruciform vision of divine freedom. God is free as eternally self-giving, self-emptying and self-receiving love. The work concludes with a contemporary theology of divine freedom founded on divine election.
The two-fold task of A Symphony of Distances is to provide an overview of Hans Urs von Balthasar’s use of distance imagery with regard to personal distinctions in the Holy Trinity and to offer a critical analysis of him as a modern Catholic theologian. A metaphor of “distance” integrates all of Balthasar’s theological thought as a primary cipher for the many symbols through which he reads the Christian theological tradition in a trinitarian and eschatological mode. The book follows a chronological, four-stage development of Balthasar’s trinitarianism through the lens of this distance metaphor as it occurs across representative texts. The critical analysis employs the conceit of a symphony of four musical movements that correspond to four varieties of theological distance. These distances show certain correspondences of God’s creation and redemption of the world—marked by the first two “distances”—with the relations of the divine persons to each other in the economy of salvation and in the eternal Trinity itself—marked by the third and fourth distances. “Listening” to the four movements of Balthasar’s theological distances enables his readers to “hear” the themes of all four movements in the ascending order of richness, complexity, and inclusivity over the long development of his thought. This fundamentally positive approach of A Symphony of Distances allows for a thorough critique of the internal consistency of Balthasar’s applied method, of the controversial use of gendered trinitarian notions in his speculations on divine pathos, and of his adequacy to the tasks of modern theology. The final judgment is that Balthasar’s theology of distance can be accepted, with reservations, as a positive element of his contribution to contemporary trinitarian theology. The book can thus serve as a critical reference for readers who find Balthasar’s notion of trinitarian distance, and indeed his trinitarianism as a whole, to be compelling, confusing, or frustrating.
